Oscar: The Grouchy Post

The Academy Awards nominations came out earlier this week and there is probably no one in my area code who cares about them less than I do. I don't get to a lot of movies the same year they come out. I generally get to them a year or three later.

That's the great thing about movies: They never disappear and they never change. When I take Amber out for entertainment, we mostly go to plays, concerts and other live events since those do go away. Next year or the year after, we'll probably watch the screener I received of The Post or the one here for Three Billboards Outside Ebbing, Missouri or the one for The Shape of Water. They'll be just as good then.

That explains why I can't muster a whole lot of rooting interest in the Oscars. What does interest me is how people try to predict who'll win in this game for which we don't have any idea who votes or why. Analysis of political elections involves knowing how blacks between the ages of 18 and 40 voted or the past voting trends of people who make $200,000 a year or more and what they thought was the Number One Issue. Data like that. With the Oscars, all we know who's won in the past — and we don't even know whether they got 51% of the vote or 99%.

We also don't know who voted or how many. Did 90% of eligible Academy members vote or did 10%? It's probably somewhere in-between but where in-between? There are indications that the key to winning our political elections is turnout. It's not how many people are on your side. It's how many of them went to the polls. So what was the turnout for last year's Oscars? How many people returned their ballots? Answer: You have no friggin' idea.

And here's the thing I'd really love to know: What is the criteria for a category like Best Actor? I mean, I assume it's different with everyone but how different?

Some years, it seems to me — and remember, I'm basing this on no data whatsoever — that a lot of voters are voting for the actor who most successfully tackled a controversial, non-glamorous role in a film that didn't seem like a shoo-in at the box office. The Oscar, it seemed to me, was about taking big risks…which is why you see so few nominations for raunchy comedies or movies with a lot of CGI. (General rule of thumb: If the movie's up for Best Visual Effects, it'll get zero acting nominations.)

But maybe some people are voting for the actor they think is overdue to win for past work. And some are voting for the actor they just plain like more than the others. And maybe some are voting for the actor they think will give the most exciting acceptance speech. And maybe a lot of 'em are voting for the only nominated performance they saw last year.

And maybe — and I have a hunch this is true in more cases than one might imagine — they vote for the performance that "the buzz" (industry chatter) says is the most outstanding. Since we have zero data, my hunch can never be proven right or wrong but there are folks out there who do a pretty good job of predicting the Oscars and most of them seem to basing their predictions on "the buzz." I think that may be it.

Then again, maybe they're all voting for the movie star they last saw in a fast food restaurant…and Meryl Streep wins so often because she eats every meal at a Burger King. Yeah, that could be it.