A Highly Reasonable Request

I'm sure you've heard about Mollie Tibbetts, the 20-year-old woman in Iowa who was allegedly murdered by an immigrant of Hispanic descent. When a white guy commits a murder in this country — and they do sometimes, you know — it does not become a racial issue or a national outrage or a rallying point to do something about white guys. In the case of Ms. Tibbetts, a lot of folks thought her murder would be useful to push an agenda or, as her father termed it, "to advance racist views."

Her father recently penned a moving and important message to those who would do so. More specifically, it's a response to a piece signed by Donald Trump Jr. in which he attacked two family favorites — Democrats and The Media — saying among other things that "Mollie was murdered by an illegal alien and her murder would never have happened if we policed our southern border properly." You can read that whole piece here.

What follows here is the response from her father, Rob Tibbetts. I could just link you to it but it's such a powerful piece of on-the-money writing that I'd like to have it on my website. I somehow feel better having it here. If you've already read it elsewhere, you can skip on to another item but there's also a good chance you'll want to read it again…

Ten days ago, we learned that Mollie would not be coming home. Shattered, my family set out to celebrate Mollie's extraordinary life and chose to share our sorrow in private. At the outset, politicians and pundits used Mollie's death to promote various political agendas. We appealed to them and they graciously stopped. For that, we are grateful.

Sadly, others have ignored our request. They have instead chosen to callously distort and corrupt Mollie's tragic death to advance a cause she vehemently opposed. I encourage the debate on immigration; there is great merit in its reasonable outcome. But do not appropriate Mollie's soul in advancing views she believed were profoundly racist. The act grievously extends the crime that stole Mollie from our family and is, to quote Donald Trump Jr., "heartless" and "despicable."

Make no mistake, Mollie was my daughter and my best friend. At her eulogy, I said Mollie was nobody's victim. Nor is she a pawn in others' debate. She may not be able to speak for herself, but I can and will. Please leave us out of your debate. Allow us to grieve in privacy and with dignity. At long last, show some decency. On behalf of my family and Mollie's memory, I'm imploring you to stop.

Throughout this ordeal I've asked myself, "What would Mollie do?" As I write this, I am watching Sen. John McCain lie in state in the Capitol Rotunda and know that evil will succeed only if good people do nothing. Both Mollie and Senator McCain were good people. I know that both would stand up now and do something.

The person who is accused of taking Mollie's life is no more a reflection of the Hispanic community as white supremacists are of all white people. To suggest otherwise is a lie. Justice in my America is blind. This person will receive a fair trial, as it should be. If convicted, he will face the consequences society has set. Beyond that, he deserves no more attention.

To the Hispanic community, my family stands with you and offers its heartfelt apology. That you've been beset by the circumstances of Mollie's death is wrong. We treasure the contribution you bring to the American tapestry in all its color and melody. And yes, we love your food.

My stepdaughter, whom Mollie loved so dearly, is Latina. Her sons — Mollie's cherished nephews and my grandchildren — are Latino. That means I am Hispanic. I am African. I am Asian. I am European. My blood runs from every corner of the Earth because I am American. As an American, I have one tenet: to respect every citizen of the world and actively engage in the ongoing pursuit to form a more perfect union.

Given that, to knowingly foment discord among races is a disgrace to our flag. It incites fear in innocent communities and lends legitimacy to the darkest, most hate-filled corners of the American soul. It is the opposite of leadership. It is the opposite of humanity. It is heartless. It is despicable. It is shameful.

We have the opportunity now to take heed of the lessons that Mollie, John McCain and Aretha Franklin taught — humanity, fairness and courage. For most of the summer, the search for Mollie brought this nation together like no other pursuit. There was a common national will that did transcend opinion, race, gender and geography. Let's not lose sight of that miracle. Let's not lose sight of Mollie.

Instead, let's turn against racism in all its ugly manifestations both subtle and overt. Let's turn toward each other with all the compassion we gave Mollie. Let's listen, not shout. Let's build bridges, not walls. Let's celebrate our diversity rather than argue over our differences. I can tell you, when you've lost your best friend, differences are petty and meaningless.

My family remains eternally grateful to all those who adopted Mollie so completely and showered us with so much care, compassion and generosity. Please accept our desire to remain private as we share our loss. We love Mollie with all our hearts and miss her terribly. We need time.

