This Just In…

"Iran fired ballistic missiles at U.S. military targets in Iraq early Wednesday morning, following through on its vow to retaliate against the U.S. after President Trump ordered the assassination of top Iranian general Qasem Soleimani in Baghdad last week."

I stopped working on a seriously-due script to watch a little of the news, surfing from CNN to MSNBC to Fox to CBS and then once more around the dial. What I saw were a lot of people all wondering what Donald Trump will decide to do. I'll tell them what Donald Trump will decide to do. Donald Trump will do whatever he thinks will make Donald Trump look as tough as possible.

That may not be the smartest thing. It may not even actually be the toughest thing. But it will be whatever he thinks will give his supporters a thrill and cause them to say, "Thank God we have such a tough man in the White House."

I'm going back to my script.

Tales of Something Or Other #1

Another rerun while I battle a deadline. At the moment, the deadline seems to be winning but that's not your problem. It's mine and while I joust with it, you can read this Golden not-too-Oldie that first appeared here in 9/28/14. That is, if you haven't already clicked over to some other site with new content. That's what I would have done.

The first car I ever owned had an identity crisis. It looked like a Buick Skylark and it said "Buick Skylark" on the chassis. Ah, but under the hood, it was a Buick Wildcat — so you got a lot of pep when its engine was installed in the lighter Skylark model. It was a great automobile and even when it got shabby and dented and looked like the Official Car of The Grapes of Wrath, I kept driving it. It simply ran too well to abandon.

It had been my father's. When it came time to trade up to a new (used) car, he gave that one to me instead of trading it in. Like a lot of dependable cars though, when things started to go wrong with it, they really went wrong. One day in 1977, everything went kablooey at once and my trusted mechanic — the great and honest Jack Heyler — told me that even at his low rates, it wasn't worth fixing. "A dealer will give you a couple hundred for it if you're buying a new car from him," he said. Fine with me, as I'd been thinking it was time to ditch the schizophrenic Buick and buy a new car…and not a new used car but a new new car.

Fine with my father, too. He was actually excited. He'd had lots of cars but he'd never purchased a brand-new model, fresh off the showroom floor. He was delighted that his son could afford one. He probably could have too, but he was always worrying about saving for that proverbial rainy day and possible future emergencies. By that point, he was retired and on a fixed pension with no real way to ever up his income.

So he was elated at the prospect of helping me check out all the possibilities, test-drive some, comparison shop, haggle, etc. He loved that kind of thing and would have let it go on for months if he could. First thing, he ran out and bought Consumer Reports and other publications he thought might be helpful. He began casing dealerships, casing the joints and establishing relationships with the sellers. He would have visited every one between here and Detroit to get me, as he put it, "The Deal of the Century."

Trouble was, I couldn't wait for The Deal of the Century and the way it was going, I was starting to wonder which century he had in mind. I had a staff job on a TV show then and had to commute to work each day. The Buick, may it rest in peace, was getting to be like one of those clown cars that goes three feet and the front fender falls off, then it goes three more feet and the back fender falls off, then it goes another foot and the hood flies off and a radiator hose sprays the driver in the face through a hole in the windshield, etc. I should have started the search process six months earlier.

I needed a new set of wheels, A.S.A.P. and I had this mental image: My father's still shopping, still trying to find me the right car for fifty cents less…and I'm sitting motionless in a bucket seat in the number two lane of the Santa Monica Freeway at rush hour holding an unattached steering wheel. Because that's about all that would soon be left of the Skylark/Wildcat.

Finally and politely, I gave him a deadline: We find a car his way by Saturday or I'll just go out and buy one without him. He revved up his little game of pitting dealer against dealer and by close of business Saturday, I had a brand-new Mercury Zephyr…a pretty nice car. It was black with an orange Landau top. It was the 1978 model, the first year Mercury made Zephyrs and not long before the last year they made Zephyrs. I don't know why they stopped. It was a good car, at least for me, at least for a while.

mercuryzephyr01

Around 1985 though, I got to think about trading up. Car phones were becoming affordable and plentiful. They were big and clunky and impractical compared to today's cellular miracles that even homeless people seem to have but in '85, they seemed quite magical. One time when I had the Zephyr in for servicing at Beverly Hills Lincoln-Mercury — same place I bought it — I asked a trusted supervisor about installing a phone in it.

