Tales of My Father #5

This article first appeared here on July 14, 2013. I've been waiting in vain for someone to offer me a bribe to run it again…

My father was a very honest man. Absolutely, utterly honest. Once, he found a wallet in the street with a few hundred dollars in it. He took it home, looked up the number of the person it belonged to and arranged to return it to them…with every buck still in it. He did things like that all the time. All the time.

In his role as an officer for the Internal Revenue Service, he was occasionally — very occasionally — offered bribes. The offerers of those bribes were foolish to try this. My father was not the kind of guy to go along with something like that…and even if he had been, there was very little he could do to "help" the offerer. He didn't have the power to tear up your tax bill or waive penalties or anything. About all he could do was to try extra-hard to not have his supervisors be too rough on you…and he did that anyway for most people.

There were, he heard, other I.R.S. agents who occasionally took bribes anyway. They'd grab the cash or, more often, some item of considerable value and tell the briber, "No promises but I'll see what I can do." And then they wouldn't do anything because, at least for those at or around my father's level in the operation, they couldn't do anything.

Once, a fellow who owed the Internal Revenue a few hundred thousand bucks offered my father a new car. It was not stated overtly as a quid pro quo. My father didn't have to do anything to get this new car but accept. Then, if he wanted to, (ahem!) he could maybe do whatever seemed appropriate to aid the fellow with his tax dilemma. Nudge, nudge.

My father said no. Even if there were no strings attached, he could not and would not accept anything of value from someone he had a case against. When the man tried to force the gift on him, my father reported it to his superiors and they took the appropriate action. This kind of thing happened three or four times in his career with the I.R.S. and he was not unique. No one in his office had ever been accused of accepting a bribe. Until one day, he was.

It came out of nowhere. He'd had a case against some guy who'd swindled the government out of millions. My father took it as far as he could, then it was reassigned to lawyers (my father was not a lawyer) higher-up in the I.R.S. to handle. At some point, the deadbeat began throwing out allegations that several I.R.S. agents, my father among them, had accepted large sums of cash or merchandise. I guess the premise here was that he'd drag the department through the mud until they agreed to drop the charges against him…or something.

taxform

My father was shocked, angered and even a bit worried. He knew he'd done no such thing but until it could be verified, he didn't sleep too well.

Vindication took about two months. A special investigator was appointed and he went through all my father's finances — checking account, bank account, etc. It was a much more thorough audit than the I.R.S. ever performed on a civilian and it even extended to me. To make sure that no bribe money had been paid to him via his spouse or son, they had us turn over all of our records, as well. A forensic accountant (I think that's what he called himself) at an outside agency received the data, then phoned me up several times to ask questions like, "What was this $300 you earned the first week of August for?" I told him in that instance, "That was for an issue I wrote of the Daffy Duck comic book." He was amused by my sources of income but it all checked out.

All of the accused Internal Revenue employees were cleared and their accuser wound up doing hard time. The matter was over but my father had a hard time letting it be over.

A few weeks later, he was talking about having some work done on his car and he said, "Guess I'll have to postpone it until I have the dough." Making a joke I immediately wished I could take back, I said, "Hey, why don't you use some of that bribe money you have stashed away?" He gave me a look that clearly indicated he didn't find that funny. I apologized and never made reference to it again.

But he'd bring the matter up every so often. He had been totally cleared but somehow, that wasn't enough. I think he wanted the investigators to do more than say, "There is no evidence that Bernard Evanier ever accepted cash or any item of value from his accuser." He wanted them to issue a statement that said something like, "Not only didn't Bernie Evanier take a bribe but our investigation has determined he is the most honest I.R.S. agent ever and anyone who thinks he'd do something like that is out of their friggin' mind!" I'm not sure even that would have gotten him to stop talking about it.

I don't mean he spoke of it all the time but it had a way of coming up, even after he retired from the agency. He'd be discussing the Lakers and what a lousy season they were having and suddenly, out of nowhere, he'd make some odd connection like, "People keep accusing Kareem Abdul-Jabbar of not doing more on defense. That's as ridiculous as that guy accusing me of taking a bribe."

