Not So Fast, Henry!

Hey! If you were thinking of ordering a DVD of Not Tonight, Henry!, hold off. I didn't think to look on YouTube and see if it was there but as about eight of you all just e-mailed me within a few minutes of each other, it is. It's here. This looks like a slightly different version of the movie than the one on the DVD and it's a better print with better color. Ignore the naked women. Go watch Hank Henry's reactions and takes, and listen to some of the Paul Frees narration. That is, if you're over eighteen years of age.

And does anyone know how to look up and see if this film in public domain? Given that it's on a DVD that sells for seven bucks, it may well be.

Oh, Henry!

Hank Henry (1906–1981) was one of the last working comedians who started in and largely stayed in the realm of burlesque. At one point, he was reportedly teamed, Abbott & Costello style, with the handsome, popular straightman, Robert Alda. Robert's son Alan later became quite well known as an actor. Henry also shared stages with the real Abbott and Costello as well as Jackie Gleason, Phil Silvers, Red Buttons and many more.

As burlesque died its inevitable death, those who didn't graduate to the Gleason-Silvers level settled in one of the few places where their art form continued to thrive: Las Vegas. For years, Hank Henry was a superstar there — and only there — in revues, mostly at the old Silver Slipper casino. Some press clippings from the sixties call him the longest-running headliner in town…a position now shared by Penn & Teller.

When Hank Henry held the title, it was an honest but tough way to make a buck. Six nights a week (occasionally, seven) they'd do shows…sometimes four a night. And the four might well be spaced at 9 PM, 11 PM, 1 AM and at 2:30 AM. That's right: I said 2:30 AM. These days, very little entertainment is offered in Vegas or anywhere after Midnight but Hank Henry would be onstage at the Silver Slipper with a batch of stooges and semi-naked women until like four in the morning…with often, no cover charge, no minimum and free admission.

This has been floating around for a while on the Internet: An ad for The Bela Lugosi Revue, a show at the Silver Slipper starring Mr. Lugosi and Hank Henry plus the usual array of indecently-clad ladies along with Terre Sheehan, "The Girl in the Champagne Glass."  If I'd been her manager, I'd have changed her name to Olive. Sad to say, this was probably not the most embarrassing thing Bela did in his later years when he needed money.

But this post is about Hank Henry, who was one of those comedians people raved about. One of his many fans was Johnny Carson. In the days when Johnny would take two weeks off from The Tonight Show and play Vegas, he could often be found at one of Henry's 1 AM or 2:30 AM shows. Johnny once described him as "Rodney Dangerfield before there was Rodney Dangerfield."

An even better fan was Frank Sinatra who loved Hank, brought the whole Rat Pack to see him and even gave Hank roles in many of his films. You can see Hank Henry, usually playing a not-too-bright mobster in The Joker Is Wild, Pal Joey, Ocean's 11, Sergeants 3, Robin and the 7 Hoods and a few films that didn't star Ol' Blue Eyes.

But the greatest record of Hank Henry's work may be the 1960 movie he starred in, Not Tonite, Henry!, also sometimes spelled as Not Tonight, Henry! Earlier that year, Russ Meyer had released The Immoral Mr. Teas — the first in a wave of "nudie" films and featuring at least one of the same pairs of breasts. N.T.H. was the same kind of film with a slightly higher budget and a slightly wittier script. Note the use of the word "slightly."

It's a stupid film in a stupid genre with a stupid storyline full of stupid reasons for women (probably all strippers or burlesque stars) to be naked and it's about as arousing as watching your electric Ronco Food Dehydrator turn chunks of fresh pineapple into styrofoam. But the sheer "period" inanity of it is amusing and two performers — neither of them naked women — bring some value.

One, of course, is Hank Henry. The guy was funny. If someone had given him a network sitcom with a decent script, he could have been William Bendix or Ozzie Nelson. Throughout the film, he does these long-suffering looks into camera which almost made me think he was asking the audience to take pity on him for being in this movie.

And the other standout is the narrator. The credits say "Narrated by Larry Burrell" and Mr. Burrell was an occasional newsman who often played newsmen or reporters on TV shows. But it's not his voice in the movie, which kind of has two narrators. There's a serious gent who is not Larry Burrell. He in turn introduces the eminent authority on male/female relations, "Dr. Finster," who also is not Larry Burrell.

Paul Frees

Both announcers are Paul Frees. And as Dr. Finster, he babbles on for over an hour in the same voice he would begin using months later as Professor Ludwig Von Drake, occasional host of Walt Disney's Wonderful World of Color on NBC. If you love Paul Frees and that voice, he's a far greater reason to watch this movie than any stripper with her shirt off. And if you respect the vast voiceover skills of Mr. Frees from cartoons and real movies, you'll be more impressed with how he handles the most fatuous copy he was ever forced — at gunpoint, perhaps — to read into a microphone.

I had always heard about this film and I remember it being plugged in Playboy when I was officially too young to be looking at Playboy. The nekkid women in stills from this movie didn't intrigue me even then — too impersonal, too much like mannequins — but I was curious about Hank Henry. And I certainly didn't know that the narrator sounded like every great historical figure who had been visited by Mr. Peabody and Sherman.

I am not recommending the quality of this movie for there is little. I am also not endorsing the way it depicts women, which is mostly as statues to be admired from afar…and that's about all they're good for in Henry's world. I am not even praising the film transfer of the DVD of it I bought off Amazon. A few minutes in, I was wondering why they hadn't made this movie in color and then I realized they had. The print I was watching was just too faded.

But I bought it because I had a $5 gift certificate for Amazon and I stumbled across this movie which I've been curious about since about age thirteen…and it was $6.98. I figured it was worth two bucks to retire that curiosity forever. I think I more than got my money's worth but if you don't have a $5 gift certificate for Amazon, you might feel otherwise. Here's a link in case you're over eighteen but your sense of humor is still thirteen. At the very least, it's interesting to see a movie that couldn't, shouldn't or wouldn't be made today.

Mark's 93/KHJ 1972 MixTape #28

The beginning of this series can be read here.

Okay, here are The Turtles on a 1967 Smothers Brothers Comedy Hour performing one of their hits…the title song to the 1967 comedy film, The Guide for the Married Man. Let's watch it and talk about it…

They're lip-syncing to the record but I believe they removed the vocals by the lead singer, Howard Kaylan, and had him redo his track. Variety shows often did that. They'd use the recorded track but alter something so it didn't sound exactly like the record. But let's talk about the movie. Here's some of what I wrote before here about it…

Guide is an odd film. Everyone in it's great, especially Walter Matthau and Robert Morse. There are cameos (briefer than the advertising would have you believe) from Jack Benny, Phil Silvers, Carl Reiner, Sid Caesar and others in that category of performer that is becoming sadly extinct. There are great looking women. The film even has a scene where Joey Bishop is very funny, and how often does that happen?

So what's wrong with it? Well, it's one of those sixties' comedies built on the premise that cheating on one's mate is a fun, acceptable and even (in this case) noble thing for one to do. Even if you buy that philosophy, that aspect of the film seems so shallow and sitcom-silly that it's hard to enjoy. If you can get past that, you might. (Two other interesting things about the film: It was directed by Gene Kelly, and you can hear his voice pop up occasionally on a TV set or otherwise off-camera. And he originally wanted to have Matthau and Morse play each other's parts. Matthau kept declining the project until one day when he was telling Billy Wilder about this film he'd been turning down, and Wilder said, "Hey, that would work if you guys switched parts." Matthau decided he was right and said he'd do the picture if they swapped, and the studio agreed.)