He advised against it. The only phone that would fit wasn't a great one and installing it disfigured the car greatly. "Wait a few years until you're ready to get a new car," he counseled. "The ones they're designing now are more phone-friendly." I followed his advice and waited, though I was tempted. Every so often, there'd be an incident where I'd think, "Gee, if I had a phone in the car, I could have saved myself an hour's drive" or something of the sort.

Now comes what may seem like a jarring change of subject…

In 1986, I found myself a semi-involved spectator in a lawsuit. My friend, the eminent author Harlan Ellison, had made some comments in a Comics Journal interview about a prominent comic book writer. The writer took umbrage and sued both Harlan and the Journal. It looked to me like a frivolous suit, the kind a judge should have tossed outta court…but a judge didn't. I never doubted Harlan and the Journal would triumph but it still seemed likely to cost them a nice piece o' change to defend against it. So I helped out with some fund-raising activities and in other, minor ways.

The case went to trial in New York. Early on, one of the witnesses for the plaintiff dragged me deeper into it. As you may know, I moderate a lot of panels at Comic-Con in San Diego. At one years earlier, the writer's name (the writer suing, that is) had been mentioned. The witness testified the discussions on that panel proved that "the industry" (i.e., a few writers) was taking Harlan's comments seriously and the vilifying of the writer was spreading.

Harlan's lawyer, who also happened to be my lawyer, phoned me from Manhattan. By this point, he was 98% certain they would win but, you know, there's always that 2%. You just can't ignore the ominous possibility of that 2%.

So just in case, he wanted me to fly back to New York in a few days and take the stand in rebuttal. Harlan phoned too and I said yes. They needed me so they could introduce into evidence, a transcript of that panel. It would show what was actually said on it, as opposed to the witness's paraphrase. We would also show that what was said could not possibly have been a result of the interview in question because the panel occurred many months before the interview had been published.

I wasn't wild about jetting back to N.Y. just then. It was inconvenient and I'd probably wind up paying the whole cost of it — flight and lodging — myself…but some things in life, you just have to do. I called Brenda the Travel Agent and she found me the cheapest deal, which on such short notice was not all that cheap and not much of a deal. I may have the days wrong here but as I recall, they wanted me to fly back on Tuesday to testify on Wednesday morning. The hearing started at 9 AM and they needed me there an hour earlier so they could make sure my tie was straight and also remind me not to say anything too stupid.

The only flight Brenda could get me on left L.A.X. at 5 PM, which meant I'd arrive at JFK Airport at 1:15 AM, which meant I'd be at my hotel after 2. It was possible but not a lot of fun and if my flight was delayed…well, I decided not to think about that.

Departing at 5 meant I needed to be at the airport here by about 3:30, which meant leaving my house at 2:45. I decided to further complicate my Tuesday by not canceling an important meeting I had out in Encino at Noon. I figured it would last an hour, maybe an hour and a half at most. If I left there at 1:30, it would take me 45 minutes to an hour to get home, grab my suitcase and head for L.A.X. Again, risky but doable.

The meeting was one of several I had with a well-known super-superstar. I will not mention his name here except to say that he was then at about the height of his popularity, having come a long way since he sang with his brothers in The Jackson 5. Oh, heck. I'll give you one more hint: It was not Tito. The folks who programmed Saturday morning cartoons on CBS prevailed on me to develop a cartoon series starring the super-superstar. This was not easy since he'd agreed to it, then had second thoughts and now was not so sure. Eventually, he would decide that it was wrong for his image to be Hanna-Barberized at his age and station in life…but by the time the show was called off, I was outta there. I had long since moonwalked off the project.

I met that day with him and his many associates and somehow, I didn't get out of there until about 1:45. I hopped in the Zephyr and sped home, still narrowly within the confines of my timetable. I was sure I could make it but, of course, I had neglected to consult with my right rear tire. It had other ideas.

