Paul Winchell
by Mark Evanier
ORIGINALLY PUBLISHED 1/19/96
Comics Buyer's Guide
I've always been fascinated by ventriloquism and, of course, dabbled in the craft in my pre-teen years with an array of hand puppets, a few marionettes with fouled strings and a much-loved Jerry Mahoney ventriloquist figure that I still own to this day.
My passion is hardly unique among males my age. Almost every article about New York radio superstar Howard Stern includes a childhood photo of him posing with his Jerry Mahoney doll. My mother has around eight hundred nearly-identical pics of me. Almost everyone who is my age and in any sort of nominally-creative career today did one or more of three things when he or she was my age: working with puppets, learning magic or making 8mm monster movies in the backyard. I, of course, did all three.
Jerry Mahoney was the "star" dummy (or ventriloquist figure) of TV's supreme ventriloquist, Paul Winchell. Edgar Bergen — and his dummy/figures Charlie McCarthy and Mortimer Snerd — ruled the radio airwaves; when TV arrived, Winchell was the man. Working with Jerry (and another character, Knucklehead Smiff), Paul became one of the first genuine TV stars.
There's a great story about how he almost didn't. A lot of folks believe, wrongly, that the voice a ventriloquist does for his figure is somehow altered to a unique pitch or frequency. It's not. It's just a normal funny voice that some person performs without moving his lips. That and good acting and misdirection make it appear to be coming from the little wooden guy.
Back when TV was just beginning, Paul was asked to make his first appearance and they brought him in to do a test. Throughout the test, the director kept telling him, "We can't hear Jerry." Paul could be heard when he spoke as Paul but the "thrown" voice could not. He raised the volume as much as humanly possible to the point of almost bursting a blood vessel…no luck. The consensus was that, for some unknown technical reason, there was something about a ventriloquist voice that did not register on TV microphones.
Word of this spread throughout the business and Paul, of course, was depressed that his skill — ventriloquism — would not be a part of this new medium.
His agent finally got another producer to give it a try. Another test was arranged and Paul went in. It went just like the first test: Paul's voice could be heard when he talked as himself but, when he did Jerry's voice, the boom microphone suspended over their heads could not pick it up.
They were about to declare it a disaster but then Paul happened to glance up and he noticed that the man who operated the boom mike was moving it back and forth — the way he would do if two performers were talking on stage, pointing it towards whoever was speaking. He asked the man, "Where are you pointing the boom when Jerry is talking?"
The man shrugged. "Over Jerry's head, of course."
Paul patiently told him, "Keep the mike on me at all times." The man did, they tried it again…and Jerry Mahoney was heard, loud and clear and ever after.
When Paul was a young boy, he was stricken with Polio. Back in the pre-Salk/Sabin days, it was a horrible, all-too-prevalent disease and he had it. Confined to bed, he kept his young mind occupied by clipping coupons in the backs of magazines…anything where you could send away a dime and get back something interesting in the mail. Magazines used to be full of such ads and, one day, young Paul found one about becoming the Life-of-any-Party by learning to throw your voice. It sounded no dumber than the other things for which he was sending…so he dropped a dime, received a booklet and soon after found himself waist-deep in a hobby and eventual career.
For months, he practiced ventriloquism as taught by the pamphlet. He got to be very good…and he would later credit the hobby (soon to be a career) with a beneficial impact on his spirit and, therefore, his health. By the time his physician told him he had the Polio licked and could begin leading a normal life, the first thing he wanted to do was to build a ventriloquist dummy and perfect his act. He would later credit ventriloquism with keeping his spirit up, giving him the will to live.
The first time I read this story, I was around six. I was confined to bed with Scarlet Fever — not as bad as Polio but still no fun — and someone gave me a copy of Ventriloquism for Fun and Profit by Paul Winchell, a combination "How To" book and autobiography. It had a positive, inspirational effect on me.
No, I'm lying. The truth is, it had an overwhelmingly positive, profoundly inspirational impact on me. Remind me to tell you later about what happened when I lost my copy.
I remained an admirer of Mr. Winchell's long after I'd decided I would never have the requisite performing skills to follow in his lip-steps. He appeared on every TV show imaginable and he was always magnificent.
