Today's Bonus Video Link

Did you watch the Kennedy Centers Honors telecast the other night? This year, they honored Dave Brubeck, Robert DeNiro, Grace Bumbry, Mel Brooks and Bruce Springsteen. The Springsteen segment was probably the biggie (great speech by Jon Stewart, great musical performances by John Mellencamp, Jennifer Nettles, Melissa Ethridge and Sting) but the whole show was good.

The Mel Brooks tribute was hosted by Carl Reiner and then there were musical numbers from various Brooks efforts by Frank Langella, Harry Connick Jr., Richard Kind, Martin Short, Gary Beach and others. If you saw the show on CBS, you saw its editors do a fancy bit of scissoring, presumably due to length, on what was taped December 5th. Cut from the broadcast was a number from the Broadway version of Young Frankenstein performed by Roger Bart, Shuler Hensley and Cory English (who, ironically enough, are currently doing that show at the Kennedy Center). Also excised was Jane Krakowski singing "If You've Got It, Flaunt It" from the musical of The Producers, and they removed the entire finale, which had everyone on stage together. The ending was therefore rather disjointed as they cut to shots of some performers taking the bows that everyone was cheering and applauding…but couldn't use the full master shot because it contained Bart, Krakowski and the others who'd been trimmed.

There were probably other cuts in every part of the show. It's a shame they can't put the thing uncut somewhere…on PBS or maybe just a DVD. Here's a small part of what they did air…

VIDEO MISSING

Recommended Reading

Harry Shearer posts one of the better responses to Dick Cheney's inane, self-justifying remarks about the so-called War on Terrorism. One topic that's worth discussing is how much of what we've done wrong since 9/11 has just been a matter of people (many Democrats, included) chucking aside common sense strategies in favor of just trying to be as macho and tough-looking as possible.

In related news, though the terrorist with the explosives in his underwear is reportedly spilling his guts and answering all questions, there are still calls out there to waterboard and otherwise torture the guy. Yeah, and while we're at it why don't we send Michael Lohan over to kick his mother in the crotch?

Deal of the Decade

Hey! Remember that offer I linked you to? The one where Barnes & Noble would sell you MAD's Greatest Artists: The Completely MAD Don Martin (which listed originally for $142 and was worth it) for a measly $25? Yeah, that offer. Well, so many of you ordered that B&N ran out of the sucker.

So today comes news — thank you, Nat Gertler — that they've restocked! The offer is back on and if you order this minute, you can pick up a copy of this great two-volume-in-a-slipcase collection for $22.48. Here's the link. Don't delay.

Oh, but delay long enough to consider this. Barnes & Noble has free shipping to most areas on orders over $25. It will probably be cost-efficient to stick one more small item in your shopping cart before you check out. (Do I have to think of everything?)

Today's Video Link

This runs close to 24 minutes so you may not want to watch it, now or ever. It's a silent comedy starring one of my favorite comedians of the era, Charley Chase. Chase (real name: Charles Parrott) was either a director who performed or a performer who directed…and once in a while, he even directed himself. His films were generally quite funny. He tended to emphasize character over slapstick and to be very, very good at the comedy of embarrassment. His silent two-reelers (done for the Hal Roach Studio, beginning in 1923) were popular and then when sound came in, he was one of the few comics to seamlessly make the transition to talkies.

What did him in was when Roach abandoned two-reelers and shifted over to features. Chase shifted over to Columbia in 1937 where he continued making short films and also directed some of the Three Stooges' better shorts. He died in 1940 at the age of 46, whereupon his films were largely and unjustly forgotten. Among old comedy film buffs though, he is much loved and collected. This film may show you why.

It's Crazy Like a Fox, made in 1926. It was written by Chase (with title cards by H.M. "Beanie" Walker) and directed by Leo McCarey, who would later become a pretty important director. If you look fast, you may spot Oliver Hardy in a small part done shortly before he teamed up with that Laurel guy. This was the first Charley Chase film I ever saw…many moons ago at the Silent Movie Theater on Fairfax here in Los Angeles. It made me an instant fan of his. Maybe it'll have the same effect on you.