I was heading east on the Ventura Freeway, just passing Coldwater when I noticed smoke coming up from the rear of my car. Some motorists honked to tell me I was in trouble just as the Zephyr took a jolt and I figured out what was happening. Other drivers generously cleared a path so I could take the Laurel Canyon off-ramp — which was the off-ramp I was going to take anyway.

I got down to the bottom of it, turned the corner and parked just as my right rear tire — what little was left of it — totally collapsed. The tire was so shredded, it looked like black twine wrapped loosely around the wheel rim. One more minute and I'd have been in far, far greater trouble.

Once before in my life had I changed a tire. I recalled how long it took and what I did to my hands and decided to instead let the Auto Club do what the Auto Club was born to do. The trouble was there was no phone there or anywhere within view. I thought, "Gee, I wish I had a car with a phone in it." Then I walked about five blocks until I found a booth in which Superman was not undressing and called Triple-A.

By the time I got home, it was 4:20. Given the traffic at that hour, it was pert near impossible that I could make that 5 PM flight. Frantic, I called Brenda and told her to rebook. I'd take anything (anything!) but I had to be at the Courthouse in New York City by 9 AM the next morning, preferably 8. She said she'd do what she could but that was after warning me there might not be much she could do.

Fifteen minutes later, she called back. I don't recall now what she'd arranged but the following is not an exaggeration of complexity and inconvenience. I would have to drive down to John Wayne Airport in Orange County, leave my car there and get on a flight to Chicago. Getting there in time would mean two hours on the freeway but it was possible. The Chicago flight would take me to Midway Airport there and then my suitcase (thankfully, a carry-on) and I would grab a cab for O'Hare, catch a flight from there to Nashville, lay over two hours in Nashville, then get on a one-stop flight that was terminating in Newark, New Jersey at 7:35 AM.

If all went well, I would taxi straight from Newark to the Manhattan Courthouse — no place to sleep, no place to shower or change clothes — and arrive there just before 9:00. She added that things might not go well because there were storms all across the mid-west and eastern seaboard and something somewhere would surely be delayed.

Well, you can imagine how delighted I was about all this.

I was just about to begin driving to Orange County on a spare tire when my phone rang. It was not the governor calling with a last minute stay of execution but it was close. It was my lawyer phoning urgently from New York.

"Mark? Mark, you didn't get on the plane, did you?" Obviously, I hadn't but five minutes later, I would have left and he might have had no way of reaching me until I showed up, sleepless and probably dripping wet on the courthouse steps, three thousand miles and twelve hours later. "Thank God I caught you in time," he continued. "The judge is disallowing your testimony!"

It had officially to do with my name not being entered in time on some witness list. "We're going to appeal his decision in tomorrow's session. If we can get him to change his mind, we'll need you to catch a flight tomorrow and testify on Thursday." Later, my attorney decided that it unofficially had to do with something else. The judge, a wizened interpreter of jurists' body language, had realized the case was over, the plaintiff had lost and the jury was eager to vote that way and go home. He was not denying anyone due process but any time he had a decision which could go either way, he was choosing the option that would shorten the trial. Disallowing me shortened the trial.

In any case, at that moment I let out a deep exhale. I called Brenda and told her to cancel the obstacle course she'd booked me on for that evening and to instead give me a flight for the next afternoon leaving around 1 PM. The plan was that the lawyer in New York would have a final decision next morning as to whether the judge would let me take the stand. He'd phone me when they recessed for lunch — between 9 AM and about 9:30, my time — and I would proceed accordingly…either to New York or back to bed.

The next morning, I woke up about 9:05 and decided to just lay there until the phone rang and I found out if I had to go get on a plane. At 9:15, the phone rang. I did not have to go get on a plane.

That meant I could just lay there and decide what to do with this entire day I'd cleared. Well, one thing I knew: I had to go out and buy a new tire for the Mercury Zephyr. Then I decided to redecide what I'd just decided: "No," I actually said to myself out loud. "I'm going to go out and trade in the Mercury Zephyr for a car with a phone in it!" Which is precisely what I did.

I knew my father would be a bit upset that I didn't let him spend months pricing and investigating my next car but that would have meant driving the Zephyr all that time. I didn't want to spring for a new tire on a car I was going to be trading-in before long. Also, the day before had given me two great examples of why it's a good idea to have a phone in one's car. I just wanted to get one and be done with it.