My father's best friend in that I.R.S. office was a fellow named Howard…a real nice man, I thought. They had lunch almost every day when my father worked in the office and they switched to every Wednesday after he retired. Howard, who still worked there, would come by and pick him up and off they'd go to some deli or sometimes for Chinese. Howard would report on the latest doings in the office and my father would mutter something about that crook who'd accused several of them. Howard, who had not been among those accused, would tell him to drop it, forget it, get over it. This went on through years and years of Wednesday lunches.

Then one Wednesday, Howard didn't show up for their usual date: No Howard. No call. No nothing. I had moved out of the family home by then but I happened to be there visiting. I asked him, "Are you sure he didn't tell you he had to skip this week for some reason?"

"No, no," my father said. "Last Wednesday when he dropped me off, I distinctly remember him saying, 'See you next week!'" I suggested he call the office and he did. He called and reached a secretary there he knew very well, then asked if Howard had come into work that morning.

"Didn't he tell you?" she asked. "Didn't anyone tell you?"

"Tell me what?"

She said, "Howard was fired after he was convicted last year of taking a bribe. We heard he surrendered on Monday and began serving his prison sentence."

"Stunned" does not begin to describe my father's reaction. He practically went into a sensory coma. Howard had been indicted almost two years before and placed on suspension. He'd been through a trial where he was found guilty, then been through a few unsuccessful appeals before giving up and telling people, "Yeah, I did it."

For the last few months, he'd been well aware of the date when he would be tossed in the slammer for two-to-five years. And still, every Wednesday, he came by, took my father to lunch and told him what was up with the folks at the office where he actually hadn't worked in over a year. Not a word about being on trial, being convicted, being sentenced to prison…any of it. They just sat at Nate n' Al's Delicatessen and talked about the Lakers.

We found out Howard was doing his stretch in the California Institute for Men in Chino. That's about an hour's drive east of Los Angeles. I told my father that if he wanted to go visit Howard, I'd drive him out there some day, maybe even a Wednesday. He thought about it for a second and then said, "No…I'm not sure I could look him in the face. And with my luck, he's probably sharing a cell with that prick who accused me of taking a bribe!"

Grail Money

I'm receiving quite a few answers to my question about the financing of Monty Python and the Holy Grail. No two estimates are the same which apparently has much to do with the fact that the value of Pounds Sterling fluctuated a lot in 1975. So how much it cost then has a lot to do with when in 1975 the money was spent.

But all the estimates so far are between 1.8 and 2.1 million dollars. That's close enough for me, thanks.

Today's Video Link

From The Ed Sullivan Show for February 26, 1956, Bob Fosse (yes, Bob Fosse) performs with Carol Haney. At the time, she was appearing in the original Broadway production of The Pajama Game which he had choreographed…

My Latest Tweet

  • Trump keeps saying that Mike Pence had the power to overturn the results of the 2020 election. If so, that means that if Donald runs against Biden in 2024 and gets more electoral votes, Kamala Harris has the power to declare Biden re-elected.

Idle Curiosity

Eric Idle posted this on Twitter and I thought it ought to be saved somewhere for future researchers…

The Holy Grail film was financed thusly
Michael White Limited £78,750.00
Led Zeppelin £31,500.00
Island Records £21,000.00
Pink Floyd Music £21,000.00
Charisma Records £5,250.00
Heartaches (Tim Rice) £5,250.00
Chrysalis Records £6,300.00
Ian Anderson £6,300.00
Total £175,350.00

Can someone more facile with numbers than I am convert the total amount in 1975 Brit money to 2022 Yank money?

Howard Hesseman, R.I.P.

The already-way-too-long list of funny recently-deceased men grows one longer with the addition of Howard Hesseman, who has died at the age of 81. Complications resulting from colon surgery, they're saying.

I probably don't have to tell anyone who ever watched WKRP in Cincinnati how good Mr. Hesseman was in it, though I might have to tell people who never watched WKRP how good it was or which one is him in the above photo.

For reasons I explained here, I was a fan of it even before it went on the air. Howard Hesseman was one of the main reasons. And I was a fan of his even before he was on that show. There were a lot of improv comedy shows happening in Los Angeles back then, many of them featuring former members of The Committee in San Francisco or Second City in Chicago. Hesseman seemed to be in all those shows and he was always brilliantly hilarious.