Today's Video Link

Here's another video from Randy Rainbow. He released this one ten months ago but I have a feeling it's going to be very relevant again very soon…

Sunday Afternoon

Let's update some recent stories here…

Some of us are still fighting to save Andre's, a wonderful little Italian cafeteria I've been going to since I was about the size of one serving of their lasagna. The owners of the shopping center where Andre's is located are trying to get the city to let them turn it from a small shopping center into a huge one, and Andre's would probably disappear in the conversion. If you live in Los Angeles and have never been there, here's the scoop on Andre's while it lasts. It ain't fancy and it gets real crowded weekend evenings around suppertime. But you will never find a better plate of pasta or certain other Italian entrees at those prices.

The latest news on the possible stoppage of its extinction is that there is no latest news. But the Kmart that makes up a third of the mall on Third Street is closing, probably in November. You can just imagine how poorly a department store has to be doing that they don't even expect decent sales at Christmas. Anyway, that closure makes what the owners of the shopping center wish to do feasible since they couldn't tear down the Kmart building while it was still under lease.

As we mentioned here, the Kmart/Sears chain is in trouble. Its stores have been collapsing at about the same rate as Rudy Giuliani explanations. Here's the latest list which closes 33 Sears and 13 Kmart stores. The one on Third Street is on it.

In the meantime, the owners of Andre's are opening a new version of it under another name out in Canoga Park, near the intersection of Sherman Way and Topanga Canyon Boulevard. I'll tell you about it when it opens. It is, alas, about an hour's drive from me so if we do lose Andre's, it won't be much of a substitute.


I said that with the passing of the lovely Russ Heath and the lovelier Marie Severin, the only person living "who worked on the classic EC comics" is Angelo Torres. Des Devlin wrote in to remind me that when Wally Wood was drawing stories for those books, he is said to have received occasional uncredited assistance from his then-wife, Tatjana. She is still with us so if you want to count her, it's fine with me.

Bill Mullins calls to my attention that Frank Bolle, who is also happily still with us, did one story in 1948 for War Against Crime, an early comic from the same publisher. I wouldn't count that book as one of the "classic EC comics" but again, if you want to, don't let me stop you. Bill also notes that it's rumored that Jules Feiffer worked on a few of those early books but that's unverified and I wouldn't call those "classic EC comics" either.

Lastly on this topic, a number of you wrote in to suggest I'd forgotten Al Jaffee, who is 97 and, amazingly, still drawing for MAD. I didn't forget him. He didn't work on the "classic EC comics." He worked on MAD. If I was going to count guys who worked on MAD as a magazine, there are quite a few of them like Mort Drucker and Arnie Kogen and Frank Jacobs and I don't know where the cut-off point would be.


Finally: A few folks have written in to ask why I haven't written anything about the sad news that comedian Tim Conway is largely incapacitated due to some condition in the Dementia family. I haven't written anything because it's sad news and everyone knows it's sad news and I have nothing to add to that. Very funny man. Very funny. But you already knew that.

Carole Shelley, R.I.P.

Carole Shelley (L) and Monica Evans

I never met the lady but I feel a real sense of loss at the passing of Carole Shelley. She had a full acting career which included stage work, screen work, TV work, animation voices, a Tony Award, etc., but right now I'm missing Gwendolyn Pigeon, one of the two Pigeon Sisters from The Odd Couple on stage, on screen and on TV. Apart from Monica Evans, who played Cecily Pigeon in all three media, can you name anyone else who originated a role on Broadway, re-created it in a movie and then played it on TV? There's probably someone but I sure can't think of who it might be.

(Well, I thought of one: In 1975, there was a pilot made for a TV sitcom version of How to Succeed In Business Without Really Trying. It didn't sell but the pilot did feature as Twimble — the meek head of the mail room — Sammy Smith, who played the part in the original Broadway version and also in the movie. Anyone else?)

The movie version of The Odd Couple is one of those films I can watch over and over with undiminished enjoyment and Ms. Shelley was utterly perfect in her role as was everyone. In April of this year, I took Amber to see it at the TCM Film Festival for three reasons, four if you count the fact that I had two free passes. One was that I wanted to see it again with an audience, which is something I hadn't been able to do in fifty friggin' years. Secondly, I wanted Amber to see it since she, shockingly, didn't see it when it first came out. Not having been born yet is not much of an excuse in my book.