Back I went to Beverly Hills Lincoln-Mercury where they'd taken good care of me and my Zephyr. I test-drove a few vehicles and picked out one I liked. It had, like my old Buick Something, an identity crisis. At the time, the Ford company made two cars that were nearly identical — the Mercury Sable and the Ford Taurus. Same look, same body, pretty much the same interiors. The Sable I test-drove had one intriguing defect in it. On the left rear side of the trunk, they'd affixed a MERCURY logo and on the right rear side, there was a TAURUS logo. So it said it was a Mercury Taurus — perhaps the only one in existence.

After a fast consultation with Consumer Reports, I made an offer with the promise of writing a check for the full price on the spot. The salesguy consulted that mysterious boss-person salesguys always consult, then came back with a counter-offer, $300 higher. I headed for the door. The salesguy stopped me, offered to up the credit for my trade-in by $300 so I'd be paying what I wanted to pay. We shook on it and I wrote a check.

They said it would take about an hour to prep the car and install the phone I wanted. I said I'd be across the street in the International House of Pancakes chug-a-lugging syrup until it was ready and asked the Mercury guys to please not correct the name on the back. But they did. They said, "We were afraid the owner would get upset if you were driving around town with our dealership name on the license plate frame and such a stupid mistake right above it."

Twenty minutes after I drove it off the lot, the phone rang at my parents' house. My mother was out but my father was home and he answered. I broke it to him gently that I'd purchased a new car without him. Disappointed, he said, "Well, okay. When can I see it?" I said, "Right now. I'm parked in front of your house!"

He couldn't believe it. "You have a car with a telephone in it?"

Whatever sadness he had about not being involved in the acquisition dissipated when he came out, got in and I took him for a ride. I even let him call my mother at work. "Guess where I'm calling from," he gleefully told her.

Then I let him call three or four of his other friends so he could brag to them that his son just bought a brand-new car…"And get this! It's got a phone in it! That's right. I'm talking to you from the car! I'm in the car right now and we're driving by the May Company!" That sounds like nothing today but in 1986, it was like I'd bought one of those flying Jetsons cars we all thought would be commonplace by the 21st Century.

That was one happy ending to this story. Another came a few days later when the case involving Harlan Ellison and the Comics Journal went to the jury and they quickly came to the right decision.

Two days after I got the Mercury Taurus Sable, I was driving it out in Reseda when I witnessed a terrible auto accident. Just awful. It involved two pedestrians and four cars, one of which flipped over and another in which two people were instantly killed. I pulled over, grabbed the phone and that resulted in an ambulance and the police arriving there probably five minutes sooner than if I hadn't been able to do that. Then I let some of the victims in the accident — those who didn't need major medical attention — use the phone to call friends or family to let them know or to get assistance. I started thinking, "Everyone should have a phone in their car."

Today, of course, almost everyone does — in their pocket or purse if not in their auto. I could tell you a hundred stories about how cell phones have saved me time or needless trips or enabled me to reach someone or for them to reach me when it was important. But I don't have to because you probably have a thousand of your own. Ain't progress wonderful? And yeah, it was Michael Jackson. You probably figured that out.

My Latest Tweet

  • Terrible, destructive earthquake in Puerto Rico. Maybe Trump can find it in his heart to toss them some more rolls of paper towels.

Today's Video Link

Here at newsfromme.com, we like the singing of new (or fairly new) songs in old (or fairly old) styles. Here's the Barbershop group The Newfangled Four singing the Rick Astley hit, "Never Gonna Give You Up." I like it better their way…

Tales of Something Or Other #5

This tale was told on this blog on 10/25/14 and seems to me it's worthy of another look. It's true. I swear it's true…

Here's a story I don't think I've told here before. It occurred around 1983 when I was writing a lot of pilots for cartoon shows. I'm going to change a few names but this actually happened…

There was a Korean animation studio that did a lot of sub-contracting work for American cartoon companies. Several Hanna-Barbera shows, as well as programs for other U.S. producers, were largely animated at this studio owned by a man we'll call Mr. Woo. (If there is a studio in Korea owned by anyone named Woo, this isn't that one.)