Those who live in Los Angeles may get an extra jolly in that the movie was shot all over 1967 Los Angeles, but especially around Century City. Art Carney plays a construction worker…and the structure his crew is putting up soon became that big office building on the southwest corner of Avenue of the Stars and Santa Monica Boulevards. The scenes in the supermarket were filmed in what is now the Gelson's in what is now the Westfield Century City Mall, and there are scenes around the mall itself as it then looked.

There are even moments in a tiny amusement park called Ponyland which was then located at the corner of Beverly Boulevard and La Cienega. It was a little rat-trap with cotton candy and it seemed to exist only for divorced fathers to have a place to take their kids on the weekend when they had custody. Around 1980, it and some surrounding oil wells were torn down, and the Beverly Center was built on that land. Anyway, if you buy this film and you're bored by what the actors are saying and doing, keep an eye on the backgrounds.

I just love this song. It was composed by John Williams, long before Star Wars and long before he succeeded Arthur Fiedler as the Boston Pops Orchestra's Principal Conductor. And did you know that Williams has more Academy Award nominations than anyone except Walt Disney?

Anyway, the lyrics were by Leslie Bricusse, soon after he wrote the words for the title tune of Goldfinger and at about the same time as he was writing lyrics for Dr. Dolittle. Mr. Bricusse passed away last week. Here's a piece over on Playbill about his quite substantial contributions to the musical theater.

So Bricusse and Williams wrote the song. The Turtles just sang it and it's just so bouncy and silly and sixties.

When I edited my mixtape, I accidentally put this song on twice. When I realized my mistake, I didn't fix it. I wanted to hear this song twice as often as I heard any of the others.

Today's Video Link

The matchless Charlie Frye lives in a world where things happen that do not happen in your world or mine…

Mort Sahl, R.I.P.

I'm having trouble figuring out what to write about Mort Sahl, who died today at the age of 94. He kinda/sorta invented the concept of the mostly-topical stand-up comedian…an occupation that for a long period was limited to him and some pretty unimpressive Mort Sahl imitators. At times, it seemed like a lot of comics wanted to be him but didn't want to spend the necessary time reading newspapers and understanding current events well enough to joke about them. His albums — even though the material was often dated by the time the record was released — are still essential to any library of spoken word humor.

I met Mort briefly a couple of times. He gave my comedy-writing some encouraging words when I was in high school and I'd write about that here but then this would wind up being a piece about me and it oughta be about him. So I'll just mention that I snuck some of how he influenced me into this article that I wrote in 1996 about the Doonesbury comic strip.

Hey, I guess I can mention that I saw him perform live about seven times. Three or four of those times, he was brilliant and witty and everything you'd want Mort Sahl to be…though on one of those appearances, he said nada about politics or what was going on in the news and spent the whole hour talking about writing a TV pilot for Jack Webb's company. The other times I saw him were massively disappointing; like he was appearing on the stage before us only because someone was holding his loved ones at knifepoint and the ransom was that he just ramble on for a while without making much sense.

One of them was him scolding us for not being more demanding that the real plot to assassinate President Kennedy be revealed and accepted as truth. Back then, I believed there was a conspiracy — I later decided otherwise — but the problem was there were many theories deserving of consideration and with Sahl that night, you either totally bought into his or you were one of those uncaring, unfeeling sheep disinterested in The Truth. I don't think his version, as presented that evening in lieu of the advertised comedy, was later believed by very many people including Sahl himself.

On the topic of J.F.K., he became not only a bore but a condescending bore. Listening to him there or elsewhere, you never got any final answers about who killed Kennedy but at least you could then answer the question, "Why don't we see more of Mort Sahl these days?" Still, when he was good, he was very, very good and very quotable and I hope someone now will put together a big American Masters kind of thing with clips of him at his best. They'd certainly have enough material to fill many hours…and the top "current events" comics of today would queue up to acknowledge the debt they owe to this man. Or at least, they should.

Silver Linings

Here and there, if you look real hard, you can find some good things that have resulted from COVID-19. A lady I dated back in the previous century called the other day to say that her husband died from it. I would ordinarily consider that a tragedy even though I never met the guy…but she seems pretty happy about it. I've also come to enjoy my home in ways I never enjoyed it before. And it looks like smoking is effectively being banned in Las Vegas casinos and presumably casinos elsewhere.

I have no foreseeable plans to set foot in Vegas, let alone elsewhere, but when I finally do, I will appreciate that. For both physical and spiritual reasons, I hate being around smoking…and not just smoking tobacco. I've gotten very sick at times because of it and that's never pleasant…though I did enjoy to some extent one instance. I politely asked a stranger near me to smoke in the other direction. Instead, just to be a dick about it, he turned and blew smoke in my face and I responded by throwing up on his pants.

Perhaps that drilled home the concept that others weren't just being finicky to tell him they didn't enjoy it. And if that didn't, I can't imagine what would.

Casinos in Vegas have experimented in the past with banning smoking. Every so often in the previous century, one would try it and revenues would plunge so severely that they'd either hurriedly rescind the rule or, in a couple of cases, go out of business. This century, some have successfully cordoned off "no smoking" areas so it's less likely you have to breathe in Winston fumes while playing slots, rolling craps or losing shirts.

But the casinos have had two problems segregating the smokers. One is that the ventilation/circulation in those places is complicated and odd and you can sometimes find yourself inhaling the cologne on that pit boss twenty yards away, over near the Sports Book. Last time I stayed at Harrah's, I couldn't walk past the exterior of the buffet without smelling honey-glazed ham and perhaps the guy carving it.

And secondly, you have people who believe their personal freedom includes the right to do whatever they want wherever and whenever they want…or as they often phrase it, whatever/whenever/wherever the f*ck they want, although they sometimes don't pronounce the asterisk. It's amusing and manageable when — and we've all seen the news clips and videos — someone insists there's an amendment in the Bill of Rights that says they can shop at Target without a mask…

But what if it's someone a little harder to say "no" to? In Vegas, they have such people. They call them "Whales." Some time ago on this blog, I told the following story…

One year a long time ago, I had to spend a week in Las Vegas and I worked day and night in my room but especially night. I was writing a script, often until 7 AM or 8 AM. Then I'd sleep most of the day, just to annoy the housekeepers.

Around 3 AM, I would take a break and walk from my room at the Luxor to the Krispy Kreme stand over in the Excalibur. The two hotels are owned by the same company and there's a walkway that connects them. It was a long walk so I felt better about eating a Krispy Kreme donut than if I hadn't burned so many calories to get to it.

There was a very cute lady who worked there and as she didn't have much to do at 3 AM, we always got to talking. I think I went over for the conversation as much as for the donut. This was not a romantic thing — she was married and in an early stage of pregnancy — but I liked talking with her and making her laugh. One night as I walked up, I said, "What's the latest donut?" She said they'd just made Cinnamon Buns so I said, "I'll have a Cinnamon Bun." As she was fetching it, a well-dressed man rushed up, shoved his way past me and demanded a dozen assorted donuts, IMMEDIATELY!