And third, they had Carole Shelley and Monica Evans there to talk about the film after the screening. They were delightful in every way. It was great just to be in the same room with them and to occasionally hear them giggle for real just like their characters. I'm grateful to the TCM Fest for giving us the chance to do that.


P.S. Fifteen minutes after I posted the above, John Momberg e-mailed me with the name of another actor who scored a triple-play: Yul Brynner originated the role of King Mongkut in the Broadway version of The King and I, played him again in the movie and then played the same character in the 1972 TV series, Anna and the King. The TV version wasn't based on the musical so that's a little different but it's close enough for me. Good catch, John!

Recommended Reading

William Saletan describes some of the classier moments from the memorial service for John McCain. More interestingly, he contrasts how McCain lived his life with how Donald Trump lives his.

My thoughts about the late Senator are still quite mixed and will remain that way forever. Still, he was a much better man than Trump will ever be…and would have made a much better president.

Today's Video Link

I should have posted this a few days ago…

Yet Another Thing I Don't Get

The point I want to make in this post is not about the funeral of anyone in particular and it is certainly written without a scrap of disrespect to the late, wonderful Aretha Franklin…

…but there's something I don't get. I caught a little of the memorial for her yesterday and it seemed like a wonderful show full of brilliant performers and speakers. Some people said some very complimentary and true things about a great artist. Okay, fine. But then I saw Ariana Grande get up and perform Ms. Franklin's mega-hit, "Natural Woman"…and I'm just wondering why this is a tribute to the deceased.

Aretha's recording of that song was about as good as R-'n'-B music gets…but she didn't write it. According to Wikipedia, the song was co-written by Carole King and Gerry Goffin, with input from Atlantic Records producer Jerry Wexler. If someone goes out and sings that song and isn't doing an imitation, there isn't a speck of Aretha Franklin in that performance. If anything, you're almost suggesting the song can get along just fine without her. And if you were going to have someone do an Aretha Franklin impression — which Ms. Grande, of course, did not attempt — you could have just played Aretha's version of it.

Just how happy is Bill Clinton in this picture?

This is not about Aretha or Ariana or anyone in particular. It's just Mark being bewildered why it's tribute to an entertainer to remove them from their own act.

I've been thinking about this for years. Some time ago, there was an episode of the Boston Pops TV show which featured Nathan Lane performing "A Tribute to Danny Kaye." The so-called tribute consisted of Lane singing his versions of the most popular tunes associated with the late Danny Kaye. Danny didn't write any of the songs. Nathan did not do them in his style. Truth to tell, I thought Mr. Lane sang some of them better than Mr. Kaye did but that doesn't matter. What matters, I think, is there was nothing of Danny Kaye or his work on that stage except a few kind words as lead-in to tunes.

Let's try this in another context. Let's say it's the funeral of a great actor. Let's say it's Walter Matthau. Imagine we're there and his good friend and colleague Jack Lemmon steps up to the podium to speak and he says, "Walter was a brilliant performer. To honor his memory, I'm now going to do my interpretations of some of the best speeches he gave on screen."

Wouldn't that have been kind of tacky? Wouldn't the message of such a presentation have been all about Jack Lemmon without a whole lot about Walter Matthau? It would have been a bigger tribute to Matthau if Lemmon had said, "Of course, I would never try to do some of the great scenes Walter did because nobody could have done them as well as he did."

Obviously with her sheer presence and willingness to perform, Ms. Grande honored Ms. Franklin. Many others did, performing songs Aretha didn't write and I think some she did. I just don't quite understand why it's a nod to a performer to sing the same song they did. I go to a lot of Broadway-theme cabaret shows and there's always some lady getting up and saying something like, "I want to pay tribute to my idol, Liza Minnelli" and then they sing "Cabaret" or "Ring Them Bells." That's not a tribute to Liza. If it's a tribute to anyone, it's a tribute to John Kander and Fred Ebb, who wrote those songs…and I'm not even sure it's a tribute to them. Not unless you think you're paying tribute to Francis Scott Key every time you sing the National Anthem.