Mr. Woo decided to try to sell some shows into the American marketplace on his own. He hired some writers. He hired some artists. Most of all, he hired a Development Exec we'll call Hermione. She was an American who worked out of his Southern California office, trying to put together something that an American TV network would purchase directly from Mr. Woo's studio.

One of their artists came up with something they thought had real potential if (big IF) they could find the right writer to develop it and write some outlines and a pilot script. Someone suggested I might be that right writer. Hermione called and asked if I could come in so they could get a look at me and I could get a look at their idea. I said sure. What time and where?

This was back when I believed in going in to meet with anyone who wanted to meet with me. It didn't always result in a job but it usually resulted in me learning something, including what kind of people not to go meet with. That was not without its value. So I went in and met Hermione but not Mr. Woo. Mr. Woo, it was explained to me, was not in the country at the time.

I gave their idea the once-over, thought it was a pretty good one and told Hermione that, yes, I could do something to push it closer to a network sale. She said they wanted to hire me and she started to mention dollar amounts. I said, "Whoa, stop, halt. I don't talk money. That's why I have an agent." I gave her contact info for that person, who was then Stu the Agent. But the numbers I'd heard before I put an end to that part of the conversation struck me as pretty low. When I got home, I called Stu and warned him we were about to get a very low lowball.

When she called him, that's what she pitched. Stu told her my established price for such work. She said that was way too much. Stu said, "Hey, the last time a studio paid him that, the material he produced got CBS to buy the series. That's what you want, isn't it? You can find writers who'll work cheaper but see how many of them did work that got CBS to buy the series."

This is why writers have agents: So they can say things like that. And I should add that the dough we were asking for was not that high. Hanna-Barbera, Marvel, Ruby-Spears, Filmation…they all paid me that without complaint. Even, I think by then, Disney.  It was just high for Mr. Woo's operation.

There was some haggling, wholly from their side. Hermione came up in their offer. We did not come down. As Stu and other agents taught me, negotiation is not always a two-way street. Imagine you go in to price a new Infiniti and they tell you the model you want is $50,000. You offer a dollar. They laugh in your face. Then you say, "Okay, let's compromise. Meet me halfway!" See how far that gets you. Finally, Hermione said, "I'm not authorized to go any higher. If you want more money, you'll have to speak with Mr. Woo."

Stu said, "Okay. Let me speak to Mr. Woo."

She said, "I'll see if I can arrange it" and she hung up. A half-hour later, she called back and said, "How about two weeks from Thursday? At 4:00 PM? That will be 9:00 AM in Korea."

Things had started to be odd. She'd been saying how eager they were to get this thing going; how they'd need the bible and script done quickly. Suddenly, she wanted my agent to wait 16 days to speak to the one person with whom he might be able to make a deal. "I'll talk to him right now," Stu said. "Or tomorrow, or whenever you like." That was a great thing about Stu. He'd chase a potential deal like Javert pursuing Jean Valjean right into the sewers.

"Let's say two weeks from Thursday at 4:00 PM," Hermione confirmed. Stu wrote it on his calendar, but he didn't understand why he had to make an appointment two weeks in advance to talk money with Mr. Woo.

Then Hermione phoned me. "Mark," she said, for indeed that was my name, "I need your assurance on two points. One is that, if we're able to make a deal with your agent, you'll be able to jump on this right away. We're way behind our schedule."

"I'll start the minute we have a deal," I said. "Matter of fact, if it's that urgent, I could start writing right now. Can't you have Mr. Woo call my agent today?"

"No, they'll speak two weeks from Thursday…which brings me to my other concern. I'd like some reassurance from you that you think we'll be able to make a deal."

"Beg pardon?"

"Mr. Woo will get very mad at me if he has a conversation with your agent and we can't go forward with you. Tell me you think we'll be able to make a deal."

I didn't know what to say to that. When you're negotiating with someone, the last thing you want to do is to assure them that you'll settle. They have no incentive to meet your price if they know you'll lower your price.

Finally, I said, "You should know the answer to that better than I could. You know what my agent was asking for…and you have a clearer notion of how high Mr. Woo will go…"

"Yes, yes, I understand that," Hermione insisted. "But do you think we'll be able to make a deal?"

