91 people who worked for and with Donald Trump explain why he is unfit to be President of the United States.

Let's check in on Everything You Need To Know About Saturday Night Live as it takes us through Season 13 — a pretty good season as I recall…

My old pal Pat O'Neill just wrote me with a good point…

As you probably know, most McDonald's restaurants are not owned nor operated by the McD's corporation. Rather, they are owned and operated by franchisees who pay a fee to McD's for use of the name and its products and trademarks.

Therefore, when VP Harris says she worked for McDonald's when she was in college, she does not mean the parent company. She means a local businessman who held the franchise in her town (and who may very likely no longer hold said franchise, since we are talking about some three decades ago).

Trump's challenge on this matter is beyond ridiculous; it is meaningless.

Right. And Trump probably knows that…or someone pointed that out to him. Unless Harris held onto some pay stub from a long time ago or has a photo of her in a McDonald's uniform, there's probably no way she can prove she worked at one. And even if she did, Trump would just say it was a forgery…you know, like Barack Obama's birth certificate. He does have this blanket argument that every statistic, witness, video clip or anything that proves he's wrong about anything is fake. If Harris said today was Thursday, he'd accuse her of using a fake calendar.

I'm back "live" and what I'm seeing online is a number of polls that say Kamala Harris is ahead 3-5 points and a number of polls that say it's about even. I'm going to believe the former but act like the latter is true.

And it's another good day to not be Rudy Giuliani. I would love to know if this man ever pauses, looks back over his actions since 9/11 and wonders how he possibly could have taken that wrong turn at Albuquerque.

Donald Trump keeps screaming that Kamala Harris is lying when she says she once worked at a McDonald's. I wish someone would ask him how he knows this. The McDonald's company has made no statement whatsoever about this and we don't even know if they have records that would settle the matter either way. Without that, I can't begin to imagine how anyone could prove someone did or didn't work at a McDonald's several decades ago.

I don't believe Trump really has a health care plan for this nation. But to the extent he does, here's what is known about it.

Finally, here's another blast from the past reminding us why Donald Trump should not be President again…

The Marvel Comics Group began in 1939 (not under that name) and published zillions of comic books. It was not, however, until around 1966 that they made any real money doing anything besides publishing comic books. For long stretches of time in there, they didn't have many continuing characters who could be licensed or merchandised. One of the very few outside deals they made was in 1944 when publisher Martin Goodman licensed Republic Studios to make a fifteen-chapter serial of Captain America. Wikipedia notes…

It stands as the first theatrical release connected to a Marvel character; the next theatrical release featuring a Marvel hero would not occur for more than 40 years. It was the last live-action rendition of a Marvel character in any medium until Spider-Man appeared in the Spidey Super Stories segment of the children's television series The Electric Company in 1974.

The serial was reportedly the most expensive one Republic ever made but apparently almost none of that money went to Mr. Goodman's company. Joe Simon, the co-creator of the character along with Jack Kirby, told me Goodman made the deal for "almost nothing" just to get one of his characters on the screen. The deal also apparently did not include any requirement that Republic adhere to anything in the comic books or even mention in the titles that there were Captain America comic books. They were though mentioned in some of the advertising.

Those who know more about serials than I do have said that the script was not even written with Captain America in mind. There are several theories as to who the hero of the serial was originally intended to be but it does not seem to be in dispute that Republic couldn't close the deal for some other property they wanted. Thus, the script was switched to Captain America because Goodman was so eager to sell. Captain America in it is not Steve Rogers the super-soldier. He's District Attorney Grant Gardner and he uses a gun, not a shield.

I know some folks love these old serials but I find them unwatchable for more than a chapter or so. Someone has posted all fifteen chapters to YouTube and I've embedded Chapter One below. If you enjoy it, it shouldn't be hard to find and watch the other fourteen installments but I doubt a lot of you will. Neither Simon nor Kirby ever watched the whole thing…

When I was a kid, I never went away to camp. No, let me make that stronger: When I was a kid, I never even thought of going away to camp. Not for an hour, not for a minute, not for a second, not for a nano-second. Leave my wonderful home and all my comic books and go away for even a few days to a camp where I'd bunk with strangers and we'd hike and do exercises and have to eat whatever the camp served? Are you outta your ever-lovin' mind suggesting that? It's hard to think of something I would less want to do.