This obit will tell you how many other TV shows and movies he was in and it may surprise you. It surprised me…but maybe it shouldn't have. He was really good at what he did.

Maus Keeping

I have a bunch of e-mailed requests to comment on the current controversy about Art Spiegelman's graphic novel, Maus. It's been quite some time since I read it but I recall the following: Many, many people in the comic art community were raving about it. When I finally got around to it, I wasn't as impressed as they were and didn't quite "get" the analogies of Jews to mice and Nazis to cats. But I thought it was an honest effort and if it was that meaningful to so many people, fine. I don't have to love something to recognize that it has value in the world.

In fact, Art invited me to lunch one day because, I think, he wanted me to explain to him the appeal of Jack Kirby's work. I'm pretty sure I didn't give him a satisfactory (to him) answer and it pretty much came down to me saying that he didn't have to love something to recognize that it had value in the world. To me, the salient principle is that the taste of one person or one group should never be the reason to deny something to those of opposite taste. I am not really in favor of outlawing cole slaw even though I and all decent people find it repulsive.

If I still had Art's number, I'd call and congratulate him on this latest "banning" because it sure has helped his sales and drawn a lot of attention to a work that many had forgotten. Sergio and I oughta figure out a way to get Groo the Wanderer "banned" somewhere…especially if it can be "banned," as Art's book has, and still be readily available everywhere except where it's sold out.

I'm putting "banned" in quotes because I think that word oughta be reserved for when something is actually banned, not merely deselected. When Lorne Michaels decides not to have a certain star host Saturday Night Live again, the Internet erupts with the news that that star has been "banned" from SNL. When Costco decides not to sell a certain book on that table where they sell a microscopic percentage of all the books published, its author complains that their book has been "banned by Costco."

Maus is not banned. It's selling better than it has in years. Isn't that kind of the direct opposite of banning something?

From the articles I've seen, it seems like the Tennessee school district did not "ban" Maus. No copies were burned. No booksellers were threatened with jail time if they sold it. The Board merely removed it from the curriculum of books to be taught in their schools. I'm not sure how School Boards select and update those lists but I would assume books are constantly moved on and off them…especially since I've heard that new books continue to be written.

It seems pretty silly to take one off for the stated reasons. Someone is bothered by one drawing of a dead nude cartoon mouse and a couple of naughty words in an account of a true obscenity in The History of Mankind? Wow. That's what bothered them?

What I'm thinking right now is this: Some people — and I'm not saying this is surely the motive of the 10-member McMinn County School Board — want to soft-pedal The Holocaust and deny or trivialize it. If a controversy like the one about Maus can remind us of the danger of that, maybe Art Spiegelman's book was more important than I thought.

The Rumble

My pal Ken Levine recently received a screener DVD of the new Spielberg-directed West Side Story, watched it and wrote a review on his blog. I recently received a screener DVD of the new Spielberg-directed West Side Story, watched it and now I'm going to send you over to read his review. I haven't seen Into the Heights so I can't compare the two films as Ken does but otherwise, I share his take on this West Side Story.

Great cinematography and editing. Some stellar performances. Superb art direction.

But it's still West Side Story. As Ken says, "So who are these guys? Broadway theatre kids or an ugly mob? I don't know how they could be both." Well, they are both. In fact, they're well-choreographed Broadway theatre kids even when they're trying to kill each other. On a stage, things aren't so literal. You play along and pretend there are 76 trombones up there or that you can't see the wire making Peter Pan fly. In a movie, you're in a real setting. You don't forgive the wire as easily.

And as I said of the 1961 movie of West Side Story, "It's one of those films where I find myself thinking, 'This is really well-made but I'm having trouble caring about those characters.' The one time I saw the musical staged live, I admired the heck out of the dancing, the singing and the music but, again, didn't get deep into the story."

I didn't then. I didn't this time. And I was reminded that the ending is a tremendous downer…which may be another reason some people didn't go see this new version. I think the folks who made this movie — it felt like there were thousands listed in the end-credits — did the best-possible version of the material anyone could do. But I still just sat here admiring the skills involved in making it all happen and never got into the characters and what they were doing and why.

