I was talking about Las Vegas a few days ago here. For many years, there was a terrific balancing act that worked there…Murillo and Ulysses. I believe they were in a show called Splash! at the Riviera when I saw them and they may have played other venues, as well. I just did some searching of the Internet and I cannot find one word about them anywhere…just this video of them on the Jerry Lewis Telethon in 1989. Watch it and then I'll tell you something interesting about them apart from the fact that Jerry didn't know how to pronounce Murillo's name…
Okay now. That's a pretty good act, wouldn't you say? I mean, could you imagine yourself doing either part at any age? Their whole act ran about twenty minutes, as I recall, and featured some interesting variations on what was basically the same trick. But it was a good trick.
I first became aware of them in the early eighties when I worked on That's Incredible! on ABC. They were brought in for a taping and did about eight separate feats which we then edited into about eight different shows. We got a number of acts from Vegas and often, we had a limited time to tape them in the mid-afternoon because they had to speed back through the desert to perform two shows that night.
Later on, I'd go to Las Vegas myself for a few days at a time and I'd use that connection to get backstage. I loved Vegas backstage, especially at the revues where you would usually find showgirls and dancers wandering about naked. Call me shallow or lecherous or whatever you like but I was a big fan of showgirls and dancers wandering about naked. And I also liked hanging out with comedians and acrobats and other "show folks," especially ones that had great stories.
In those days (roughly 1985-1995), you could still meet hotel employees who'd worked there since the days of the Rat Pack; old guys who had endless anecdotes about Frank and Dino and Sammy and The Mob or what passed for it in Vegas then.
Every one of these people had a tale about Shecky Greene doing something insane while drunk. Every one of them had some story about Sinatra doing something really, really nice for one person and really, really awful to someone else. Every one of them had a story where the punchline was "…and it turned out, she was a hooker who'd been working The Strip for years!"
Every one could and would tell you about some guy getting "whacked." "Whacked" was always the term for it. "Murdered" would have sounded as illegal as hell but "whacked" made it seem like some perfectly-acceptable Vegas tradition: "While we were in Vegas, Harry and I saw Wayne Newton and I hit a slot machine for three hundred bucks and we saw some guy get whacked and oh, you should have seen the buffet at the Flamingo!"
So I went backstage to say hello to Murillo and Ulysses…and then as now, I had no idea which one was Murillo and which one was Ulysses, but only the one on the bottom talked much. It was all very show-businessy backstage, more so than at any TV studio where I ever worked in Hollywood.
The one who talked was…well, it wasn't so much that he was thrilled to meet me. He was thrilled for the opportunity to take me around and introduce me to everyone — including the showgirls and dancers wandering about naked — as a big-shot in network television (which I wasn't) and as "the producer of That's Incredible!" (which I wasn't) and as the man who saw him and his partner perform and insisted on paying them huge sums of money (which we didn't) to be on ABC. It was a fun evening.
A few years later, Murrilo and Ulysses stopped playing Vegas or, as far as I could see, anywhere. I had no idea what happened to them and I may still not know. But on one later trip, I was backstage at another hotel and I got to talking with their Entertainment Director, which is what they call the guy who books performers to perform. I asked him if he'd heard anything about them and he told me the following story which he didn't seem too sure about…
Yeah, what I heard was that one of them, I don't know which, got real concerned about how much longer they could continue to do that act. You know, it took a lot of physical training and practice and what happens if one of them sprains something or gets sick? So he went to someone he knew at some hotel and they offered him a job in the company…a real job, not a performing job. A desk job or something. It paid real well and it had a health plan and you didn't have to go on stage or practice balancing all day and worry about your back giving out…and he took it. Then he went to this partner and said, "I've got some good news for you! I'm giving you 100% ownership of the act! I'm quitting and you can have my share! Bye!"
It wasn't much of an act after that. But at least the guy owned 100% of it!
I'm not sure about that story either. I'm thinking that maybe if I post it here, I'll hear from Murillo or Ulysses or someone who knew them. It was a great act and I'd hate to think that's how it ended. Pity the poor guy who practiced for years learning how to do that and now he's on his own…