And my parents sure didn't ever seem to want a vacation from my presence. The first time I ever stayed overnight at a friend's house, my father was a nervous wreck.

I had seen camp in TV shows and movies. Not one thing in any of those programs or films looked like anything resembling "fun" to me, especially the pranks. I didn't even like the part in The Parent Trap where one Hayley Mills cut off the back of the other Hayley Mills' dress. Even as a child, I thought most pranks were…well, childish.

So I did not attend Mel Pierson's "Sleep Over Camp" advertised in the ad above.  I did however take swimming lessons at Mel Pierson's Swim Club, a small office complex with a pool in which kids could learn to dive, swim and generally not drown. It was located at the address in the above ad…and all this, of course, raises the question, "Who the hell was Mel Pierson?"  I don't think I ever met him and I certainly never heard anything about the man.

I had to wait until they invented The Internet and I could use our dear friend Google to find out that Mr. Pierson was a leading figure in the Los Angeles Parks and Recreations community and that then-Mayor Sam Yorty appointed him to the commission governing such matters for the city.  I also found online lots of news clippings about Pierson losing that position and being indicted on various allegations of bribery and financial improprieties.

Makes sense. That was exactly the kind of person Sam Yorty tended to elevate to positions of trust. Personally, I would have indicted Mr. Pierson for having a not-very-clean, not-very-private dressing room situated so as to not give children like myself a secure place to change in and out of our swimwear.

For a year or two, my parents took me weekly to Mr. Pierson's Swim Club where an array of teenage "instructors" taught us to swim in Mr. Pierson's aggressively-chlorinated pool.  Later, for reasons I don't recall, we switched to the Tocaloma Swim Club that was over on Santa Monica Boulevard near Westwood.  It had an Indian motif that would probably now seem racially-insensitive.  When my mother passed away and we cleaned out her house, I found my Tocaloma Swim Club membership card and my diploma and some sort of Red Cross certification.

But Mel Pierson's was where I learned how to swim and I was okay at it, I guess. Most of my lessons were handled by an instructor there named Beverly who seemed like a grown-up to me but was probably in her late teens…maybe early twenties. I remember her being very nice and very pretty and I remember one moment in particular. It was one of those things you don't forget when it happens at that age.

We — the dozen other students, Beverly and I — got out of the pool at the end of the lesson and toweled-off. Beverly had some sort of pamphlet or brochure she wanted to give me and she told me to go get dressed and then to come to the office. I had about fifteen minutes before one or both of my parents would be by to pick me up.

I went into the crummy little boys' locker area which I recall as something made out of cinder blocks with a shower, a bench and a row of unlockable lockers.  It was not inside a building and it had no roof on it.  Anyone upstairs in the office building could have looked out a window and seen us changing.   I quickly showered off the chlorine, dried myself, put on my clothes and then I went into the office where Beverly was waiting for me. She was all alone in there and had taken off her swimsuit. She had not though put on anything else.

I had seen girls without anything on before but they were all around my age. Beverly was most definitely a woman. She acted embarrassed and I acted embarrassed and I later concluded that I was but she really was not. The way she had not immediately tried to cover up made me decide she'd planned it, as did the fact that…well, what the heck was she doing naked in the office anyway? And no, I can't tell you why she arranged this. You can make up a reason that's just as likely as anything I could offer. But she sure took her own sweet time about putting on some clothing and she couldn't find the pamphlet she's said she wanted to give me.

I can tell you why I was embarrassed. I had no idea how to react or what to do or what not to do. I felt like I'd done something wrong but I couldn't figure out what. I can also tell you it never happened again and that it was not why we soon took our business to the Tocaloma Swim Club. I didn't tell my parents about what had happened. In fact, I didn't tell anyone about it and Beverly never mentioned it or any pamphlets in subsequent swimming lessons.

This was the closest thing to a sexual impropriety I was involved in during my childhood. These days, you hear a lot about kids being molested or touched inappropriately or prematurely sexualized and that's, of course, awful as well as illegal. It just never happened to me and if it ever happened to any of my friends, I never heard about it. I wonder if it was occurring and it was just kept more of a secret.