Font Fest

Just a reminder. If you've been thinking of stocking up on those wonderful comic book fonts that Comicraft sells, they're having their annual New Year's Sale. Every year on 1/1, they sell all their fonts for the same number of cents as the new year…so this time around, they'll run you $20.10 each. This includes a few fonts that ordinarily sell for $19.00 but it also includes sets that regularly go for over $200. Some of them are bargains at their full price so they're steals at the sale price. End of plug.

Great Dane

I just found (and am currently watching) a special called Victor Borge: 100 Years of Music & Laughter on one of my local public broadcasting stations. It's narrated by Rita Rudner and I have no idea what she has to do with Victor Borge, either…nor can I explain where the 100 years come from since Mr. Borge only made it to age 91 and he wasn't even that funny for the first dozen or so of his years.

But it's a really good special which doesn't, like most Borge compilations around, merely recycle the same ten routines that he recycled endlessly the last few decades of his life. The PBS station is offering a deal for donations. They'll send you thirteen (13!) Victor Borge DVDs and one CD for $150, which ain't a bad deal at all…although I'd be very surprised if that package didn't contain at least a dozen versions of the Phonetic Punctuation piece and the Inflationary Language speech.

Anyway, I dunno if the deal's being offered on other stations — I'm watching KOCE at the moment — but if you love Borge, you might want to keep an eye out for it. And do watch for this special because even if it repeats some of those same bits — including, yes, Phonetic Punctuation and Inflationary Language — it's got a lot of material not available elsewhere. (For those in Southern California: KOCE is running it again this Saturday evening and the following Saturday…and KCET is running it this Saturday. And I notice KOCE is going to be running the Frost-Nixon interview on Watergate — the real one — on Wednesday evening, January 6 at 9 PM. It's not in the TiVo listings for that night but their website says it's on and websites are never wrong.)

Recommended Reading

My buddy Bob Elisberg has a new column up in which he argues that Republicans are a lot better at speaking and acting with a single mind than Democrats. I think he's right about that but I'd disagree that it really comes out of any permutation of Conservative philosophy. I think Republicans have just been better at convincing each other that their base will punish anyone who even puts a toe outside the reservation. I don't see that it has a lot to do with politics.

Yeah, Republicans are the ones who say "My country, right or wrong," but I've always felt that was just a slogan…like "fair and balanced." It comes from the same place as assertions by right-wingers that they're the true Americans because they have the right view and maybe the right religion. Conservatives are just as apt to trash America (or to blame it "first") as Liberals when it isn't doing what they want. Lately, some of them can't say enough bad things about the competence of the government, or its duly-elected officials, to do anything right.

My friend Roger, who describes himself as a guerilla Conservative, does that all the time. If I say that I think our military leaders are doing something wrong in Iraq, that's "blame America first" and hating this country and not supporting our troops. And five minutes later, he'll be telling me how the post office is incompetent, the immigration department is a pack of clowns, and Congress is mucking up everything it touches overseas.

But his side loves America and mine doesn't.

Today's Political Comment

Let me see if I have this straight…

A guy named Richard Reid tried to blow up a plane with an explosive in his shoes. It took then-prez George W. Bush six days to comment on the attempt, about which he said very little. Eventually, Reid was tried and convicted in a standard American courtroom.

A few years later, a man named Umar Farouk AbdulMutallab tries to blow up a plane with what is apparently the same explosive in his underwear. It takes current-prez three days to condemn the attack…but guys like Karl Rove and Dick Cheney are out slamming Obama for not speaking out sooner and more forcefully. They also say it is wholly inappropriate to try the suspect in a standard American court. That Obama would even consider that instead of a military tribunal shows he doesn't understand the threat of terrorism, doesn't take it seriously, etc.