"I don't know."

"This is troubling," she said. "But I guess I have no choice. I have to let the call go ahead."

Later, I recounted all that to Stu who didn't get it, either. Why the fuss over one phone call with Mr. Woo?

Two weeks from Thursday at the precise moment, Stu's phone rang. "Please hold for Mr. Woo," a voice said. Mr. Woo came on the line and, with no formalities, made a terrible offer for my services. In fact, it was less than the last offer we'd turned down from Hermione.

Stu said no. Mr. Woo said, "Look…if Mark writes the script that sells this show, I will see to it that he benefits in many ways. I will reward him but I cannot go any higher with my offer."

Stu said, "Your offer is lower than any of your competitors have paid him for the same kind of work. It's even lower than your Development Person offered him. If anything, you should be paying him more. If he's successful, he's not only going to sell this show for you, he's going to establish you as a network supplier, capable of selling more shows in the future."

Mr. Woo was starting to get a bit peeved. "I understand all of that. I just cannot pay more than what I just offered. But if Mark succeeds, he will be rewarded further. You will just have to trust me."

That baffled Stu: A man he'd never met in person…a man he'd been speaking to for under a minute…saying, "You will just have to trust me." Stu told him, "It's very simple. I gave you Mark's price. If you're not prepared to pay him that, other studios are."

Mr. Woo was not happy. "This is very disturbing," he said. "If you were not going to make a deal with us, I wish you had told us before so I would not have wasted this call."

That was the end of the conversation. Without so much as a "bye-bye," Mr. Woo clicked off. Bewildered, Stu phoned me and recounted the odd exchange. "What I don't get," he said, "is why it was so horrible that Mr. Woo phoned me from Korea. I checked with the phone company and the call only cost a few dollars." I was also sans clue.

An hour later, Hermione phoned to moan how awful it was that we hadn't been able to make a deal. "Mr. Woo is very mad at me," she said.

"Listen," I said. "You have to explain to me what's going on here. I get the feeling there's some vital piece of information that I am lacking."

"Mr. Woo gets very upset when he wastes his daily phone call," she explained.

"Daily phone call?"

"Yes…didn't you know? Mr. Woo was convicted of tax evasion. He's running the company from prison and he only gets one phone call a day."

Monday Morning

And a good morning to you. I will probably not be writing much on this blog for the next day or so but I have some inventory material that will appear. I'm having some deadline problems that are being made deadlinier — a new word I just invented — by a touch of headache. Apart from posting here, I'm pretty much avoiding the Internet altogether for a bit so I have no idea what's going on in the world.

Last night, when I felt a little better and less pressured than I do now I watched Ricky Gervais's opening monologue for The Golden Globe Awards. I very much like Mr. Gervais as a talk show guest, a stand-up comic and as the star of some very good shows.

If this is indeed his last time hosting that awards program, great. It was kinda refreshing the first time he spoke some truth to power up there but in that gig, I think he's turned into what Joan Rivers became late in life: Someone who just says something nasty about people because that's their act…and it doesn't really matter if they really feel that way. It almost doesn't matter if it's funny as long as it's mean and outrageous.

The Golden Globes have always been a joke and it's sad to see Ricky Gervais — a man whose other work I greatly respect — become part of that joke. In politics, there's a saying that "the illusion of power is power." If others think you have it, that empowers you. It's the same way in show business: "The appearance of being important makes things important." That explains the Golden Globes.

No one knows who votes. No one cares who votes. But it's a splashy awards show and they throw a good party and biggies turn out for it — so if the unknown selection process says you're Best Actor…hey, it can't hurt to be there, accept and thank the members of the Hollywood Foreign Press Association, whoever the hell they are, for that great, great honor. If I got an award from an entity of no consequence, I might well exaggerate the significance of it.

I didn't watch the rest of it and I only watched the monologue because I came across it on YouTube. I had something better to do last night, which was to go see Dick Van Dyke perform at the Catalina Bar & Grill in Hollywood…

Photo by me.

