Garfield Show News

I don't write much here about professional-type things I'm working on but every so often, the e-mailed questions pile up to the point there I figure it will save me time to do one of these…

We've started production on Season Four of The Garfield Show, an animated series of which I am the Supervising Producer. I don't know what my title means, either. Basically, I write or story-edit scripts and I voice-direct the actors. For those of you who care about how meaningless titles can be, I did pretty much the same job on the original Garfield & Friends TV show for CBS when my credit was "Written by" and later when with no noticeable change in my duties or responsibilities, it went to "Written and Co-Produced by."

We did 121 half-hours of that show. In the first three seasons of this one, we did 26 half-hours per season so that's 78 of these thus far. For Season Four, we're doing at least 27 so it all adds up to…well, a heckuva lot of lasagna jokes.

Season Three of The Garfield Show contains three extra-length specials. (In case anyone cares, a usual Garfield Show consists of two cartoons of 11-12 minutes each. The specials run across two half-hours and each is about 45 minutes long.) In Season Four, there will be seven of these specials.

Seasons One and Two have aired in the U.S. on Cartoon Network, which ran every episode at least as many times as their contract allowed. Season Three is already running in many other countries, some of which air it in prime-time, and it will air in America, plus I'm sure Seasons One and Two will air some more here. When? Your guess is as good as mine. One of these days. I'll let you know if I hear anything but you may know before I do.

From the E-Mailbag…

James Frankel writes…

I'm thrilled to hear about June Foray's Emmy nomination but amazed that this is her first and that she doesn't have a whole shelf of them. This woman is the absolute queen of cartoon voice work. How is it that she wasn't nominated for most of the wonderful work she's done, starting with Rocky and Bullwinkle?

It's real easy to explain why she wasn't nominated for Rocky and Bullwinkle. The award didn't exist back then. I don't know when precisely it started but the notion of presenting an Emmy for voicing a cartoon character is a fairly recent development.

As for why she hasn't received one since then: Producers have to submit actors for consideration and they tend to nominate performers who are either (a) on every episode of the show in a lead role or (b) guest stars who are well-known from on-camera work. June isn't (b) and has rarely been (a) in recent years. My guess is that she's rarely been submitted for the shows she's been on.

Just Because It's June

Well, it's not definitive research but this list of the longest-serving soap opera actors shows a couple of folks who worked into their nineties but no one who got an Emmy nomination at that age. So until someone proves me wrong, I'm taking the position that June Foray is the oldest Emmy nominee ever in the performer, non-honorary category. She may even be the oldest in any category but someone else will have to figure that out.

Important Question

So someone needs to research this. It says over on Wikipedia, which as we all know is never wrong about anything…

[Betty] White also holds the record for the oldest recipient of a competitive, non-honorary performing Emmy, winning in 2010 at the age of 88 – as well as holding the record for the oldest nominee, nominated in 2011 at the age of 89.

They may be talking there just about primetime Emmy Awards…but June Foray, who was nominated this morning for a Daytime Emmy, is 94. Actually, to get technical, she's more than 94 and a half. Did she just become the oldest-ever Emmy nominee, beating the previous holder of that honor by five years?

Performing Emmys in daytime do not usually go to older people since they're mostly for game shows and soap operas. Bob Barker was 83 when he got his 19th and final Emmy but he was the exception. There certainly has never been a game show host who worked into his nineties and I doubt there's been a soap opera actor or actress.

Like I said, someone needs to research this. And we may need to point this out to the press.

The Happiest News of My Day

Photo by Dave Nimitz

Congratulations to the First Lady of Cartoon Voices, June Foray. This morning, she received her first-ever Emmy nomination in the category of Outstanding Performer in an Animated Program. It's for her role as Mrs. Cauldron on The Garfield Show.

In case anyone's wondering what you have to do to get nominated for an Emmy, it's simple: Just be the absolute best at what you do for around seventy years.

Buzz

Here, as promised, is a much better obit than mine for Buzz Potamkin.

Barney's Bionic Buddy

On Easter, I recounted here a memory of going to the May Co., the L.A. department store, and seeing a robot Fred Flintstone. A reader of this site named Tony Redman found this image on the photostream of an animation historian who calls himself slappy427 (he has lots of neat Hanna-Barbera stuff there). Anyway, slappy427 was nice enough to give me permission to post it over here.

That's not exactly how I recall the Fred Robot I was describing but it's close enough that that's probably it. The text accompanying this press clipping says the robot wound up in the Hanna-Barbera offices. I first visited those offices in 1975 and began working there steadily in '76 and I never saw it. I'm going to call a couple of H-B veterans and ask them if they remember it.

Go Listen! Quickly!

