Tales of My Father #16

One evening when I was around sixteen, give or take a year, I was reading or watching something in my bedroom while my parents were out in the living room. Suddenly, we all heard a loud crash — clearly the sound of one automobile colliding with another. I leaped up and sprinted outside — at that age, I could still sprint — to see that one of the two cars was my father's Buick, which was parked in front of our house. The other was a later-model Cadillac. Its right front headlight had smashed into the left rear taillight of the Buick and more than just the lights had been destroyed. It was pretty much the left rear of the Buick and the right front of the Cadillac.

Running about, shrieking like panicked villagers in a doomsday movie, were three young girls aged 13-14. One of them was over on a neighbor's front lawn near some bushes. The other two were crying and pretty much running in crazed circles.

My father and mother followed me out, instantly concerned that someone had been injured. No one was. The squealing was all about how much trouble they were in.

My father gathered the three girls together and quizzed them as to what had happened. They all began talking at once, telling wildly-different tales that were obviously being invented on the spot. I yelled out, "Let's call the police!" and at the mention of the "P" word, their hysteria increased. "Please, please, please," one of them said. "Don't call the police!" The other two joined in, pleading.

We got them calmed down enough to tell us what seemed to be the truth. I do not recall the girls' names so we'll call them April, May and June.

The car belong to June's mother who was not at home. The three of them (friends unrelated to one another) had been at June's house and had decided to take Mom's car out and go for a drive. The destination was a party at the home of a boy they knew from school. All three were in the front seat. None of them, of course, had licenses.

June was driving — or trying to, at least. An older brother had once given her a few lessons, mostly for fun, and let her drive his car around a deserted parking lot. Somehow, that had wrongly convinced her she could take to the streets…and her lack of expertise had brought together Mom's Cadillac and my father's Buick.

All three girls begged my father not to call the police, not to call June's mother, not to do anything. "We'll pay you back, I swear to God," June said about thirty times.

My father was rather angry. "How?" he asked. "Out of your allowance? What do you get? Two dollars a week?" The Buick looked like it needed several hundred dollars worth of work. So did the Cadillac. He pointed at it and asked, "And how are you going to explain to your mother about that?"

April, May and June began concocting fibs on the spot. Someone stole the Cadillac. No, better still, it was just parked in the driveway and someone came by with a hammer and smashed in the right front section. No, we just say we don't know what happened. No…

My father said, "There will be no lying. Now, your mother's insurance may cover this, I don't know. I'll do you this favor, young ladies. I won't call the police…now. Give me your mother's number and I'll try to work something out with her so getting the car fixed doesn't cost me anything. She can decide what other punishment is in order."

"She'll kill us," June shrieked. May and April cried, "And tell our parents!"

I was still playing Bad Cop. I started heading for the house saying, "I'm going to call the police!"

"No," the three girls screamed. June, sobbing, pulled a piece of paper out of her pocket. It was the phone number of where her mother was — a number and a room number. My father went in and dialed. The number turned out to be that of a hospital and the room number was the room in which June's mother was recovering from surgery. That was why the girls were alone. June's parents were divorced and her father was in another state, no longer involved in her life.

My father felt terrible about bothering a woman in a hospital bed but there didn't seem to be an alternative. He told her what had happened and it was, he later told me, the worst part of the whole thing: "She started crying when I told her what had happened. I made it clear when I told her that no one had been injured but she still started crying. There she was in that hospital bed, unable to do anything. She told me the operation had cleaned out her savings but she'd find some way to pay me back. She didn't want to put it through her insurance because she was sure they wouldn't cover it and it would maybe get her daughter in trouble with the law or something."

While he was making that call, I was outside with the girls. They were all pretty upset and they kept asking me if I could help them, even though they had no idea what it was they wanted me to do. "Didn't you ever get into trouble?" one of them asked me. I said no and they looked at me like I was not of this planet.

Finally, June's mother phoned a friend who came over with her husband. They gave my father all the necessary contact info and assured him that the mother, though nearly penniless from her medical bills, was good for the damages. They thanked him over and over for not calling the police and then the wife drove off with April, May and June while her husband drove the wounded Cadillac off to wherever.

I went back to my room to work and then I had a sudden thought. I remembered how when I first ran outside, one of the girls was up on a neighbor's lawn near some bushes. I got a flashlight, went out to check those bushes and in them I found a little baggie of marijuana. At least, I assume it was marijuana. Whatever it was, I took it inside and flushed it down the toilet.

We had the fairest, nicest auto mechanic in the world. He charged my father $350 to fix the car, which means another mechanic would have charged around $700. Still, $350 was a lot of money for my father and I assumed he was going to stay on the case and threaten legal action if necessary to get reimbursed.

A few months later, it occurred to me I'd never heard any resolution to the matter. I went to him and asked if he'd ever been repaid. He said, "No, I sent that woman a copy of the bill and spoke to her a few times after that. She kept saying she was going to pay me back but I'll believe it when it happens. I could call Howard [an attorney he knew] but I figured that woman has enough problems."

She never paid him back. In fact, I think she even stopped calling to assure him she was going to pay him back but he never went after her.

