The Dickens You Say!

According to a press release I just received, NBC has purchased the right to rerun the 1962 Mr. Magoo's Christmas Carol later this year.  Also according to that press release, June Foray is in the voice cast of that holiday special, which is not true.  But, assuming the rest of it's accurate, this is an interesting move.  The animated adaptation of Dickens' A Christmas Carol was always, I felt, one of the two most entertaining cartoon specials ever produced for TV, the other being A Charlie Brown Christmas.  The Magoo affair succeeds despite rather dreadful animation…poor even by the standards of limited television animation.  Matter of fact, the special's previous owner was at one point considering whether it might have more marketability if they went back and, using the exact same audio track, did all new design and animation.  He (the late Henry Saperstein) never did…but when he told me he was contemplating the cost-benefit ratio, I said, "You're not going to touch the script, voices or songs, I trust" and he said, "Oh, God, no.  You couldn't improve on any of that."

He was right.  Jim Backus, Jack Cassidy, Paul Frees and the others are terrific, even if none of them was June Foray.  And the score by Jule Styne (whose name is misspelled in that press release) and Bob Merrill is first-rate…one of the few times an animated TV special has thought to go out and engage top Broadway composers.

Someone at Classic Media (new proprietors of the nearsighted Quincy Magoo) pulled off a deft move in arranging this.  The special has been out on tape and rerun on low-profile cable channels for years, and you wouldn't think it would go back to network.  I'm guessing someone at NBC was a big fan on it as a kid, plus Classic Media was probably willing to give it to them cheap to get Magoo back in the public eye.  Even if they let NBC run it for nothing, it would be a wise deal for them and, of course, for NBC.

I don't think a lot of people realize how prime-time network animated specials have virtually gone the way of the passenger pigeon.  Disney does a few for ABC but they're mostly a matter of that company producing something they can market in many venues, one of which is ABC prime-time.  And there are a few more Peanuts specials in the pipeline, which ABC is doing because they think it's sound marketing to marry one of their Winnie the Pooh specials with a Charlie Brown show to fill an hour slot.  But there are very few specials of any kind being produced these days for ABC, NBC and CBS, and even fewer of the animated variety.

Few people seem to have noticed this.  Every few months, I'm approached by someone who has a property — a comic strip or a character from some other venue — they hope to adapt for animation.  They often speak of the weekly series they see as inevitable and then toss off, "And we might be willing to warm up by doing four animated specials a year for one of the major networks."  I'm not sure the major networks, collectively, are producing four new animated specials a year of all the available and proven properties put together…and even at the peak of such production, you had to have a helluva track record to get more than one a year.  Managing one for a new character would be an incredible achievement…though that could change.  The few that are airing have done pretty well and if Magoo continues the trend, that could bode well for more production.

One hopes we'll see Mr. Magoo's Christmas Carol via a good, newly color-corrected print and that, assuming it's in an hour slot, the edits to allow more commercial time will be done more judiciously than has usually been the case.  The best Merrill-Styne song (the ballad, the name of which I do not know) usually hits the floor first, often followed by Magoo's opening "Broadway" song.  A friend of mine swears he once saw it with the one of the three ghosts eliminated, though I find that unlikely.

In any event, I think it's a terrific show.  It's also a pretty terrific adaptation of Mr. Dickens' story…in many ways, more faithful than some of the more serious, live-action attempts.