Today's Single Feature

So it's like a game on YouTube now. They upload full, uncut movies and specials (like the Caesar's Writers) video and they're free to view…and then suddenly, it costs money or they have ads…and then they're free again…and I'm sure they'll switch back. The last few days, Caesar's Writers went from without ads to with ads and at this moment — maybe not three minutes from now but now — it's without ads, at least on my feed. So watch it when you can and you can decide for yourself if you want to pay or sit through commercials.

Here — on the same basis, I assume — is the 1971 movie version of Fiddler on the Roof, a very good adaptation of what may be the most often produced stage musical in history. That was quite an achievement for a show which, when first announced, everyone said of it, "It'll only appeal to Jews." And then when it opened, they said, "It'll only attract an audience while Zero Mostel is starring in it." One of the folks who reportedly said that second thing was Zero Mostel and to add to all the things he was outraged about in his world is that after he left, it went on and on and on without him. It also defied predictions that it would never mean anything in other countries.

This is a good (though a bit too lonnnnnngggg) movie and it probably would have been even better with Mr. Mostel playing Tevye…but Chaim Topol only suffers from that comparison. Otherwise, he and everyone else in it are quite fine. The whole magilla was produced and directed by Norman Jewison, who was not Jewish, and I think it's funny that he also gave us The Russians Are Coming, The Russians Are Coming, which could have been an alternate title for this film…