She said, "I'll help you as soon as I finish helping this gentleman." That didn't satisfy the well-dressed man and he screamed like it was an emergency, "YOU WILL GIVE ME THE DONUTS NOW!!!" I nodded to her to help him first and she began putting donuts in a box for the man. As she did, I turned to him and said, "You sound like someone's holding your loved ones at gunpoint for a donut ransom."

He said, "It's worse than that! We have a whale who's demanding them or he's going to go to another casino!" ("Whale" is the Vegas term for a gambler who bets — and preferably loses — in the $100,000 and up category.) I realized the fellow was a casino host, probably not from the Excalibur.

A casino host jumps at the whims of such gamblers. The bigger the whale, the higher the jump. From the way he acted, he had a Blackjack player back at this hotel who'd just swallowed Gepetto.

She gave him the box of donuts, he threw twenty dollars at her and, not waiting for change, sprinted out with the box.

What do you think the chances are that if that "Whale" lit up a Kool, that casino host would have told him he couldn't smoke there?

Better/uglier anecdote: One uncrowded night at the old Dunes Hotel, back when I was hustling Blackjack, an older lady dealer was telling the few players at her table stories about Old Vegas. I was one of those players so I heard her tell about a whale at her table who was losing money faster than the U.S. Postal Service. Casino hosts were hovering about, tending to this guy's every notion since he was exactly the kind of customer casinos love: A really rich guy who thought he was a master of the game he was playing and wasn't. He was splitting tens against a dealer ace, she said.

Finally, he decided to knock off for the night and retire to his fully-comped luxury suite upstairs. One of the obsequious hosts asked this guy — who'd probably dropped a half-million dollars in three hours, back in the day when that was a lot of money — "Is there anything you need for your room, sir?"

The whale pointed to the dealer and said, "Her! I'm going to stop off for a drink or two but when I get to my room in thirty minutes, I want to find her naked in my bed."

Remember: This is that dealer telling us this story. She was a nice-looking lady and I'm sure that back when these events took place, she was a younger, even nicer-looking lady. Once Mr. Ace-Splitter had left the table, the casino hosts negotiated what she'd get for being where he wanted her to be. She wouldn't divulge the amount but said with obvious pride, it was "Several times what I made in a year dealing 21."

Regardless of what you think of this story — the truth of it or the morality of it — this kind of thing did happen…and may still happen for all I know in casinos. Does anyone think they would have told that guy he couldn't, you'll excuse the double entendre, enjoy a butt?

The other day, I spoke with a friend who works for a big, big casino corporation. He says that in light of COVID, the answer today may be yes. He thinks smoking is going away in Vegas and that the whales (he calls them "high rollers," even when their game of choice involves no rolling) will just have to live with it. Then this morning, I read on the Las Vegas Advisor website

Park MGM seems to be doing just fine since it banned smoking; plenty of other casinos around the country, particularly tribal operations, are as well. We rarely take sides on issues, but to us, it's notable that even a sizable percentage of smokers have indicated in polls that they'd prefer casino air not be exempt from indoor smoking bans and that they'd be happy to step outside to get their fix. That was certainly seen in Atlantic City for the full year, from June 2020 to June 2021, that smoking was banned in the casinos. And given that COVID is, first and foremost, a respiratory illness, this seems like as good a time as any to complete the process by including casinos.

Even if you don't go to Vegas — as I will again, eventually — isn't it nice to think that something good could come of The Pandemic? I suppose if I owned stock in a company that makes surgical-type masks, I'd already think that but here's one, however measly, for the rest of us.

Happy Birthday, Larry Lieber!

With a grand total of one exception, the men and women who forged Marvel Comics from 1961 to 1964 have left us. That one exception — the last man standing from those historic four years — is Larry Lieber, who turns 90 today. Jack is gone. Stan is gone. Don, Steve, Dick, Sol, Joe, Stan G., Flo, George, Paul, Bill, Chic, Al, Wally, Artie, Sam, Vince and just a couple others…all gone.

Writer-Artist Larry is still here…one of the few who lived to see characters he worked on become zillion-dollar movies. And perhaps more amazingly, they were movies which had his name in the credits like Thor and Iron Man. I probably won't bother him today but we speak every year or so and a nicer man, we never had in the field.

I first met Larry in the Marvel offices in New York in 1970. He seemed a little surprised that anyone wanted to meet him and he was genuinely pleased when I conveyed to him best wishes from my then-employer Jack Kirby. Jack loved Larry and as far as I could tell, everyone did. A lot of them later felt that he had not received proper recognition for his contribution to comics. I hope we rectified that a little bit in 2003 and again in 2008 when he was brought out to Comic-Con International in San Diego, the latter visit to receive the Bill Finger Award for Excellence in Comic Book Writing.

The award goes to someone whose body of work has not been properly rewarded in terms of credit and/or compensation. That certainly describes Larry. I really liked seeing him signing that first Iron Man story…the early tales of Thor…all those issues of Rawhide Kid…even the pre-superhero Marvel monster comics. And I really like wishing him a happy 90th birthday and hoping he has many more of 'em.

Tales of My Mother #11

This ran here on January 9, 2013. It is not a funny story but a lot of people sent me notes expressing their gratitude for me sharing it and I hope it's of value to someone reading this. At the end, I have appended an update…

talesofmymother02

The last decade of my mother's life, she could barely walk and barely see. Increasingly, she became reliant on a succession of paid caregivers. I could and did drive her to doctor appointments but she felt mounting guilt every time she took me away from my life to do her marketing or drive her to get her hair cut or toenails clipped. There were also tasks a son just plain couldn't help her with…like showering.

So we started hiring women from a caregiver agency. For a time, the biggest problem was that the women didn't stick around long. They all loved my mother. They just didn't seem to like caregiving. It's hard, often less-than-pleasant work. It pays a low hourly rate. And in the sampling we had, it seemed to attract folks who couldn't get the job they really wanted in life, were only caregiving until they could…and resented that they were bathing old people instead of pursuing that yearned-for occupation. There were exceptions — a few who seemed to find the work fulfilling and did it well — but they were, make no mistake about it, exceptions.

Sadly, even the exceptions were transitory and we always seemed to be "breaking in" a new one…or waiting for the agency to find us a new one. Many of their caregivers wouldn't work in a "smoking home" and my mother had yet to break her addiction to Marlboros.

Two things I did not do: Even during the periods when we were desperate for the agency to find us a new caregiver, I did not call another agency. This one had been highly recommended and the people there seemed very nice and responsible. And I did not hire one of several former caregivers — women who'd tended to my mother, then left that agency — who contacted me directly offering their services. They all said something like, "I wasn't making enough working through that agency. But if you paid me the same amount directly and they weren't taking their cut…"

I said no to these offers for two reasons. One was that it seemed unethical. These women had all signed a contract with the agency that they wouldn't do this…and I believe I may have signed one myself that I wouldn't hire them on such a basis. Also, the agency was "licensed and bonded" (remember the second part of that phrase) and a freelance caregiver would not be. So we waited. I had one friend who could fill in now and then helping my mother…and sooner or later, the agency would come up with someone.