Well, let me walk back one thing: I did tell one person about my encounter with naked Beverly. I told my mother…but I told her in 2011, a year before she died. I was 59 years old at the time.

In her last years, my mother and I talked on a lot of topics we'd never raised before. She asked me about various girl friends I'd had, especially the ones she'd met. She asked me if I'd ever tried recreational drugs or alcohol and was unsurprised to hear I hadn't. She asked me what went on at our house when she and my father went off for a few days in Vegas and I had the place to myself.

She also told me some things — like details of her first marriage — that they'd kept from me. They were things they thought I was too young to hear and then they forget to tell me when I was older. All that frank, "no secrets" conversation led to a remarkable bonding of mother and "child."

I told her the story about Beverly and she thanked me for not telling her about it at the time. This was because — and I think these were her exact words — "I would have had to do something about it and I'm not sure I would have done the right thing." My parents had a pretty easy time raising me since I never got into trouble and she, at least, liked it that way. (My father, I suspect, might have appreciated more opportunities to feel like a father by disciplining his son or getting him out of jams. I just never required either.)

She did say one thing that I thought was funny. She asked me if I was still as good a swimmer as I was at those two swim clubs. I said yes. I have a swimming pool at my house and while it isn't large enough to do serious laps and long-distance, I can still swim. She said, "Good. And I would hope that every so often, you also get to see what a naked woman looks like."

Still trying to get some sleep and some pages done. Here's a rerun from 4/6/15…

As I've mentioned here many times, my father spent most of his adult life working for the Internal Revenue Service. It was a job and here were the good things about it:

The weekly paycheck was an absolute certainty. He and his family received very good health insurance. If he didn't do anything stupid, he would receive tiny raises from time to time and be able to retire when he reached 60 years of age. And when he did retire, he would receive a modest pension until he died and if his wife survived him — which she did — she would receive that pension until she died — which she did.

I cannot tell you how important and wonderful that health plan was for her. Without it, she would probably have died 5-10 years sooner, suffered more while she was alive, and worried constantly about medical bills costing her that lovely house he'd left her.

Those were the good things. Note that none of them had to do with what he would do each day when he went to work. All that, he hated. He especially hated answering to unqualified or bossy bosses. Obviously, I am giving you his description of his workplace here. He believed many of the policies he was ordered to almost blindly enforce were foolish, pernicious and unfair. Particularly during the presidency of Richard M. Nixon, my father was sent forth to wring every possible dime out of poor people (especially single parents) but to kiss the derrieres of wealthy folks and to not make too much of a fuss when a rich guy didn't want to pay what the law said he was supposed to pay.

According to my father, some of that was a matter of certain people in Washington rewarding their friends and campaign donors. And some of it was because affluent people could afford good lawyers and accountants. It was simply easier to collect from folks who couldn't…even when they didn't have the money.

The single parent thing really got to him. He did not have the power to waive or prune the tax bill of a delinquent taxpayer. At most, he could negotiate payment plans within predefined department guidelines and he needed the blessing of his superiors to go beyond those guidelines. More than once, he went to his bosses and said something like, "I'd like to forgive a part of this woman's tax bill and give her longer than usual to pay the rest. She was recently widowed. She has five children to feed and clothe and her husband left her in serious debt, above and beyond her taxes, and she has no source of income at the moment."

The reply to that kind of request was usually along the lines of, "Denied. Tell her that if she cares about those kids, she'll hurry up and find a new husband who can support them." Single male parents fared a little better but not by much.

That was one example of many reasons he hated to go to work most mornings. Even though he blamed the stress for causing his bleeding ulcer and many sleepless nights, he did the job. To men of his generation — he was born in 1910 — there was nothing more important than providing for your family both in life and death. He provided well when he was alive. There was never anything I really needed we could not afford, though I recall wishing when I got braces on my teeth, that my orthodonture had not been affordable. My father left my mother a home, a pension and that all-important health insurance.  Oh, yeah: And me but she was half-responsible for that.

It was around 1951 when he married the one and only love of his life. And it was no coincidence that was the year he committed to the I.R.S. job for the rest of his life.