Today's Video Link

As I've mentioned here before, one of my favorite pieces of music is the last movement from Mozart's Piano Sonata No. 11, often known as "Alla Turca" or "The Turkish Rondo." I have recordings of it with a wide array of orchestrations but my favorites are when one person plays it on one piano. Like this…

Tales From Kmart

This article ran here on May 19, 2011. The Kmart of which I write is long gone from my neighborhood. The building actually turned into a museum of Britney Spears memorabilia before it closed for COVID and it's still shut tight.

Why did it stop being a Kmart?  Because as we've discussed occasionally on this blog, Kmart and its sister company Sears have been mismanaged into near-oblivion.  Once upon a time, there were 2,486 Kmarts in the world.  Today, there are about a dozen.  This piece may also suggest a reason for their decline…

My cleaning lady told me we were all out of Lysol. I said I'd pick some up and I forgot when I was at the market the other day. So I stopped this morning at the closest place to get some, which was a nearby Kmart.

In the parking lot, which also serves a CVS Pharmacy, a Whole Foods and a few other businesses, I ran into a lady I knew who used to have a high position at the NBC Network. We made small talk which got smaller when I mentioned I was on my way into the Kmart. She looked at me like I'd just said I was about to go down to Skid Row and bunk with the homeless people. "Why would you ever go into a Kmart?" she asked…and "To buy Lysol" turned out to not be much of an answer.

"It's just…" and here she was having trouble finding the words to express why that was wrong. The point was so obvious to her that it went without saying. Finally, she said, "Kmart is for the kind of people who'd shop at Kmart."

Well, hard to argue with that. I said, "I need some Lysol. They sell Lysol. What's wrong with going there to buy it?"

She pointed to the other end of the mall and said, "They probably have Lysol at the CVS store."

I said, "Yes…and it's the exact same Lysol and it's probably not any cheaper down there, plus the Kmart is closer."

When I noted it was the same Lysol, I suddenly reminded myself of something. Ten or fifteen years ago, I had to buy a small household appliance. I checked out Consumer Reports and they recommended a certain brand and a certain model. Let's say it was the Acme 74W. The next day, I was passing that Kmart and I ducked in to see if they had it. They didn't but they had the Acme 74X. I thought, "Well, how different could that be?" and I bought it.

Which turned out to be a mistake. It was a terrible product. I phoned up the Customer Service folks at the Acme Company (not the same one that makes Road Runner traps) and asked if I'd gotten a defective item or I didn't understand how to use it or what. I got an uncommonly honest person on the phone who told me basically that I'd purchased their crappy version. The 74W was a fine product. The 74X was a piece of junk.

"You should have looked at the price," she said. "The 74W is $65. Places like Kmart can't or don't want to sell it to their clientele so we designed the 74X for them. You probably paid about thirty bucks for it."

I looked at my Kmart receipt which I'd pulled out for possible returning purposes. "I paid $29.98," I told her. She said, "Well, there you are. I mean, it's a good thirty dollar appliance but it's like paying less than half of what you have to spend to buy a decent meal. Some people can't afford anything better. That's why they have the Value Menu at McDonald's."

I took her point. The $30 appliance went back to Kmart for a refund and I found the 74W online for $50 and ordered it. It worked fine.

If I'd been the Acme Company — which actually has a famous name, one you'd probably know — I don't think I'd be putting my brand on cheapo merchandise. I might service that marketplace with products under another trademark but I don't think I'd devalue my reputation by applying it to intentionally low-grade products. But that's another matter. Standing there in the parking lot, talking with the lady who used to work at NBC, I thought, She's right in a way. She's just not right about this particular example. They don't make a cheaper grade of Lysol.

At least, I don't think they do. The bottle I ended up buying said on it, "Kills All Germs!" not "Kills Some Germs and Not Others!"

She didn't want to shop at Kmart because of some sort of snobbishness. I don't mind shopping there but I've learned to be cautious of the mindset that the cheapest alternative is always the one you should buy, which is sometimes the dynamic you get in a place like Kmart.