"Someone" last year was a woman I'll call Lucy. She was a large woman who claimed (I'm not sure I believe this) that her son was a starting player for the New York Jets. She was caregiving, she said, because her kids had all grown and moved away. She missed taking care of a person in need and she herself was a person in need…of money. For a time, she was more than adequate in the job.

As I mentioned here before, I was supervising my mother's finances. I would eventually take over everything but at this point, she still had her credit card and her checkbook. Every now and then, I'd log into "her" account on her bank's website and check balances and transfer funds between her several accounts. One night around 2 AM, I logged in and chanced to notice something I should have spotted a few weeks earlier.

Most of the charges on my mother's credit card were to markets, primarily the Ralphs near her home. I noticed that for some time, they'd fallen into an unusual pattern. There would be a charge of $20-$40 and then the same date, there'd be a larger one, always for more than $200. My mother did not need $200+ worth of groceries per week. The lesser expenditure was about right.

I immediately called the bank and froze the credit card. My name was on all her accounts so I could do things like this. The next morning, I asked my mother how her marketing had been handled lately. It was pretty much what I expected…

"I give Lucy a list of what I need and I give her my credit card and send her to Ralphs. Or sometimes, she takes me there."

I asked, "When she takes you there, who handles your credit card? And does she also buy things for herself?"

"Yes, she sometimes does her marketing at the same time. I'm in the wheelchair so I give her my credit card and she runs it through the machine there, then she hands it back to me."

"Are you certain she's not charging her purchases to yours at the same time?"

My mother thought for a moment then said, sadly, "No, I guess I'm not." By now, she'd figured out what this was all about.

I called the agency and had them suspend Lucy's visits. Then I drove over to the Ralphs where most of the mysterious transactions had occurred. I explained the situation to the manager there and showed her that I had a duplicate of my mother's card with my name on it. Based on that, she arranged for the market's accountant to give me a printout of all the charges to that card that had been posted since Lucy began working for us.

I picked it up later the same day and sat in my car in the parking lot, studying it. Lucy had refrained from skullduggery for the first few months of her employment, then started small. I already knew that from the data on the bank's website. Now, I saw that all the large, questionable charges were time-stamped one minute or so after the smaller, probably-legitimate ones.

The charges were all itemized. The purchases charged in the smaller transactions were all things I knew my mother used — her favorite brand of cookies, her favorite fruits, her brand of cigarettes, etc. The larger charges were for items she didn't use…a lot of coffee and non-dairy creamer, and each of the larger transactions included a $100 or $200 gift card.

And I noticed something else interesting: Listed alongside each charge was the number of the Ralphs Reward Card that had been used. There was one number on all the small transactions and a different number on all the large transactions.

I went back into the market and bought a bottle of water. At the counter, I lied to the checker. I told her, "I don't have my Ralphs Reward Card with me. Can I just give you my phone number?" She said sure…so I gave her Lucy's phone number. She keyed it in, I paid for the water and she handed me a receipt. The receipt had on it the number of the Ralphs Rewards Card that had been used and it was the same number attached to all the larger transactions.

Then I went over to my mother's and found out the number of her Ralphs Rewards Card. It was the number attached to all the smaller transactions.

Many years ago, I was briefly a writer on a TV series about an investigator named MacGyver. This was the first time I ever felt like him.

The agency fired Lucy, who tearfully swore she'd never done what I'd concluded she'd done. "I would never steal from your mother, Mark," she sobbed to me on the phone. "I love your mother." It was a pretty convincing performance and for about three seconds, I had to wonder if there wasn't some other explanation. Then I looked again at the evidence I'd compiled and went to the police.

This involved several phone calls and several visits there and waiting around for a long time on each of the visits. I had printed out packets of the bank records and the Ralphs data and had it all neatly charted and graphed and annotated. Every officer and detective who paged through it was impressed with how complete it was…and how airtight. "We rarely have someone come in and hand us an open-and-shut case like this," one said. He noted that the Ralphs Reward Card numbers alone were pretty solid proof that the larger transactions had been for Lucy's purchases, not my mother's. It would also be a pretty simple matter to trace the gift cards and see who redeemed them.

Alas, he also told me how overwhelmed and understaffed they were: "We have hundreds of these cases already open. And to be quite honest with you, yours is going to the bottom of the pile. Your mother is not out on the street. She's not going to miss a meal. She has you. Yes, a few thousand dollars is a lot of money but we have cases where someone who is alone in the world was screwed out of their life's savings and is now homeless."

I told him I understood all that but I had two concerns. One was that Lucy had to figure I was going to the cops. The agency, to justify the firing, had shown her how much evidence I'd collected and forwarded to them. How likely was it that she wasn't currently packing to move and disappear? Also, I noted, "My mother is 90 years old and in poor health. She's quite upset about this and would like to see some justice before she dies."

The detective promised he would do what he could. So did a lady at the city's Elder Abuse Department which was one of many other agencies I contacted. She reiterated for me how shorthanded the police were to deal with matters like this. "They could use another ten men over there," she said. "Unfortunately, the same people who complain that the police don't solve enough crimes are also dead set against paying a fraction of a penny more in taxes, which is all it would take to hire those ten men." Her division was being cut back, too.

So we waited. And waited. And in the meantime, the agency tried to find us a new caregiver. "This has never happened to us before," they told me over and over. "We've never had a caregiver caught stealing from a client." I didn't necessarily believe that but I supposed the significant word in that claim was "caught." If my mother hadn't had me monitoring her accounts, she'd never have known.

Finally, they found us a new caregiver who came with impeccable credentials. We'll call her Ethel. She was a short, portly nursing student who'd worked for many satisfied customers through this agency. She seemed nice enough and I figured she was honest. Even if she wasn't, she'd been told about how I watched my mother's financial affairs and how the police would soon be hauling her predecessor off to the pokey. So you figure that she'd at least know she wouldn't be able to get away with anything.

Yeah, you'd figure that, wouldn't you?

She didn't do anything for a few months. Then one night, again around 2 AM, I went online to check my mother's account and found three very wrong checks totaling $1,280. This bank lets you view a scan of a cashed check online and I could see that they were made out to Ethel and not by my mother. In the last few days, someone making no attempt whatsoever to imitate my mother's handwriting had filled them out, signing her name. I then checked the data on my mother's (new) Visa card and found about a thousand dollars in recent charges to two cell phone companies — SimpleMobile and Sprint. My mother did have a cell phone but not from either of those firms.

By 2:15 AM, I had the checking account closed and the credit card frozen. The next morning, Ethel was fired by the agency. She admitted to cashing the checks but swore that my mother had made them out. "She had me buy some things she needed and she was just paying me back for what I spent." That was her story but she somehow couldn't remember even one of the items she'd purchased for my mother a week before for a total of $1,280. My mother, of course, said there had been no such purchases. Ethel also insisted she didn't know a thing about any credit card charges.

At this point, I took my mother's checkbook away from her. I noted that Ethel (or her accomplice) had filled out checks #542, #543 and #547. #544 was a real one — my mother paying her gardener — and #545 and #546 were missing and have not been seen since. #549 and those that followed were still there except that one entire pad of blanks — checks #641-670 — were missing from her desk drawer. They were also now useless since I'd closed that account.