Prior to that, he had worked in a number of different jobs. He worked as a copy boy at the Hartford Courant, then as now the largest newspaper in Connecticut. He worked as the Night Clerk at Mount Sinai Hospital in Hartford. He worked on and off for the I.R.S. division in Hartford. He was originally hired, in part because of his limited experience at the Courant, to work in Press Relations. That was not a bad position, he said, but then they reorganized the division and moved him, much against his will, into being a Revenue Officer. He didn't like it but he did it there and later, he signed on to do it in Los Angeles for the rest of his working days.

Notice I use the word "job" here. My father had jobs. He never had a "career," at least the way he defined it. Once I began to work steadily as a professional writer, he'd sometimes say to me, "You've got a career." He always had a big grin on his face when he said it.

Don't write to me about the real definitions of these words. Around my father, the difference was simple: A job was something you did to buy groceries and pay the mortgage. A career was something you wanted to do. Not one child in all of America has ever said, "I want to grow up to be a Revenue Officer for the Internal Revenue Service."

In '51 when he took that job in L.A., he not only abandoned any hope of ever having a career, he gave up one other important thing. He gave up the dream of ever being rich.

He would henceforth receive a steady paycheck and a pension but the amounts involved would never buy much more than the necessities of life and an occasional vacation. You could not get rich working for the I.R.S.; not even if you took bribes. His best friend at the office tried that and even if he hadn't been caught and sent to prison, he would never have owned a mansion and a yacht. My father, who was so honest he returned found wallets with all the cash intact, would never have even tried it.

Most people in my line of work (writing) never achieve anything even vaguely resembling a steady paycheck. A good many never earn half as much money as my father did at the job he hated. But in writing, there is at least the theoretical possibility of wealth. It may be unlikely but it's not utterly impossible that your next writing job will lead to you publishing a best-selling novel or writing a screenplay that will bring in millions.

That's not why most of us do it. I do it because I never came across any profession that seemed preferable or within my limited skill set. I sometimes pause to consider that fundamental difference between what I do and what my father decided to do. I've never had the job security he had but I've also never had a cap on my potential earnings. There's the trade-off.

As you might imagine, I know a lot of writers. I know writers who are unsuccessful and happy. I know writers who are unsuccessful and unhappy. I know writers who are successful and happy. And I know writers who are successful and unhappy. That last group is generally the saddest of the four.

I suspect some of the unhappy ones (successful or otherwise) would be happier if they had a job instead of a career. Not knowing what your income will be next month — or even if you'll have one — can cause stress and bleeding ulcers and sleepless nights. My father's problem was not that he had a job. It was that he had the wrong job and was never able to find a better one — and once he had the responsibility as the Bread Winner, unwilling to risk the security he'd found.

He retired at the age of 63, just in time to watch and cheer the televised Watergate hearings. There were many revelations in them about how the Nixon Administration had used the I.R.S. to reward its friends and punish its enemies and he was so, so happy to see much of that exposed even if it didn't lead to total reform. Mostly though, he was happy to be out of that damned job.

His last few years at it, he looked more like he was in his eighties than his sixties. The day he retired, he dropped the extra twenty years from his face and maybe five or ten more just out of sheer relief. He lived another 20.5 years in fairly good health. They were not free of stress as he could always find something to worry about but it was never as bad as his years at the I.R.S.

Which is not to say retirement did not have its downsides. The main one was that he was bored out of his mind.

He followed a couple of stocks he owned, more for the hobby than for the money. He rooted for the Lakers and never understood how it was possible for them to win a game if it wasn't televised and he wasn't in front of his TV yelling at the screen. He prayed for jury duty, got it a few times but discovered that his past profession disqualified him from ever actually getting on a jury. At times, I would find busy work for him, giving him errands to run for me. They usually did not turn out well as I've explained here before.

He never wished for a second he was back at his job. But he did wish he had something to do all day and really feel like he was doing something.

I turned 63 last month. Only about a week ago did this dawn on me: I am now the age my father was when he retired. It has never for a second occurred to me to do that.