But not always. Not long ago in a men's store, I found a kind of pajama that I really like. A pair was $40 and I'd been meaning to go back there and buy a couple more next time I'm in that area. Now I don't have to. While carrying my other purchase out of Kmart, I passed through their men's clothing section and found the same pajamas — and I mean exactly the same — for $19.95.

I just told this story on the phone to a friend of mine who remarked, "Great…but what if it turns out the $19.95 pajamas are so cheap because the people who make them in some primitive country have a deadly disease and it's transmitted through the material?" I thought for a second and replied, "Well, I guess that's what the Lysol is for…"

Ron, Remembered

A nice obit for Ron Goulart in The New York Times. We may never know how many books that man wrote but it's more than most people have read.

Mushroom Soup Friday

I know most of you will find this hard to believe but I have things I must do today that are actually more important than blogging. I will be back later with something but I have no idea what or when.

Domenic Andreone, R.I.P.

Often on this blog, I've made mention of Andre's, a little Italian cafeteria here in Los Angeles that serves very, very good pasta and pizza and a few other dishes for very, very reasonable prices. I've been eating there since I was a tot and it's just a great place — not fancy but fun.

Sad to say, Chef Andre passed away Monday morning at the age of 99. He was an important L.A. restaurateur who for many years had a popular fancy place in Beverly Hills. My parents took me there too once or twice and one time around 1967, I saw and exchanged waves there with Robert Kennedy. Andre's of Beverly Hills was the kind of place where you saw important people.

Domenic Andreone was a native of Northern Italy and he studied his art/craft at the world-famous Le Cordon Bleu culinary school in Paris, France. Andre's of Beverly Hills, which he opened on Wilshire Boulevard in 1959 was an immediate hit and with the profits, he opened several smaller, family places around Southern California. The one I frequent — the only Andre's of his that remains — opened in 1963 and is nestled in a shopping center across the street from the famed Farmers Market.

Photo by me

A few years ago, the proprietors of that shopping center were planning major renovations that would have razed the building in which Andre's is located. There were protests and I even went in and spoke before something called the Mid City West Community Council, urging them to take action that might keep Andre's open and catering to the folks who flock to the place.

I don't know if the Council did it or the business plans fell through or if COVID had anything to do with it but Andre's, which once looked like it had but months to live, is still open and thriving. If you're ever near the corner of Fairfax Avenue and 3rd Street and crave great spaghetti or pizza or chicken parm, stop in. The menu, hours and address can be found here.

You can also honor the memory of Chef Andre and enjoy his recipes if you're out in Canoga Park. Another fun, inexpensive restaurant called Grandi Italiani was opened a few years ago by a gent named Aron Celnik, who was Chef Andre's protégé and the manager of Andre's near me for many years. With the Chef's blessing, he offers the same menu there. Here's the info on it. We may have lost Chef Andre himself but his cuisine lives on.

The Mysterious Mr. Vern

Earlier today, I linked to a 1965 Allan Sherman TV special that I enjoyed very much as a kid. I am about to tell you just about everything I know about one of the credited writers on it…a gent name David Vern. I wish I knew more.

David Vern wrote a lot of TV shows, including work with Red Buttons and Sam Levenson.  But he also wrote a lot of pulp magazines, science-fiction novels and comic books. The pulps, novels and comics were usually signed with pen names including Coram Nobis, David V. Reed, Alexander Blade and David Levine. His real name was David Levine and as that was also the real name of at least two other men who worked in comics and cartooning, that caused some confusion.

All of Vern's known comic book writing was for DC Comics, starting apparently with a Batman story in 1949. Among the comics in which his work appeared were Superman, Mystery in Space, House of Mystery, House of Secrets, Strange Adventures, Danger Trail and most of the war and romance titles. His employment there probably had a lot to do with Julius Schwartz. Before Julie became an editor at DC, he was an agent for science-fiction writers and one of his clients was Dave Vern.  Mr. Vern had gone to high school with another writer of pulp science-fiction, John Broome, and he helped Broome break into writing for DC where he became one of their best writers.