I made up another report and took it to the same detective at the L.A.P.D. He thought the sequel was even better than the original. There was no progress yet on the Lucy matter — we were still situated near the bottom of that pile — and now the Ethel matter would be keeping it company down there.

"Forgive me for questioning procedure here," I said to the detective. "But it would seem like with all the paperwork I've supplied you, it's just a matter of having an officer or two go to these womens' homes — you have their addresses from the agency — and bringing them in or at least letting them know they're under investigation. The evidence is so airtight that one or both might just confess or plea bargain or something."

"There's about a 90% probability it would go just like that," he replied. "But there are still a lot of cases ahead of you."

I thought I'd caught everything Ethel had done but she had one more surprise for me. My mother's prescription renewals were done online. I ordered, they were mailed to her and then I would go over each week and put the proper pills into one of these things…

pillorganizer

Sometimes, I had to use two of them. My mother took a lot of medication. There were times when the Walgreens over on Pico had fewer pills in it than were in my mother.

The week after the Ethel caper had come to light, my mother told me she had not received my most recent order and I knew we were close to running out of some capsules. I called the pharmacy and they assured me the order had been sent. When the pills didn't arrive a few days later, I drove over and picked up another supply. Then a day or two later, my mother casually mentioned to me that not only had she never received those pills, she hadn't had any mail at all in the last two weeks or so. That was when the light went on!

I checked with her post office. It turned out that the same day Ethel had written those bogus checks, someone (gee, I wonder who) had gone online and filled out the form to halt my mother's mail delivery indefinitely.

One can only guess what was on Ethel's mind. She'd been told I watched over my mother's finances. She might have noticed my mother never had bank statements around. (Since I did my supervision online, it was all paperless.) Still, I can only suppose she didn't ponder any of this; just thought that the checks would not have been noticed if my mother wasn't receiving her mail. Or maybe it was all being masterminded by a friend of hers who didn't know all that Ethel should have known.

I contacted the U.S. Postal Inspectors who told me stopping someone else's mail is a crime. I don't know why they then make it so easy to do but it's a crime. They have, they said, a record of the IP address of every computer from which a request of that nature was received and that might be handy when the mail-stopper does his or her mail-stopping on his or her own computer. In any case, they would certainly look into this allegation, they said…and then I believe it went to the bottom of another very large pile.

It's important that I emphasize something: Everyone I dealt with in law enforcement or related agencies (I spoke to many not mentioned here) was professional and dedicated and eager to help…and doing a job that should have been spread out among at least a half-dozen other employees. One lawyer for the city told me something and I'm going to try to replicate it here from memory. This is the essence of what he said if not the precise words…

Every single division of law enforcement in L.A. is shamefully and seriously understaffed. Every one. If there's a job that needs twenty people to do it efficiently, we have to do it with three. We should spend a lot more money in this city on law enforcement but we don't. The voters would have to get behind that and they all assume that if they call and say "A man with a gun is breaking into my house," we'll find a black-and-white unit to be there within minutes…and usually though not always, that's true. So all people think of when you say we need more money for police is "Uh-oh. Higher taxes and more meter maids to give me a ticket when I'm two minutes late getting back to my car." And they vote no and later, when they need us to handle something like your matters, they get mad at us that we can't jump right on it like the cops on TV do.

You see the problem for yourself here. You walked in with overwhelming evidence of guilt on the part of these two caregivers. If I were the prosecuting attorney, I could get a conviction in two seconds with my eyes closed. But we can't spare the manpower to even go out and arrest those people. They may be working for someone else right now, doing the same things. They probably figure they got away with it the last time so why not try it again with someone else?

As it turned out, the police still have not gotten around to acting on our two complaints and as you know, my mother passed away last October. I am now told this makes one of the two cases more difficult to prosecute…so it's probably moving even farther down in the pile. The other one, they say, will not suffer from the fact that my mother now cannot testify, but it may still be a long time before there's any action.

In the meantime, I turned my attention to recoupment and got partial redress from the bank. Then I went to the caregiver agency — the one which, you may recall, is "licensed and bonded." I kinda figured that "bonded" part meant that they had insurance that would make good on any losses incurred as a result of their employees' actions.

Yeah, you'd figure that, wouldn't you?

It turns out, as the owner of the agency explained to me, that his insurance company will only pay if there's proof of the loss. And what would constitute proof? "If the police get a conviction."

I asked him, "Is there any doubt in your mind that two of your caregivers robbed a 90-year-old blind woman?" He said no. But the insurance company will only pay if there's a conviction. If the caregiver disappears and is never caught, the bonding is worthless.

He again assured me this had never happened before in the history of his agency. Later, his partner called and gave me the same assurance. I don't believe either of them. First off, they've had hundreds, probably thousands of caregiver placements. What are the odds that there have only been two crooked ones and my mother would get them both, one right after the other?

Secondly: Remember how I said that her former caregivers would sometimes contact me to see if they could work directly for her? Well, when one did not long after the first crimes were discovered, I asked her if she'd ever heard of any caregivers at that agency robbing their clients. She said, "Sure…it happens all the time. At least once, maybe twice, when they placed me with a new client, I was told it was because the one before me had been caught stealing." Another former caregiver who called me for the same reason told me the same thing.

The second one told me she'd twice replaced caregivers who had been found to have been stealing…in both instances, pieces from the client's jewelry cases. She said, and again I'm re-creating here from memory, "They always think, 'she'll never miss it' but they don't realize that's the first thing elderly women miss — their best jewelry. They can't see well enough to read their bank statements or don't understand them…but they all understand when they can't find their favorite earrings."

She'd recently been interviewed by a reporter for the L.A. Times who was — and as far as I know, still is — working on a story about this kind of burglary. With my permission, she gave him my number and he called me. I wasn't ready yet to go public with our cases — at this stage, I still thought the police and/or the agency's insurance company would be doing something soon — but we did have a conversation. He said he had found many such incidents and that they were not as uncommon as you might think. But the main thrust of his story is that most of the elderly never realize when it's being done to them. Our story is interesting but we're in the minority. We caught it.

So here is where things stand. I am Waiting for Godoti.e., for my mother's cases to move from the bottom of the pile at the police station to the top. I am told at least one is easily prosecutable if and when that happens…if it happens. One detective there told me that the most likely scenario that would result in either woman winding up in a courtroom would be if she were to be caught doing it again, and then our case would be folded into that case. Ethel might be getting her nursing license right about now.

Of course, for them to be caught again would mean that the person(s) they're stealing from now would have to notice. That, as we've learned, doesn't happen most of the time. Complicating it all, of course, is that my mother is not here to testify in the case where it might matter…and oh! Did I mention that I checked and neither Lucy nor Ethel seems to have the same phone number any more? The agency believes each has moved and left no forwarding address.

My lawyer is researching the matter, deciding the best direction in which to sue. I suspect I'll spend more than I'll collect but I'm not concerned about that. First off, it will be very satisfying. Secondly, it might in some microscopic way make this kind of thing happen less often. And thirdly, I can afford it as I've just found a great new source of income. I'm going to begin caregiving for really old people who can't see very well and I'll write checks without their knowledge and charge things to their credit cards. Until we start spending more money on police in Los Angeles — which will never happen — it's a gold mine. A gold mine, I tell ya.