For a year or three, he and his well-carved comrades starred in a wonderful kids' show called Winchell-Mahoney Time. I think they'd be a huge hit today but some "genius" at the studio didn't; they destroyed all the tapes. Paul sued and wound up collecting a check with so many numbers on it, they had to continue the amount on the next check. Good for him.
At some point, he turned his fine, clever mind to callings above and beyond show business. He devised and patented a great many inventions, including an artificial heart valve that earned him the title of Dr. Paul Winchell. All very impressive but, of course, I couldn't respect him more than I already did.
Doc Winchell also occasionally did cartoon voices, among them Tigger in the Winnie the Pooh cartoons, Dick Dastardly on Wacky Races and Dastardly and Muttley, and Gargamel on The Smurfs. Naturally, one of the first times I was in a position to hire actors to do voices for my cartoon shows, I called up his agent and said, "Please, please, please!" Paul was unavailable for a long time (too busy) but finally, one day, he said yes.
Directing the session that day, I said one of the ten-or-so stupidest things I've ever said in my life. At least, it sure felt that way. I was assigning roles in the script to the various actors. Paul had two lead roles and there was one scene where the two characters engaged in a conversation. Usually, one tries to assign roles such that this isn't the case but this time, it was unavoidable. In front of everyone, I turned to Paul Winchell, the world's greatest ventriloquist and said, "I'm sorry, Paul, but I've got you talking to yourself for a page here. You think you can handle it?"
There was a pause, Paul looked at me like I was out of my ever-lovin' mind and I suddenly moaned, "Look who I'm saying this to!" The room collapsed in laughter, for Paul had only spent, like, the last fifty years talking to himself on stage, screen and television.
Okay now, the story about how I lost my copy of Ventriloquism for Fun and Profit…
One day, when I was about ten, my then-best friend asked to borrow my copy. I balked but he pleaded…and he swore to have it back the very next day. I finally said yes, gave him the book and, of course, never saw it again.
Moral of the story: Never, ever loan your favorite book to anyone.
I spent the next thirty years looking for another copy. I don't mean every minute…but, every time I'd go into a second-hand bookstore, I'd ask about it. As any of you who've seen my house are aware, I have found and bought every single book that has ever been in print that I could possibly ever crave. But I could not find another copy of Paul's book. Booksellers even tried to tell me that it did not exist.
Then, a year or two ago, I paid one of my intermittent visits to a wonderful store called the Hollywood Magic Company, located on the once-proud Hollywood Boulevard. At the Hollywood Magic Company, one can purchase trick decks of cards, two-headed coins, rings that link and so on. The salespersons are all skilled magicians who will demonstrate all…and even teach you the trick, once you've purchased it.
I've been shopping there for the last twenty-something years. Figure three or four visits a year and, well, I'd been in there an awful lot. I thought I'd seen everything they had to offer but, this day, my eyes fell on a shelf of books on magic — and related fields — for sale…and on one book in particular.
It was a copy of Ventriloquism for Fun and Profit by Paul Winchell.
Thirty years, I'd been searching for the book and now, here it was. I instantly decided that I was going to buy it, regardless of the price. If it was five thousand dollars, it would be worth it, just to fulfill my quest.
The clerk let me examine it. It was a first printing — 1954 — and it was in okay shape. I asked him how long they'd had it there. He said, "Oh, decades. Since it first came out, probably."
(Get this: I had been searching for it for thirty years and a copy had been sitting there, all this time. I'd walked past it a hundred times and not noticed.)
I asked him how much it was. Remember…I was willing to pay any price. He said it was seven dollars.
I gasped. Only seven dollars? My search was at an end. I had found my Holy Grail and it only cost seven dollars. "I'll take it," I said. And I'll never forget what the clerk said next.
He said, "Wait…I'll get you a fresh one from the back!"
I gasped again. Here, I thought I had found the last remaining copy on the planet. "How many copies do you have back there?" I asked.
He went back and counted, then reported to me. "Thirty-eight."
Only one thing I could do. I said, "I'll take them." I now have a lifetime supply. Well, Paul is worth it.