Throughout the Magic Kingdom some of us call Earth, my friend Jim Korkis is one of the foremost authorities on Walt Disney. So when he recommends a BBC radio documentary on The Man…well, that's something I want to hear. Here's the link and here's the catch: It's only online for two more days. Hurry. And ignore the three or four minutes of news that starts the audio clip. BBC radio links are like that. Thanks, Jim.

Boop-Boop-A-Doop

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I love old Fleischer Studios cartoons…though in short doses.  I one time made the grievous error of attending a Betty Boop Film Festival where they showed one after the other for hours on end.  By about 45 minutes in, my eyeballs were getting rubbery and the top of my skull was flipping open so a cuckoo clock cuckoo could pop out and announce the hour.  Finally, halfway through a cartoon called Bimbo's Initiation, I couldn't take another cel of it and I made a mad dash for the street where the lampposts were dancing and every passer-by looked like Betty, Bimbo, Grampy and/or Ko-ko the Clown.

But viewed 1-3 at a sitting, those films were great and so were the Superman cartoons and the Popeye cartoons and most of the other goodies produced in the operation run by Max and Dave Fleischer.  The family of those clever boys has set up a website to remember them…but I'll warn you: When you go to that site, it immediately starts playing a Betty Boop cartoon – and my luck, it's Bimbo's Initiation.  Pay particular note to the wing of the site that's labeled "Museum."  That's where the real good stuff is.

And on another site: I assume you've all seen the photographs of Ms. Boop, right?

Today's Video Link

Hey, it's been a long time since I posted anything here I wrote. Here's something I wrote. It's one of the first episodes we did for The Garfield Show, my main endeavor of the last few years…if you don't count redesigning this blog and feeding Max the Cat out back.

This is "Mother Garfield," a first season episode. The show is produced in France for the international market and it airs in the U.S. on the Cartoon Network…usually. They run it for a month or three, then they take it off for a while to rest it, then they put it back on for a while. I hope somebody knows when it's on because I sure don't.

When they do run it, they run episodes from Season #1 and Season #2. At the moment, production is almost complete on Season #3 but I don't know when they will air in this country, either. They should start appearing soon in other lands.

"Mother Garfield" features the voice of Frank Welker as Garfield and all the birds, and the other voices are by Gregg Berger and Wally Wingert. Hope you enjoy it…

VIDEO MISSING

Today's Video Link

And now here's something we hope you'll really like: The Hillcrest Wind Ensemble of San Diego offers a lovely symphony of themes from cartoons produced by Jay Ward…

All the Bullwinkle You'll Ever Need

I'm very pleased that we will soon be able to purchase a compete collection of all five seasons of Rocky & Bullwinkle. One of the reasons I am pleased is that I didn't buy the first four seasons as individual releases over the last few years.

Some who did are irate. They bought Season One and then they bought Season Two and then they bought Season Three and then they bought Season Four. They were looking forward to purchasing Season Five and completing their sets…but at the moment, they can't. There are apparently no current plans to release Season Five as a standalone item. Instead, it is only included in Rocky & Bullwinkle and Friends: The Complete Series, which is scheduled to ship on January 4th. You can advance order it right now for $66.

This, of course, presents a dilemma for those who love Moose and Squirrel so much that they bought the first four sets. If they bought them when they first came out, they paid around $20 each. If they waited for later discounts, they paid around $12 each. So these people have spent $48-$80 to get Seasons One through Four…and now they have to spring for $66 to get Season Five along with duplicates of what they already own. To make matters more confounding, they can't be certain that the company won't put Season Five out as an individual release later on. What should they do? I dunno and I'm glad I don't have that problem. It might help to keep in mind that most of these "complete" DVD sets are eventually crash-discounted as witness the Larry Sanders set I mentioned recently here.

(And I'd also like to point out that Amazon, for no discount whatsoever, is offering a package deal of Rocky & Bullwinkle and Friends: The Complete Series plus a copy of Season Three, which is included in the complete set. Wonder if anyone is dumb or inattentive enough to spring for that.)

The saving grace, of course, is that this is wonderful material that holds up very well. As I watch them today, I can't believe how sloppy some of the animation is…and how witty most of the scripts are. The voice work is especially brilliant — June Foray, Bill Scott, Paul Frees, William Conrad, Hans Conried, Daws Butler and just a couple of others. I'm definitely going to get a set of the whole thing. I just don't know when yet.

Maybe Your Last Chance!

Last year, my buddy Earl Kress and I helped the First Lady of Cartoon Voicing, the spectacular June Foray, finish and publish her autobiography. A lot of copies have been sold, many of them autographed by June. They're available with her signature at signings and if ordered through her website, www.juneforay.com. Take note of that web address because you're going to want to click it in a moment.

June is, of course, an utter treasure who has had the most amazing of careers. She's worked with everyone in radio, TV, movies and comedy records. She has anecdotes galore about folks like Steve Allen, Stan Freberg, Jerry Lewis, Chuck Jones, Mel Blanc, Daws Butler and lots of folks who've made you laugh. It's an incredible tale of an incredible lady, told in (mostly) her own words.