UPDATE – 10/25/21: Well, as it turns out, I was wrong about a bunch of things in the last few paragraphs above. First off, the L.A. Times never ran the article. Secondly, my lawyer told the caregiver agency I was going to sue and they basically said, "Okay, how much do we have to pay him?" and I got a check for the full loss and since it was only the one letter, my lawyer didn't charge me anything.

Lastly: After a long time, the police called and said, "Neither of those two caregivers are at their old addresses (I could have told them that) and since your mother has passed and you got your money back, we're not going to spend a lot of manpower looking for them. But we have all their info on the database and if either one ever gets involved in dishonest caregiving again…well, they probably won't get prosecuted for what they did to your mother but the information will go to whoever's prosecuting theme on the new charges."

It's been nine years since the crime and I assume the Statute of Limitations has run out so I guess that's the end of this story. We all have things we don't like about law enforcement in this country. That crimes often don't get investigated for budgetary reasons is a big one of mine.

Today's Video Link

One of the many, many things I got from my dear love, the late Carolyn Kelly, was a love of her favorite musical performers, The Chieftains. This great Irish band — winner of many Grammy Awards and other honors — would play Los Angeles or thereabouts every year or three and we'd always go. Their music was and will forever be infectious and irresistible. The group was formed in Dublin in 1962, by Paddy Moloney, Sean Potts and Michael Tubridy. Paddy, who was the leader and (most would say) heart of the band is the gent in all black in the above photo, second from the left.

Or I guess I should say "was" because Paddy died on Monday the 11th at the age of 83 — in Dublin, of course. Lovers of his kind of music are still reeling from the loss. Here's the New York Times obit.

Here's a clip of The Chieftains on Conan O'Brien's show back in 2003, performing one of their signature tunes. You don't see much of Paddy in this video. He's there leading things and playing but the camera is mostly focused on Earl Scruggs, the great country musician who was sitting in with the band. Still, he was a key reason the group has been making this quality of music for sixty years. (The video goes on for a while after the Chieftains perform. You can turn it off once the show goes to commercial.)

Tales of My Mother #10

The article you're about to read ran here originally on January 3, 2013. I later answered some requests by rerunning a truncated version of it but here's the whole thing for the first time since its first upload. It will be followed tomorrow by a repeat of the ghastly tale of the caregivers that preyed on my mother…and after that, I hope to be back to regular posting with few reappearances. Thank you for bearing with me…

talesofmymother02

During the last decade of my mother's life, her eyes and legs increasingly failed her. In-between those parts of her anatomy, there were occasional problems like Congestive Heart Failure but the eyes and the legs were the ongoing problems.  There were long stretches when her heart was fine but her eyes and legs were awry every waking minute.

Her doctors told her that if she would just stop smoking, both would get better…or at least, wouldn't continue to worsen at the pace by which they were worsening. She cut back on the Marlboros but didn't stop until a few months before her passing, by which point it almost didn't matter. One wrenching day about a year before she passed, I took her to an optician appointment where she was asked, rather matter-of-factly, if she had or needed a document certifying that she was legally blind.

I can still hear her soft, stunned voice as she repeated, as if the term had never occurred to her, "legally blind." She could see but not much more than about two feet in front of her…and not well enough to read a book or make out my face unless our noses were practically touching.

Her eyes had been deteriorating for some time. Macular degeneration, they told her. And then one day while out with our mutual cleaning lady, my mother fell and sustained a big scratch on the retina of what had up until that moment been her "good eye." From that point on, she had to rely on her "bad eye" and worry that it would fail and leave her totally without sight.

Still, hearing those words — "legally blind" — came as a shock. Well, why wouldn't they?

She had what seemed like a most competent ophthalmologist at Kaiser Hospital and he struck me as properly balancing compassion with honest assessment of her situation. Some of the other eye doctors she saw there were a bit clumsy with their wordage but they told her the same thing; that her vision would continue to deteriorate. Certain treatments (like shots in the eye, which she hated) might slow things down but if she lived long enough, she would one day be totally, not just legally, blind. One of the things that tempered my sorrow at her death was the knowledge that she was approaching that day and she dearly wanted to go before it arrived.

The only thing I didn't like about her main ophthalmologist wasn't his fault. It was how little attention he could spare us as he handled some ridiculous number of patients per hour. We always had to spend long stretches in the waiting room, well past her appointment time. Then we'd finally be shown into Examining Room A while he was examining a patient in Examining Room B. Then he'd come into our room and attend to my mother while nurses loaded his next patient into B. Back and forth he'd go between the rooms, unable to spend enough quality time with anyone. At the end of each examination, he'd ask my mother, "Any questions?" And if she didn't come up with one in two seconds, he'd be out the door and on his way to the next patient.

How I dealt with this: By blocking the exit.

I'm 6'3" and something of a wide load. When the doctor came into the room, I'd subtly move to a spot between him and the exit, the better to prevent his escape before my mother had a chance to ask all her questions. The doctor knew exactly what I was doing and didn't really mind it.  Once when I finally let him go, I heard him tell the patient in the adjoining room, "Sorry to keep you waiting but the patient I was just with…her son was blocking the door and wouldn't let me out."

Snagglepuss
Snagglepuss

But once he got past me. I wasn't in position and he gave my mother a half-second to ask him anything before he said, "Exit, stage left!" and headed for the room next door.

"Oh, a Snagglepuss fan," I remarked.

He stopped and said, "You know Snagglepuss?"

My mother said — in a dry delivery that Walter Matthau would have envied — "My son knows every cartoon ever made."

The doctor eyed me with skepticism. "Oh, yeah? What was the name of Jonny Quest's dog?"

I said, "Bandit. Hey, do you think my mother should be taking Lutein?"

He said, "Can't hurt to try" and he recommended a dosage. Then he asked me, "What was the name of the Jetsons' dog?"

I said, "Astro and his real name was Tralfaz. Hey, how about Vitamin D? You think that would do anything for her?"

That was how it went, not only on that visit but every one after that. Instead of giving us the minimum time, he'd keep others waiting and we'd talk about two topics: Cartoons and my mother's eyes. I'd trade him info for info.  Sometimes, he had actual questions about the industry.  Other times, he just wanted to see if he could stump me.  Once, he tried the latter by asking, "On the Dungeons 'n' Dragons cartoon show, what was the name of the blonde kid who was their leader?"

I told him it was Hank. He told me I was wrong and that it was Frank. I told him it was Hank and added, "By the way, if you watch that show, you'll see my name in the end credits. I wrote the pilot for it."  Whack!

But that wasn't my favorite exchange. My favorite was when he asked me where Bullwinkle Moose went to college. I told him it was "Wottsamotta U." He told me I was wrong. "Aha! I finally got you! It was Moosylvania University!"

I told him he was wrong. He told me he was right. I told him he was wrong. He told me he was right. I told him he was wrong. He told me he was right. I offered to bet him.

The offer was this: If he was right, I'd give him a DVD of any cartoon show he named. Any one. If I was right, he'd give my mother a half-hour of his time. We'd come back at the end of the day after all his other appointments and he'd spend thirty solid minutes discussing things we might try to help her vision. He said, "It's a deal…but how are you going to prove it?"