I consider myself fortunate that I have a career and that every morning, I not only have something to do…I have something I want to do. That's another difference between a job and a career…and it may be the reason I don't feel 63 except sometimes around the knees.

Alex Hassilev — the last surviving member of the original lineup of the folk group, The Limeliters — died last April. I always liked those guys and still play their old records once in a while. (Well, to be accurate: I still play MP3s of their old records…)

He was also in one of my favorite movies — The Russians Are Coming, The Russians Are Coming — and he produced a helluva lot of great record albums. There are still Limeliters but he was the last of my Limeliters.

Okay, here's a story I'm fairly sure I haven't told here. In late 1998, the hottest ticket on Broadway — the one scalpers were getting actual scalps for — was a revival of the musical Cabaret. It was directed by Sam Mendes, co-directed and choreographed by Rob Marshall and it starred Alan Cumming as the decadent and bizarre Master of Ceremonies. Getting seats to it at the time was nearly-impossible and the time in this case was when my dear friend Carolyn and I were going back to New York for a business/pleasure trip. It would be pleasure for her and a mix of business and pleasure for me.

Naturally, we wanted to see Cabaret on that trip. Here is a commercial that was made for it much later in the run when to get tickets, all you had to do was phone Telecharge and have your AmEx card handy…

But also naturally, I did not want to spend umpteen kazillion dollars for tickets that would, at best, put us in the back row of Studio 54, which is where the production was doing eight shows a week. Fortunately, I thought I might have an "in" to get house seats. In case you don't know what they are, they're real good seats which are sometimes available, often at the last minute, for face value. You generally need to know someone important who's associated with the show to get them.

On this trip, we also wanted to see a revival of the show Little Me, which originally starred Sid Caesar but in revival, it was starring Martin Short. I had a friend in the cast and I called and asked her if she could arrange for house seats to see her in Little Me. She said, "No problem."

Then I asked her if there was any way on God's Green Earth she could arrange for me to purchase house seats for Cabaret. She thought for a second and said, "I'll ask Rob." She was referring to Rob Marshall, who was the director of that revival of Little Me…the same Rob Marshall who, as you'll note above, also co-directed and choreographed the revival of Cabaret.

And ask him, she did. The next day, she called and said it was all arranged — for the date I'd requested — Little Me on the Wednesday evening of our trip, Cabaret for the following Friday. I just had to go to the shows' respective box offices, show I.D. and pay for the tickets. I knew from past experience I should do that as soon as I arrived in New York and not wait for those evenings. The longer those tickets sat in the box office, the greater the chance someone who worked in that box office would take a bribe or crib them for a friend and we'd wind up in worse seats.

On the Sunday before those dates, Carolyn and I flew to Manhattan and checked into my favorite hotel there. Monday morning, I had a lunch appointment with an editor at a comic book company for which I was writing.  As we left the restaurant, I asked him, "Do you mind if we make a slight detour to Studio 54 so I can pick up some tickets they're holding for me?"  It wasn't that far out of the way so he said, "Fine with me."  We went to Studio 54, I told a man behind a window who I was, he found the tickets he had for me…

…and he said, "Wow.  You must know someone."

I paid face value for the tickets — I think they were $75 each — and I took them over to the seating chart to see why he said what he said.  Cabaret, as you may know, takes place in a night club in Berlin during the Nazis' rise to power.  At Studio 54, management had taken out the first few rows of theater-type seats and replaced them with the kind of tables and chairs one finds in a night club, which more or less put the occupants into the show.  My tickets were for AA1 and AA2 — two of the four seats at the front table.  The best seats in the house.

When the gent in the ticket window said, "You must know someone," he was wrong.  I got those great seats because I knew someone who knew someone.  The director of a show would, let's face it, have access to the best house seats.

Later that day, I stopped in at Criterion Center Stage Right. That was the name of the place in which Little Me was playing. I picked up and paid for our tickets for Wednesday night. They were also great seats but nowhere near as hard to get as any seats for Cabaret.

That was a good show and we saw some other good shows on that trip. Friday night was our last night in Manhattan and I didn't tell Carolyn in advance where we'd be sitting for Cabaret. When we got to the theater, I handed our tickets to the lady at the front door. She looked at them and said, "Wow. You must know someone."