And of course, the mere fact that the new attack occurred is proof that Obama has dropped the ball on the War on Terrorism. But despite the shoe bomber, Bush kept us safe after 9/11.

Got it.

Today's Video Link

Here's a five minute episode of The Funny Company — and I'll bet most of you don't make it all the way through. This was a 1963 syndicated cartoon, each episode of which was produced for around a buck-eighty. They had a long theme song and a long closing, which cut down on the amount of animation to be produced for each installment. And then most of each installment featured some science film or travelogue or promotional film that they got for little or no money. I didn't even like these when I was eleven years old and Engineer Bill was running them on Channel 9 locally.

That's Dick Beals doing the lead voice and the villain is performed by Hal Smith, who seems to have been in every cartoon show produced in Los Angeles during the sixties with a budget under a hundred dollars. Robie Lester and Nancy Wible are in there, too. See how long you last watching this…

VIDEO MISSING

Another iPhone iTem

I'm reading a lot of articles on the web like this one saying the iPhone stinks, that it drops calls the way an outfielder for the San Diego Padres drops fly balls, that it's worth paying any kind of megabuck penalty to get away from the iPhone and A.T.&T., etc. Most of these pieces seem to come from folks in or around New York and I have no doubt they're reporting accurately.

But here in Los Angeles…well, I've had A.T.&T. for around ten years now and while I find their billing plans a little confusing, I've been generally satisfied with their service. There are one or two places where calls often drop — like driving down Olympic Boulevard through Century City — but I assume every carrier has a few of those. So far, my new iPhone is proving just as reliable as my old Blackberry, which was on the same A.T.&T. contract. In the month I've had it, I've made or received about fifty calls. Only two have dropped and in each case, the problem may have been on the other end.

Seems like a lot of it depends on where you are…and also when you call. I'm rarely out, and therefore rarely on my cellphone, at rush hour. Make of this what you will.

Recommended Reading

Nate Silver points out that in the last decade, there have been six attempted terrorist attacks on U.S. commercial flights. There have been in that time, 99,320,309 flights. Ergo, your odds of being on a plane that is the target of a terrorist attack are currently running around one in 16,553,385. We all do things a lot riskier than that every day without hesitation.

By the way: If you aren't checking out Mr. Silver's FiveThirtyEight.com, you're missing a lot of calm, statistics-based discussions about health care and insurance and what it's all going to cost us. If you read his site and those to which he links when rebutting, you'll get a pretty sane overview of the situation.

Quick Comment

Every news channel I turn on today has a discussion about what, in light of the recent terrorist attempt, we can do to make air travel safer. The emerging consensus seems to be that doing things that don't work at all is a lot better than doing nothing.

For Pete's Sake!

petealvarado01

This will be of special interest for folks who are into "funny animal" comic books and the indexing and/or collecting, thereof. One of the frustrating things about caring about this stuff (or amassing it) is that so much of the fine work that's been done in the genre has been uncredited and unsigned. There were no artists' names on comics published for years by Dell Publishing, Gold Key, Archie, Harvey and a few other companies. Many of the artists have been identified…but some have not and many of the identifications are just plain wrong. (The writers are even more difficult to identify.)

My unscientific survey suggests that the most mis-identified artist is probably Pete Alvarado. Pete, who passed away in 2004 (obit here) was one of the most prolific comic illustrators who ever lived. He drew thousands and thousands of pages for Western Publishing Company which were printed in comics bearing the Dell or Gold Key insignias. But — news flash! — he didn't draw everything they published.

Over and over again, I see comics — especially of the Disney or Warner Brothers varieties — wrongly credited to Pete Alvarado. It seems that every time an indexer or art dealer has to list the artist of an issue of one of those books and doesn't know who dunnit, they say it was Pete. Sometimes, since the man drew so many books, they're right, if only by pure luck. But often, they're wrong. And if, as usual, they say Pete penciled and inked the art in question, they're almost certainly at least half-wrong. Pete hated to ink and wasn't that skilled at it…so at least 95% of his work was inked by others…and if anything, that number's low.