For reasons you wouldn't care about, we will soon be closing down her site and it will no longer be possible to order signed copies from there. But I like you so I'm giving you what may be your final opportunity. If you want a copy autographed by the legend herself — the voice of Rocky the Flying Squirrel, Natasha, Tweety's owner Granny, Nell Fenwick, Jokey Smurf and so many more — go there now and order one…or more. And don't come crawling to me when you finally decide you need one and they're no longer available. Allez-oop!

Pickles, Stop This Crazy Thing!

jetsonsprototype

A few weeks ago here, we told you how an actor named Michael O'Shea was originally the voice of the Hanna-Barbera cartoon star, Top Cat. I was going to get around some day to telling you how others were almost the voices of George and Jane Jetson but another blog beat me to it…and did a far better job than I'd have done.

Yowp is a blog devoted to the history of the early H-B cartoons. If, like me, you're a fan of those shows, you'll want to visit often because the guy there keeps digging up interesting artifacts and analysis. Recently, he told of how the original casting for The Jetsons was for Morey Amsterdam to play George and Pat Carroll to play Jane, his wife. They were announced and then they were unannounced…and of course, George O'Hanlon and Penny Singleton wound up with the roles. Yowp also quotes an article that says a breach of contract suit was filed by Amsterdam and Carroll but notes that there's no record of its disposition. (The almost-certain result was that the parties settled out of court for partial payment.)

So wha' happened? Why did Morey and Pat seem so right for the part one day and so wrong the next? I vaguely remember Joe Barbera mentioning this once and saying that Morey proved to be "trouble" but he didn't say what kind and I don't think he said it in a mean way.

The article on Yowp says that there were "…sponsor conflicts, what with Morey being a regular on the Dick Van Dyke Show and Pat likewise on the Danny Thomas Show." That seems like an odd problem to crop up after they'd been signed unless The Jetsons was suddenly sold to a sponsor who was particularly rigid about such things. Also, Ms. Carroll only had a recurring role on her series and wasn't billed as a regular. She appeared about as often on The Danny Thomas Show as did Hans Conried, and there doesn't seem to have been a fuss over Mr. Conried voicing Snidely Whiplash on The Bullwinkle Show. (Then again, it's possible some sponsors were fussier about such matters than others.)

amsterdamcarroll01

The announcement of Amsterdam and Carroll is dated May 18, 1962 and the one listing the final cast is from June 29. Either day is very late to be recording shows at all, let alone recasting, when you have to debut on September 23, as The Jetsons did, and have a new episode ready each week after that.

One of Yowp's commenters offered a theory that's worth discussing. The Dick Van Dyke Show was actually cancelled at the end of its first season in February of '62. Exec Producer Sheldon Leonard made an impassioned pitch to the sponsor and its advertising agency. It resulted in the show getting another chance and getting back on the CBS schedule. So the presumption here would be that when they signed Morey and Pat, they thought Morey was done with the Van Dyke program and would be free to record shows whenever they needed him. Ms. Carroll would still occasionally be needed by the Danny Thomas Show but they could work around that. Then — and I don't know when this happened — The Dick Van Dyke Show was snatched back from cancellation and reinstated on the CBS fall schedule. Rehearsals were to begin August 1 — just when Hanna and Barbera would be desperate to get Jetsons scripts recorded.

The following year, Bea Benaderet (who voiced Betty Rubble on The Flintstones) was cast in the on-camera lead of a new CBS series, Petticoat Junction. For one year, she did both shows but when her CBS show was renewed for a second season, H-B abruptly — and reportedly without consulting her — replaced her as Betty Rubble. Her other job apparently created too many production delays for them.

So is that why Morey Amsterdam didn't play George Jetson? They were afraid that once August 1 rolled around, they wouldn't be able to get his services when they needed them? That's quite possible…and I can sure imagine Bill and Joe thinking, back in June, "If we're going to have to replace him, we'd better do it now, before he records eight episodes." But then why replace Pat Carroll? Her availability probably didn't change from what it had been when they signed her. And right about here is where all this detective work hits a brick wall.

I don't think, by the way, that Morey Amsterdam would have made a great George Jetson…and I don't say that just because I grew up to the sound of George O'Hanlon. Morey just didn't have as interesting a voice as George, didn't have all that character in everything he said. So I'm glad things worked out the way they did.

By the way: The drawing up top is an early development sketch for The Jetsons. You can see them getting close.

Who's Who in Whoville

I should have linked to this a few days ago…but the TV Academy's oral history project has put up a page of interviews relating to the animated version of How the Grinch Stole Christmas. They've done multi-hour interviews with hundreds of important folks in teevee history and on this page, you can view excerpts relating to that wonderful holiday special.