Then we went in and I handed the tickets to a lady who was seating people. She looked at the tickets and said, "Wow. You must know someone." Then she led us to the front table where two young men were already seated in AA3 and AA4. As soon as we sat down, I turned to them and I was about to say, "Who do you know?" but before I could, one of them said to me, "We paid $700 each. How much did you pay?"

I stammered out, "Oh, not quite that much."

The first act was quite wonderful — most deserving of all the praise this production had received and its four Tony Awards including Best Revival of a Musical. The second act was equally wonderful but between them, there was a moment with a bit of silly tension.

During the intermission, one our tablemates said to me, "I wonder which one of us Alan Cumming will pick." I didn't know what he meant so he explained, "Before the second act starts, he comes out and chats with the audience and selects a woman from the front to dance with him briefly. Then he selects a man to also dance with him briefly."

The other gent said, "And usually, he picks them from this table. That's one of the reasons we sprung for these seats."

And then the first one told me, "The other night, he picked the man sitting right where you are…and it was Walter Cronkite! A friend of ours who was here than night told us!"

That was an interesting revelation. I didn't think Carolyn would mind the honor but I sure would. As I've probably said somewhere here on this blog before, I am not the worst dancer in the world but I'm certainly in the bottom two. Even being picked by a lady to dance with would have been unbelievably awkward and embarrassing. Being picked by the androgynous emcee of the Kit Kat Club…well, that could easily be the most humiliating moment of my life. And believe me…my life has had some pretty humiliating moments.

There was nowhere to go, nowhere to hide. The lights came up for Act II and Alan Cumming came out and began talking and dancing around…and then he strolled over to the table next to ours and selected a lady — one he apparently knew — to dance a few steps with him, ballroom style. He returned her to her seat and then he sashayed over to our table to select his next partner. He headed straight for me…our eyes met…

…and I think he saw the look of sheer panic in my retinas. He gave me a look that I took to mean "Don't worry" and moved instead to the gent seated to my right. They waltzed a bit, the show proceeded and after it was over, Cummings' male dance partner told us that brief moment was one of the great thrills of his life…well worth the $700 at least.

On the way out, Carolyn told me she would have paid twice that to see me selected. And I told her that the next time we came to New York and took in some shows, I was going to skip the house seats and get tickets way in the back.

From CBS Sunday Morning for this Sunday morning…

I have several e-mails asking me why there's no mention in the piece of MAD's longest-running illustrator, Sergio Aragonés. I would imagine that he was mentioned in the interviews but the piece only runs six and a half minutes so there wasn't time to include anything about him. Or Jack Davis. Or Will Elder. Or Don Martin, Dave Berg, Antonio Prohias, George Woodbridge, Bob Clarke, Norman Mingo, Frank Kelly Freas, et cetera…

In 1966, a producer named Steve Krantz and an animation studio called Grantray-Lawrence produced 65 half-hours of The Marvel Super-Heroes — a syndicated cartoon series featuring Captain America, The Hulk, The Sub-Mariner, Iron Man and Thor. Years later when I asked Stan Lee, "Did anyone like that show?" his reply was, "Yeah, Steve Krantz. He got all the money." Stan believed that Marvel publisher Martin Goodman had made a rotten deal in order to get his characters on TV in the hopes that (a) a flood of merchandising deals would occur and (b) it would make Marvel look more successful because Goodman was then hoping to sell the company — which he did just a few years later.

The stories and artwork were mostly adapted from the actual comic books, infuriating most of the artists who had drawn and plotted those stories for low comic book rates and now saw their work used on television without a cent of additional compensation. It and a subsequent Spider-Man TV cartoon done under the same deal seems to have been among the main reasons why Steve Ditko left Marvel.

And the animation wasn't very good. When the cartoons aired in Los Angeles, they were initially on a kids' show called Shrimpenstein and the host would introduce they by saying things like "And now, here's another one of those cartoons where nothing ever moves" or "and now, another Marvel mediocrity." (I have been accused of making those lines up but ask anyone who watched Shrimpenstein on Channel 9 back then. They will confirm.)