Easy. I whipped out my cell phone and dialed a number. A woman answered and I asked her, "May I speak to Rocky the Flying Squirrel, please?" The ophthalmologist stared at me like I was…well, trying to phone an imaginary cartoon character about ten fries short of a Happy Meal. When a very familiar voice came on the line, I said, "Hi, Rocky. It's Mark Evanier. How's the weather in Frostbite Falls, today? Great. Hey, listen. I have a friend here. Would you please tell him where your friend Bullwinkle went to college? Here he is —!"

And I handed the phone to the eye doctor. You should have seen his face when Rocky said, "Hokey Smokes! Everyone knows Bullwinkle was a proud graduate of Wottsamotta U!" There are many advantages to knowing June Foray and that was one of them.

My mother, who understood exactly what was going on, got hysterical. I used to make her laugh a lot but I think that was the all-time best. And the doctor was not displeased about losing our little wager. He stumbled around his office for some time after in a happy daze, telling everyone, "You won't believe who I just talked to!"

He made good on the half-hour but unfortunately, there wasn't much that could be done…by him. I took her to an outside specialist — a man my own ophthalmologist said was the best retina man in the field. The best retina man in the field said there wasn't anything that could be done. After that, my mother asked me to stop. All she was going to hear from additional doctors was that there was nothing that could be done and she didn't need to hear that over and over. So I stopped.

She became increasingly reliant on paid caregivers. She could, of course, no longer drive and her walking capabilities were such that she couldn't even leave her home without considerable aid. The house had a large, beautiful back yard and she loved to stare out at the birds splashing about in the two birdbaths or feasting at a feeder I'd installed. She couldn't see them very well but she could hear them and her imagination could fill out whatever imagery she could see.

Still, even with help, she could not physically get down the back steps and so couldn't actually venture out into her own back yard. There were fewer steps in the front and I had a banister installed to help her there. In the house, she got around with a walker. When out, she was pushed around in a wheelchair. I had a good, heavy-duty one in the trunk of my car and I also bought a lightweight one that was employed when caregivers took her to the market or the beauty salon…or to the kind of doctor appointments that didn't require my presence.

The caregivers came from an agency that had been highly-recommended. It was licensed and bonded and the people there were awful nice. So were the caregivers…until one day, I went online to check my mother's bank accounts and I found some mysterious charges. The next time I write one of these, I'll tell you what happened.

Today's Video Link

Unless you grew up in Los Angeles, you probably won't love this video as much as I do. Someone has restored and colorized footage of driving up and down a stretch of Wilshire Boulevard in the fifties. A friend of mine in the comments section pegs it as the the week of August 1, 1951, which is seven months before I was born — but I do remember this street looking very much like this.

In the opening shot, you'll see a building with a windmill on it. That's the Van DeKamp's restaurant that was on the corner of Wilshire and Masselin. In 1969, I took one of my first dates — a nice lady named Lynne — there for dinner. Then we proceeded to the Ivar Theatre in Hollywood where we saw what I think was the last performance of the L.A. company of the musical, You're a Good Man, Charlie Brown. Gary Burghoff was playing Charlie Brown. There's now an Office Depot where that Van DeKamp's used to be and I have been known to buy office supplies there.

Moments after that, we pass a Ralphs Market which then occupied part of a block. Then a few doors down was an outlet of Du-Par's restaurant which was there into the eighties when they tore it down. In fact, they tore down everything on that block that wasn't a Ralphs so Ralphs could expand and have the whole block to itself. I ate at that Du-Par's many times and have shopped at that Ralphs.

A block or so down from there, you'll see an Ontra Cafeteria and then the El Rey Theatre. The El Rey is still there. I wish the Ontra was but there's now a Smart & Final in its place…and I could go through the whole video like this. Watch and you'll see a lot of great old buildings including the May Company department store which was vacant for years and is now opening as the new Academy of Motion Pictures museum.

You'll also pass a medical building where around 1965, Dr. Nathan M. Seltzer — called by some "The Orthodontist to the Stars' Kids" — fitted me with braces. I should write about Dr. Seltzer here some time but not now…

Tales of Something or Other #8

Big deadline on Monday so Mark's gotta focus this weekend on a script. Here's a piece that I posted here on November 17, 2014 about my days working for Hanna-Barbera…

Here's a story I don't think I've told here. For many years, I worked for Hanna-Barbera Studios in two capacities. I was the editor of their comic book department and I was the story editor of the Saturday morning Richie Rich cartoon show. Three capacities, actually, because I also wrote freelance scripts for shows other than Richie Rich.

Those may sound like a few full-time jobs but actually during this time, I was also usually writing a prime-time show or special for (a) Sid and Marty Krofft, (b) Dick Clark or (c) Alan Landsburg and also writing a comic book for DC or a couple for Eclipse or I was working on Groo the Wanderer for whichever company was then publishing it and hadn't yet gone out of business. There were also animation scripts for other studios.

So I was only in the Hanna-Barbera building for maybe ten hours a week, if that much. I actually did most of the comic book work and Richie Rich out of my home (or offices elsewhere) so I told H-B not to give me a big, fancy office. They, of course, gave me a big, fancy office.

That office moved from time to time. At Hanna-Barbera, the floor plan moved more than the cartoons and was often funnier. Where they put me for the longest time was a good office, well situated between the Xerox room and the office of a wonderful producer-artist named Doug Wildey. Mine sat empty and locked much of the time. In fact, most of the time.

hannabarberastudio01

I kept suggesting I be relocated to some small, crummy spot upstairs and that the big, conveniently-located room go to someone else. This was not just selflessness on my part. I actually thought it would be better for me to be where everyone wouldn't notice how often Mark Evanier's door was locked and he wasn't on the premises. Certain folks would not think, "Oh, he must be doing most of his work at home." They'd think, "Oh, he sure isn't working very hard on our show."

The certain folks who'd think that way would be the people in Business Affairs who were in charge of saying no when a writer's agent asked for more money. Why give them that as a reason to do what they did so well and so often?

The Office Manager Lady did not move me. I mean, physically but also emotionally. Every so often, she'd assign someone to share the place, which was fine with me. It meant my door wouldn't be locked as much when Business Affairs people passed by. It was also usually fine with my roommate since I was so rarely there. Then they'd move that person out and I'd have the place to myself for a while so the door would again be locked a lot.

It was actually a great place during one season when Jonathan Winters was a regular on The Smurfs. When recording sessions let out, everyone exiting the sound studio had to pass by my office. If I was there — and I tried to be when Smurfs was taping — I usually had a gang of other writers in there with me, plotting against management. Mr. Winters loved an audience so he'd appear in my doorway and I'd say something like, "Hello. You were Atilla the Hun's pool boy, right?" Without missing a beat, Jonathan would slide into the appropriate accent and describe the problems of keeping Atilla the Hun's pool clean. One was that it was always full of dead Visigoths.

But that's not the story I wanted to tell. One day, the Office Manager spotted me in the parking lot on the way in and told me, "We just moved someone into your office to share it with you." I said that was fine with me. She didn't tell me who it was so I headed inside to see which lowly, unimportant figure in the animation business was bunking with me now. And there, occupying the west half of what was now our office was Frederick Bean Avery.