A lot of great artists worked on those comics — men like Harvey Eisenberg, Phil DeLara, Kay Wright, Roger Armstrong, Bob Gregory, John Carey, Gil Turner, Joe Messerli, Cliff Voorhees, Paul Murry, Jack Bradbury, Jack Manning and so many more. I've seen art by most of these gents wrongly listed as being by Pete Alvarado. And by the way, the question of "who drew this?" is not always answerable. Though I am one of the more knowledgeable "experts" on these comics, there are a number of artists whose work I can't identify at all. Some guys did a few stories, then stopped and their names were lost to history. It's frustrating but it's one of those sad facts we have to face.

And there's one other thing I should mention about Pete's work: A number of pieces of original art from comics he drew have turned up on the original market lately. It may be of interest to either the buyers or sellers to know that it's highly unlikely that the hands of Mr. Peter Alvarado ever touched the physical piece of art being sold.

Pete, like many of those who've drawn animation-style comics, worked on tissues. He would draw a page on whatever kind of paper he liked, working in a rough, sketchy manner. Then he'd put a piece of tracing paper over his rough drawings and trace a clean, tight rendering of the art. The sketchy page would be discarded and he'd hand in the pencil art on tracing paper.

The letterer would take a clean piece of art paper and tape Pete's tissue to the back of the page. Then he would letter in the captions and balloons on the front of the paper. Then the page would go to the inker who would work on a light table. The inker would trace, in ink, Pete's pencil drawings onto the front of the paper. Then Pete's sheets of tracing paper would be discarded…except that when I worked with Pete, I always tried to get hold of 'em. The illustration above was scanned from one of his tissues for a comic I wrote and edited.

So for original art collectors and dealers, this raises an interesting question: Is it Pete Alvarado original artwork if Pete never worked on that piece o' paper? A similar imponderable exists with original art to the comic strip Doonesbury, which is drawn much the same way, inked on a light table by someone other than Garry Trudeau, and there are other comics where this has been the modus operandi. I'm not sure how to answer this question but I thought somebody ought to ask it. And also point out that Pete Alvarado, as wonderful as he was, didn't draw a lot of the stuff that gets credited to him.

Today's Video Link

This may be my favorite Buster Keaton short. It's Cops, filmed in 1922. Some have suggested that this was Keaton's answer to the then-current scandal involving his friend, Roscoe "Fatty" Arbuckle. The suggesters see an analogy in the idea of a guy who's done nothing wrong but is pursued relentlessly by the law for no real reason. Well, okay. If you want to view it that way, be my guest. I don't quite see it. I just think it's a clever, funny film.

Some of that clever, funny film, by the way, was filmed on the streets of Hollywood. 15 minutes and 30 seconds in, there's a scene where Buster runs out of an alley and grabs onto a passing car. That alley was (and still is) on Cahuenga Boulevard, just south of Hollywood Boulevard. It's right next to the big newsstand there…and it doesn't look all that different these days.

VIDEO MISSING

TMZ Gets Humiliated

The gossip website TMZ.com was today touting the scoop of the year, any year: A photo of John F. Kennedy cavorting on a yacht with naked women. Naturally, I had to go take a peek…and I saw this article which explained how thoroughly they had verified the photo's authenticity. I also saw the photo and instantly thought, "Hmm…I think I remember that picture from an issue of Playboy in the sixties."

Sure enough, a couple hours later, TMZ is admitting that the photo ran in a 1967 issue of Playboy. That either means it's a hoax or an even bigger scoop than they thought. The Smoking Gun has a good summary of the story…or rather, the non-story. If you prowl through the comments at the TMZ website, you'll see an awful lot of people saying, before the fraud was exposed, "I'm an expert and I can tell you it's authentic." Yeah, right.