The voice work was variable — done on the cheap in Canada — but the stories were pretty good. And for comic book experts like myself, it was kinda fun to watch the show and identify the drawings used. If the Hulk was standing in profile, that might be a Ditko drawing and then he'd turn full face and that would be a Jack Kirby drawing and then he'd turn the other way into a Bob Powell drawing.

And you know what else wasn't bad? The music. The cartoons had catchy theme songs written and supervised by a New York composer named Jacques "Jack" Urbont.

There is no good release of these cartoons on home video but bootlegs abound. If you've never seen these cartoons, you can watch some prints of varying quality on this page. Also, someone has come across good recordings of the opening and closing themes and Disney has recently released a vinyl (vinyl!) record of them which may interest you if you have something to play it on. Or you can listen to those recordings in these two online videos…

Mark is a little under the weather and also a lot under a deadline so I'm taking a day or three off from this blog. But I have some inventory goodies and a rerun or two to post so you won't miss me. There may be no current events and I'll probably be even lousier at replying to mail than I already am but worry not.

There's nothing wrong with me that sleeping and finishing an assignment won't cure. I just need to figure out how to do both at the same time.

Kamala Harris has agreed to another Presidential Debate, this time on CNN with the same rules as the ABC one. Donald Trump is reportedly considering it but has not agreed. If I were Trump, I'd decline to show up but ask that the debate proceed with Harris debating an empty podium. Donald would do a lot better that way.

What I glean from the news is that just about everyone is agreeing that the "Haitian immigrants eating pets" meme is untrue but some folks think it has some value to them so they're going to keep saying it no matter how much it harms the city of Springfield, Ohio.

Here's another video to remind you what this election is all about…

And another reason is that Trump is getting more and more antisemitic…as Joe Conason notes.

So one day I was in Vegas, playing Blackjack at the Barbary Coast — a pretty good place to play back then. This was the early nineties and the Barbary Coast was located on the northeast corner of Flamingo Road and Las Vegas Boulevard South (aka "The Strip"). Since then, it's been sold and bought and sold and bought and sold and bought and finally remodeled into a much fancier place called The Cromwell. It's probably a much worse place to play Blackjack now but I can't be sure since I gave up the game several decades ago and the city several years ago. I also, on the day I'm describing, decided to never go into the Barbary Coast again.

That day, I was counting cards but, as per my modus operandi, not winning so much that anyone would notice. I'd get a few hundred ahead — enough to cover the cost of the trip and a little more — and then it was on to another casino or back to my room to work. They only stop you when you accumulate enough chips that it might not be sheer luck. I was a few bucks shy of quitting and had just put out a twenty dollar bet when an Asian guy came outta nowhere, leaned over me, called out "Money plays!" and threw ten thousand dollars down on the table.

Translation: He wanted in on the next hand and was wagering cash…a lot of it.

This is a standard move by gamblers who are either card counting as spectators or have been signaled by someone who is counting. You do it when the count is extremely good for the player…but the casinos, for obvious reasons, usually don't allow it. What's odd though was that I was counting and one of the reasons I was about to leave was that the count wasn't especially good. It was a strange time for someone to be doing this.

The dealer turned to the pit boss — the guy in a suit and tie who keeps an eye on all the gaming — and repeated "Money plays" and he checked the stack of bills on the table and announced "Ten thousand." That was over the table limit at the moment but the pit boss nodded to okay it all. I still don't know why. If he'd been playing more attention to our table, I might have thought he was counting and he knew there was no advantage at the moment. Or maybe he knew the Asian gent as a frequent loser. Or something.

The dealer dealt. I got a soft 18 — an ace and a seven — and the Asian gent, who would play his hand after I played mine, got a hard 12 — not a good hand. The size of his wager had caused a small crowd to instantly assemble at our table and they all winced audibly at the guy's bad luck.

Then again, the dealer's up card was a two. So the dealer's going to have to hit at least once. The dealer hasn't won…yet.

With the count near zero, I was playing Basic Strategy which meant doubling my bet, which they let you do on any two cards at the Barbary Coast. That's one of the rules that usually works to the player's advantage, which is why most casinos in Vegas no longer allow it. They've made the game much harder to win in the last few years, which you'd think would make for fewer players. Or at least, you'd think that if you don't know gamblers. For every me who's given up the game, there are a thousand folks who can't wait to play, no matter how bad the rules are.