He was great. He's always great. Even when he's not as great as he can be, he's still great. He was assisted ably by his fine vocal group The Vantastix, a great band and his lovely spouse, Arlene. I think I said last time they did this that Arlene was sensational. Well, she was even better last night and it was great to see the obvious mutual affection when she and her hubby did a duet. Boy, I'm glad those two found each other.

Mr. Van Dyke is 94, as he kept reminding us. He also said he was on some sort of medication that made him a bit high. If he hadn't told us, I wouldn't have known. He was charming and funny and all the things you'd expect Dick Van Dyke to be.

If and when I hear of them doing this again, I'll try to let you know before tickets sell out…but they seem to sell out an hour after they go on sale. I don't think there was one person at the Catalina last night who went away disappointed and I don't think there was one who didn't utter some sentence that began, "Boy, I hope when I'm that age…"

Today's Video Link

The folks at mojo.com (who can make a list out of any topic in the world and eventually will) pick their Top 10 Hardest-to-Sing Broadway Tunes. I might have included "Out There" from Barnum not because it's vocally difficult but because in the show, the guy playing the title role has to sing it while walking across a tightrope.  Let's see Patti LuPone do that…

Sunday Morning

Maybe the scariest thing for me about the situation in Iran is that the U.S efforts seem to be under the control of folks who thought the War in Iraq was a good idea and still think it was a good idea. Never mind those little glitches like all the American (and foreign innocent) lives it claimed, never mind that it lasted far, far longer and cost far, far more than these stumblebums predicted, never mind that there were no Weapons of Mass Destruction, never mind that we weren't greeted as liberators, never mind that we didn't liberate, never mind that even these guys can't quite explain how we benefited…

And they're itching to do it all again. The Donald Trump who campaigned against all those mistakes and against "endless wars overseas" is letting that mob call the shots. I think he just loves the idea that he has the power to order that people be killed.

In other news…well, there really is no other news at the moment. Everyone's scurrying to predict what's next with Iran. We will someday look back on 2020 as the year nobody had a friggin' clue on what was going to happen the next day. At least, I hope we'll be able to look back…

Today's Video Link

The great Barbershop Quartet Mob, the Masters of Harmony, favor us with their rendition of the best song from the musical Hairspray

Recommended Reading

Remember the old days when "facts" used to come from somewhere? Mike Pence knows what he knows, no matter what anyone else knows.

A Saucy Comment

I am not a gourmet nor am I an actual food critic so show the following what little respect it deserves. But I have tried of lot of pasta sauces that come in a jar and even a few that come in a can. I have recently come to the conclusion that the best, out of the 1.5 dozen or so I've tried, is Rao's.

This is a fairly new brand that is somewhat connected to the popular restaurants of the same brand name in Los Angeles and New York. One thing I have learned is that a name connection means nothing. The Boston Market frozen foods do not resemble in any way any food items sold at Boston Markets. The Marie Callender's items sold in grocery stores are utterly unlike anything you might have placed before you at a Marie Callender's. The White Castle burgers in the supermarket freezer section are nowhere near as good as the White Castle burgers at a White Castle. And so on.

I've never been to a Rao's restaurant but I'll bet the pattern holds. Rao's are critically-acclaimed places to dine. If I had any good money, I'd wager good money that what they serve there is much better than anything that could come out of a jar, including the jars that bear the same name.

But their marinara sauce that comes out of the jar with the Rao's label is the best I've found at my local Ralphs market and I just tried their bolognese and it's pretty good and surprisingly meaty. Haven't tried the others and probably won't but I will continue to buy those two. I hear the Costcos in some areas sell the basic marinara in bulk but the ones around me don't. Most markets in L.A. do stock their marinara and one or two more of their seventeen or so varieties and most Whole Foods have 'em all. You can also buy some of them online at Amazon or on the Rao's site.

They're not as cheap as some brands and I do not understand why they call them "homemade." In whose house are those sauces made? How many homes in America have the equipment to fill thousands of jars per hour, vacuum-seal the caps and apply labels? That aside, I have to say I haven't found a better marinara in a jar. If I ever do, I'll let you know but I won't be searching much now that I have a case of Rao's in my pantry.