You might know him better as Tex Avery, director of some of the funniest, greatest cartoons ever made.

texavery04

He had been retired but some combination of restlessness, family problems and money woes had prompted him to get back into the game. He had long had a standing offer from Bill Hanna and Joe Barbera to work for them and he'd taken them up on it.

Tex was a great guy and we got along fine. It didn't bother me that absolutely no one was coming into that office to see me anymore. They flocked there from every corner of the building to meet Tex, to praise Tex, to get a sketch from Tex, to learn from Tex and to be able to say, "I was talking with Tex Avery yesterday…" Bill and Joe had him developing some new shows and adding gags to ones that were currently in production and in need of First Aid. I was almost disappointed he was never assigned to mine.

He worked a lot with another clever old-timer who was on staff, a veteran Disney expatriate named Chuck Couch. One day when I came in, Tex said to me, "Hey, I hope you don't mind but I've asked if they can move me into an office I can share with Chuck. We're doing a bunch of projects together and it makes sense." I said, "Hey, you two can have this place." And off I went to the Office Manager to suggest I take one of the small, cramped offices upstairs and that Tex and Chuck share the big one. She said she'd do just that.

The next time I came in, which was a few days later, I asked the receptionist where my office was now. She said it was in the same place. I went to it and, sure enough, there was all my stuff…and none of Tex's. I found him and Chuck crammed into one of those small, cramped rooms upstairs with no idea what had happened. I went to the Office Manager and she had no idea, either. She gave the order to swap us around.

Chuck, Tex and I went to lunch. By the time we got back, they had the big office downstairs and I had the tiny one upstairs…for real. Done and done.

A few weeks passed. I was almost finished with Richie Rich for the season and the Office Manager came to me and said, "We're going to need your room for someone else. The minute you finish the last script, we'll need you to vacate." She'd forgotten I was still editing the comic books but I did so much of that work at home, I decided I didn't need an office there at all. We settled on a date when I would be out of my little cubicle.

She warned me. "Now, if you leave anything in there after that date, we're going to throw it in the dumpster." I said, "Anything I leave behind, you can throw away."

A week or two later on a Thursday, I handed in the last Richie Rich script for that season and took home everything I needed to take home. On Friday, I got on a plane and flew east to spend a few days in New York.

Some time on Friday, the Office Manager turned to one of the young men who ran errands and moved furniture and supplies about and said, "Check to make sure Mark Evanier is out of his office."

The Young Man was in a rush that day to get everything done so he'd be able to leave on time. He was about to go on vacation, too. He looked at the staff list to determine which office was mine. Unfortunately, the list hadn't been updated for a while so he wound up going to the large office, the one that now housed Tex and Chuck. He peeked in and reported back to the Office Manager. "Evanier's office is full of stuff." She told him to throw it all out.

He went back to the office to do so but noticed that the boxes and drawers were full of a lot of original artwork and sketches and scripts. He went back to the Office Manager and told her that the stuff in Evanier's office looked like it was important and maybe valuable. Exasperated, she told him, "Okay, then. Get his home address from the files. Box it all up and take it over to his house."

And that's what he did. He packed the contents of the office — this is the Tex Avery-Chuck Couch office we're talking about here — in about six large crates and drove it over to my house. No one was home so he left it all in my enclosed patio. Then he went back to Hanna-Barbera, finished his other labors for the day and began driving to Yosemite National Park (not Jellystone) to spend a week.

Monday morning, Tex Avery arrived at work, walked into his office and found…

Nothing. No files. No art. No sketches on the walls. No sign of what he and Chuck had been working on all the previous week.

A few minutes later, Chuck walked in and found his partner standing in a bare office. There were two desks, one waste basket, a battered sofa and nothing else. "Tex," he gasped. "What happened?"

Tex said, "I'm not sure but I think we've been fired."

Tex and…well, I couldn't find a photo of Chuck Couch.

They hadn't, of course, but throughout the day, no one could figure out what happened to their stuff. They searched everywhere.

Well, everywhere except my front porch. No one knew that's where it all was and, of course, neither did I. My housesitter came on Saturday and Sunday but she'd gone in the back way to put out food for the stray cats and had forgotten to check out front for mail.

Finally, late Monday, someone figured out where Tex's and Chuck's papers and files might be. A different Young Man drove over to my house, found it all on my porch and since no one was home, just took it all back to the studio. He must have left with it all not long before the housesitter came by and did check outside for mail.

I got back late Wednesday night. Thursday morning, I got a call from Tex Avery. He said, "I have a crate of comic books here that belongs to you. It's from Marvel Comics." At the time, I did get a monthly crate of all the new Marvels but I couldn't figure out why they'd sent it to Hanna-Barbera instead of, as usual, my home address. I drove to the studio to get it and was baffled to see that it had my home address on it. It took us a while to figure out why Tex had it.

You see, when the second Young Man went to my porch on Monday afternoon to fetch the boxes from Tex's and Chuck's office, he took all the boxes he found there…

Something I Don't Have An Opinion About #2

These days, a lot of people seem to think they have to have an opinion about everything…and they have to tell you that opinion. And in some cases, they're often outraged if you don't agree with their opinion. I'm trying to have less and in this new department, I'm giving my non-opinions about some things about which I have no opinion…

Like: I have no opinion about Dave Chappelle's latest special. Lately, it seems everyone has an opinion about Dave Chappelle's latest special…even people like me who don't have Netflix and haven't seen it. A lot of people seem to love it and that, to me, is reason enough for it to exist.  I've even seen people say he's the best stand-up comedian working today…and he may be.  But I haven't seen enough of him to have an opinion on whether he is or he isn't.

The fact that there are people who don't like some of the things he said in it is not a reason why the show should not be available to those who want to see it.  I'm pretty sure I'll feel that way even if I see it and I don't like some of the things he says in it.  I've seen an awful lot of TV shows and movies and comic books that I didn't like but if you did, fine.  Enjoy them.  I wish I had. But stop asking me to comment on Dave Chappelle's new special.

What many of the people who don't like Chappelle's special don't like are reportedly some remarks he made about trans people.  I have no opinion about what he said because I haven't seen it. In case you're wondering how I feel about trans people, I have no opinion other than that they should have the right to do whatever they want with their bodies and they don't need my approval or anyone's. A very close friend of mine is transitioning and the only problem I have with that is then when I refer to him/her, I sometimes have what Daffy Duck once referred to as "Pronoun Trouble." Other than that, I have no opinion.

Today's Video Link

Here's the latest one of these…

Something I Don't Have An Opinion About #1

Everyone's talking about the tragedy that occurred yesterday. As the L.A. Times reported

Actor and producer Alec Baldwin fired the prop gun on a New Mexico movie set that killed the director of photography and injured the director, an accident that is renewing questions about safety hazards on film sets.

There's a lot of armchair — make that computer chair — detective work going on from people who are not at the scene, taking testimony from everyone who could have loaded or handled what was supposed to be a "cold" (unloaded) gun. Some folks are asking my opinion and my opinion is that, apart from saying it's a horrible tragedy, I don't have an opinion. I might once those who are actually investigating the matter conclude their investigation.

It might have something to do with the production losing most of its union crew and replacing them with crew members who are less experienced…and it might not. Why don't we wait and see?