I hesitated momentarily before doubling. I've seen it happen that a player in my position takes another card and it's a card that might help the next guy win and he gets mad. This makes no sense because I could just as easily be taking a card that would make him lose but gamblers are sometimes illogical about this kind of thing. So I doubled and got one more card — face down. Now it was the Asian gent's turn to play his hand.

Basic Strategy said he should hit. He did and got a ten so he busted out and lost his bet. When the dealer flipped over his own hole card, it was also a ten so he had twelve, which meant he had to take another card. He did and got a ten — so he busted and I won. My face-down card, not that it mattered at that point, was a five.

Everyone looked at the fellow who had just lost ten thousand dollars. How did he feel? What would he do now? He didn't seem all that bothered that he just lost ten thousand dollars on one play of the cards. Instead, showing no particular emotion, he pulled out another ten thousand and announced, "Money plays…again!" There was a big gasp from the spectators.

I decided to stop right there but I had to stay and see how he did. Answer: Much, much better.  He got a Blackjack — an ace and ten-value card — and there was a big cheer from the onlookers. Blackjack then paid three-to-two, meaning that he won back what he'd lost on the previous hand plus 50%. A lot of casinos now pay six-to-five on Blackjacks — another rule change which works against the players but doesn't seem to have made fewer of them play the game.

He threw out a nice tip for the dealer then walked away from the table as I did. We exchanged a few words — me congratulating him, him thanking me for congratulating him — then we parted ways and I never saw him again. But what I did see was two beefy men in suits coming up and briefly detaining me, asking if that man was a friend of mine. Obviously, they thought we might be in collusion — maybe me signaling him that the count was high so he should leap into the game at that moment.

I couldn't say "The count was not good at that moment" because that would have been admitting I was counting.  I did say, "I never saw that guy before in my life," which was true.  They asked me a few more questions: Where was I staying? Where was I from? Did I gamble a lot in that town? There was no reason not to give them honest answers so I did. After a bit more interrogation, they decided they had no reason to hassle me so I went over, turned my chips into cash and never set foot in the Barbary Coast again…just in case the same kind of thing happened again.

In my years of playing Blackjack, that was pretty much the closest I came to getting into trouble but it was not the main reason I quit. The rule changes and my growing boredom with Vegas and Blackjack (even when I won) were of greater importance and those are the ones I've mentioned here in the past when this topic arose. But now that I think of it, maybe that day at the Barbary Coast was a factor. I won about $300 that day there. That wasn't worth having any more trouble with them.

One of the zillion-and-a-half things I don't like about Donald Trump is his mania to have things both ways: "Everyone agrees" he won the debate against Kamala Harris but she cheated with some sort of earpiece that told her what to say and the moderators were biased in her favor. And the proof that he won is that she immediately asked for another debate, which is what you do what you lose…even though after the debate with Biden — which he says he won and probably did — he immediately asked for another debate.

And so on. I understand that there are people who are always going to vote for the Republican over the Democrat, no matter who they are. There are also people who feel they did well for whatever reason during the four years Trump was in the White House. I only wonder if they listen to his incoherent rantings now and wonder what they're going to get this time.

I also understand there are folks who have their pet issues: They're always going to vote for the candidate who seems more likely to keep their lives and neighborhoods free of immigrants, legal or otherwise. A lot of them don't think it makes any difference.

But then I have my pet issues. A big one for me is Health Care. I have real good health insurance and I believe everyone should; that it would not only be more humane but in the long run, both cheaper and better for society. As Kevin Drum and Jonathan Chait both note, Trump has no plan to do anything like that, even though he has for years claimed he did and he was only "a few weeks away" from unveiling it. To the extent Trump has any plan for health care at all, it's to cut people loose, including those with pre-existing conditions and/or who are in need to treatment they cannot afford.

I also think the guy is bad on Abortion, bad on the Economy and that he'd serve Ukraine up to Putin on a very large silver platter. Oh, yeah…and he's nuts, too. Did you know windmills cause cancer?

Anyway, here's another news-type story to remind you what's at stake in this election…