Today's Video Link

On New Year's Eve, Bernadette Peters hosted Celebrating Sondheim from Lincoln Center's David Geffen Hall. The show runs almost 90 minutes but some of them are very good minutes indeed. The link below should show you the entire program unless they've taken it offline, in which case there will be a little block below this text that says "VIDEO MISSING." If that message is not there, watch it while you can…

Recommended Reading

Matt Yglesias ponders the question of how much of what the Trump Administration is now saying can be believed. Apparently, not a lot.

Steve Benen also has some things to say about the credibility of this administration and how it becomes more important now that we may be plunging into war.

Larry Blyden's Theatrical Laws

Larry Blyden was a favorite actor of mine when I was younger. He was one of those rare guys who had a good career on TV, a good career in the movies and a good career on Broadway — all three. He is probably best remembered from his time as the host of the syndicated What's My Line? game show but he was also on two episodes of The Twilight Zone, a great short-lived sitcom called Harry's Girls and dozens of other shows.

My all-time favorite thing I ever saw on a stage was the 1970 revival of A Funny Thing Happened on the Way to the Forum starring Phil Silvers. Larry Blyden won a Tony Award for Best Supporting Actor as Hysterium in that production and was also the main person responsible for that limited-run Los Angeles offering being transferred to Broadway.

He was in a number of other plays on The Great White Way. Whenever he was, he was known to post his Theatrical Laws on the wall of his dressing room and to hand out printed copies to others. Here are Larry Blyden's Theatrical Laws…

  1. It is better to have a hit than a flop.
  2. Never put a first year Stanislavsky student in a French farce.
  3. Know how many acts are in the play.
  4. It is as important to know the cues as it is to know the lines.
  5. Save your money.
  6. Know which battles you can't win and don't fight them.
  7. To have a career in the theatre, one must also have a store.
  8. Work breeds work.
  9. It is not safe to tell about a job until the day after the show.
  10. Save your money.
  11. Don't dazzle them with everything at once.
  12. Stay down for the laugh.
  13. Don't stay down for too long.
  14. Most of the people in Bangkok never heard of you.
  15. Insanity often passes for talent.
  16. When reading for a part, remember that they don't know what to do with it either.
  17. Save your money.
  18. It is better to act in a play that fails than to get behind in the rent.
  19. Being applauded at the end often only means you got through it.
  20. Doing a commercial is better than not doing Hamlet.

Larry Blyden died in 1975 in an auto accident when he was vacationing in Marrakesh. He was 49 years old. I bet if he'd lived another 20-30 years, you'd know him from a lot more things than you do. A very talented man.

Recommended Reading

Daniel Larison: "Iran hawks have been agitating for open conflict with Iran for years. Tonight, the Trump administration obliged them by assassinating the top IRGC-Quds Force commander Qassem Soleimani and the head of Kata'ib Hezbollah in a drone strike in Baghdad."

Fred Kaplan: "You don't deliberately kill someone like Soleimani unless you're at war with his country, and even then, you want to think long and hard before you do, given the near-certainty of blowback. The blowback may soon be coming. Friday morning, Khamenei called for three days of national mourning and a 'forceful revenge.' It would be shocking if he didn't follow through."

Alex Ward: "A deadly opening attack. Nearly untraceable, ruthless proxies spreading chaos on multiple continents. Costly miscalculations. And thousands — perhaps hundreds of thousands — killed in a conflict that would dwarf the war in Iraq. Welcome to the US-Iran war, which has the potential to be one of the worst conflicts in history."

Jonathan Chait: "Beginning in 2011, and continuing through the next year, Donald Trump began obsessively predicting that President Obama would start a war with Iran in order to be reelected. Trump stated it publicly, on at least a half-dozen occasions, explicitly positing that attacking Iran would help Obama win reelection."

Kevin Drum: "I'll make one prediction for sure: every time we kill someone like this, the replacement turns out to be even worse. We may consider Soleimani a state terrorist of the first order, but I'll bet he seems like a cautious and prudent institutionalist compared to whoever takes over for him."

ME: "Remember how long it'll be until we vote and…remember how volatile everything is about our current political scene. Everything can change tomorrow. Everything will change within the month, let alone the 321 days until we go to the polls and vote for whoever's names are on the ballots."