Vern was also a good friend of Allan Sherman, dating back to before Sherman became a performer with top-selling comedy records. Back then, Mr. Sherman was a producer of game shows, most notably I've Got a Secret, which he co-created. In 1961, Sherman was in Los Angeles producing Your Surprise Package, a short-lived quiz program hosted by Groucho's old sidekick, George Fenneman. Here's the opening to one episode…

A few years later when Sherman was a star, he wrote his autobiography, A Gift of Laughter. I've recommended it here before because it's a pretty good book…not particularly accurate but very entertaining. In it, he told this story about how some of the offices at CBS had no windows so they'd hang curtains on a wall as if you did have a window but for some reason preferred to keep the drapes closed over it…

One of the writers on the show, a brilliant and dissolute soul named David Vern, took advantage of the bare wall behind the drapery in his office. He would arrive every morning and lock himself in, and we would hear him humming and singing and busily occupied inside. He never let anyone else into his office for months, and we all wondered what the hell he was doing in there. I would yell in to Dave that we needed the script, and pages would keep sliding out from under the door. But never, never would he let me or anyone else in that office.

A year later, when the show went off the air, I found out what he'd been doing in there. Dave is a very literate man, and in his youth was a fine illustrator. He was fascinated, not only by his bare wall, but by the question: "How long will it be until someone finally opens these draperies?"

From his childhood, Dave remembered reading The Cask of Amontillado, Edgar Allan Poe's horror classic about a man who seals his enemy into a brick wall. And so for one solid year, Dave had labored in that locked office, and on the day we left he called me in to show me his masterwork.

"Behold!" Dave exclaimed, and he pulled the drapes open. The entire wall had been painted in oils and appeared to be an exact replica of a freshly laid brick wall. You could feel the wet mortar between the bricks. And near the bottom, in the scrawl of an obviously suffocating man, was the message: "FOR THE LOVE OF GOD, MONTRESOR!"

Dave was apparently also writing comic books in that office, mailing scripts in to faraway New York. He seems to have treated writing for DC as supplementary income to his work in television and for novels and magazines.

Mort Weisinger and his book.

He was also involved with a very interesting book that was published in 1970. Back when the novel Valley of the Dolls was on the best-seller list, a lot of folks wrote imitations and one of them was Mort Weisinger, the longtime editor of the Superman comics for DC.  Weisinger had been a judge for the Miss America beauty pageant and he "wrote" (I'm using that word loosely) a steamy novel about the backstage doings at a similar competition.  Or maybe it would be more accurate to say he edited it.

It was reportedly ghost-written by a tag team of freelancers he knew which included DC scribes Bob Haney and Dave Vern. It was called The Contest and it sold well and made Weisinger a lot of money, partly due to a huge movie sale, though no movie was ever made of it. (I just found my copy of the book to scan its cover for you.  Somewhere here, I have a copy of the screenplay.)

Vern's last published comic book work seems to have taken him full circle at DC with a number of Batman stories between 1975 and 1978.  The editor was his old colleague, Julius Schwartz.  According to Vern's Wikipedia page (which makes no mention of his TV work), he died in 1994. I never met the man but I enjoyed a lot of his work…in comics and on TV. The guy sure got around.

Today's Video Link

On the evening of January 18, 1965 — in the week before Lyndon Johnson was sworn in for his full term as president — NBC aired a great special called Allan Sherman's Funnyland. It starred (of course) Allan Sherman and his guests included Lorne Greene, Jack Gilford and Angie Dickinson. One of the high points was when Mr. Greene sang his then-current hit record "Ringo," followed by Allan Sherman walking out to perform a parody of it.

I thought it was a great special…and I guess it was also a pilot but it didn't turn into a series. I played it over and over again…and you may be wondering how I could do that in 1965, long before anyone had invented the VCR or the DVR or anything that would record both video and audio off the TV. I recorded just the latter on my Webcor reel-to-reel tape recorder and listened to it often for several years. Three decades later, I managed to obtain a DVD of the show and it really was as good as I always remembered.

Someone uploaded a video of the special to archive.org and I've embedded it below. The image isn't great but it's watchable…and if you start watching it, I have a feeling you'll watch the whole 59 minutes of it. Later today, I'll tell you some interesting things about one of the people who worked on it…