A lot of people would have given up on getting reimbursed because they'd decide the money was uncollectible or that getting it would involve too much time and expense. That's a perfectly valid, possibly-wise reason to just eat the loss. But if you knew my father, you'd know that's not why he decided not to pursue it. He decided not to pursue it because, like he said, that woman had enough problems. That was the kind of guy he was.

My Latest Tweet

  • Mitt Romney calls the Confederate Flag a "symbol of racial hatred." You can talk like that when you're not seeking the G.O.P. nomination.

Doppelgrouchos

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There are a thousand photos of Groucho Marx on the Internet. For some reason, when someone's designing a book or CD or DVD cover and they need one, they go to the web and a surprising percentage of the time, they select one that is not of Groucho Marx.

See that cover above for the Penguin Books release of The Essential Groucho? Well, that's not a photo of Groucho. That's Alfred Eisenstaedt, a well-known German photographer. Once for a photo shoot, he got dressed up as Groucho and took that picture and it often pops up on articles and merchandise as if it's the real guy. As I mentioned here a few days ago, my pal Steve Stoliar is working with director Rob Zombie on a movie about Groucho. There are several articles about it on the 'net and I found at least three that used the photo of Eisenstaedt, thinking it was Marx.

And see that cover above for a DVD of old TV show comedy? Not Groucho, either. That's one of my other pals, Frank Ferrante. In fact, it wouldn't surprise me if the person who used that picture for the DVD cribbed it from this site. If you do a Google image search for shots of Groucho, you'll see a lot of Ferrante since Google doesn't really identify faces. They just link an image to the nearby text.

I have nothing to add to this except that I thought it was worth mentioning. Odd to find out that "The One…the Only…Groucho" is other people.

My Friend Dan

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The above photo is from the early seventies. I'm the tall guy in the center and I look kind of sleepy in this picture, though I absolutely wasn't when it was taken. I was actually quite excited to spend an evening with gent in front of me, the legendary Carl Barks, the creator of Uncle Scrooge and the artist-writer of many wonderful comics featuring Donald, Scrooge and other ducky folks. Also thrilled were my friends who accompanied me to the Barks home in Goleta, California — at left, Dwight Decker; at right, Dan Gheno. As you can tell, I've known both Dwight and Dan for a long, long time.

Dan is the fellow who's been sending me those great photos of the marquee of the Ed Sullivan Theater in New York. He also just send me a copy of his great new book on Figure Drawing. Dan, you see, was inspired to become an artist by all those comic books he read while he was younger…but not a comic book artist. He got into life drawing and painting and went on to become an important artist and art teacher, currently tutoring at the Art Students League and at the National Academy School. He has exhibited all over the world in private and public collections including the Museum of the City of New York, The New Britain Museum of American Art and the Butler Institute of American Art, and his art and writings have appeared in many magazines and books, including American Artist, Drawing Magazine and The Artist's Magazine.

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The artist's book and a self-portrait.

This is his newest book — Figure Drawing Master Class: Lessons in Life Drawing. It has been years since I did much drawing and as I paged through this volume, I had two reactions. One was that I wished I hadn't given it up because I'm sure Dan's lessons, breaking down the process into easily understandable chunks, would have made me better at it. This thought though was negated by the second reaction which is that even if I'd practiced 'til I wore all my pencils and fingers down to stubs, I wouldn't have been half as good as he is.

I'm still glad to have it though because it's a beautiful book and I'm sure it would be of value to any artist more serious about his work than I am. If you'd like to order a copy, here's just the link you need.

Much Ado About Cloth

There are calls today to stop displaying the Confederate Flag as anything other than an ancient historical relic. Many of these calls are coming from unquestioned Conservatives like Rod Dreher. He thinks it "has become impossible for most people to see as symbolizing anything other than white supremacy."

My problem with flags is that I always think people treat them as too significant, acting like to burn the American flag is to somehow destroy America. Naah. You could burn ten thousand American flags and while it would insult and pain people, they'd remember that America is a lot more than a piece of cloth. After 9/11, it bothered me that a lot of people stuck a $2.98 American flag (probably made overseas) on their car for a week or two and acted like they'd struck a meaningful blow against the terrorists. Yeah, like that would show 'em.

I think there's a lot of real racism out there in this country today and we're not going to eradicate it by denying it exists. Many people want to, as witness the extraordinary somersaults that some politicians and pundits have gone to, trying to deny that Dylann Storm Roof — you know, the guy with the racist manifesto who announced he wanted to kill blacks — was motivated by race. My fear is that if the Confederate Flag is taken down, all the folks who need to face the reality of racism will say, "But we eradicated racism! We took down those flags!"

Recommended Reading

Jonathan Easley thinks it's time for Hillary Clinton — and I guess everyone — to take Bernie Sanders' presidential bid more seriously. I'd like to believe that but while Sanders does look competitive in some states, he's trailing her by as much as 55 points nationwide. The CNN and ABC polls show Sanders trailing Joe Biden — and Biden isn't even making the slightest noise about running.

This isn't the greatest analogy but I think Sanders may be like Obamacare. When people hear what it does, they like the individual components but an awful lot of them are still against it in general. A lot of folks will never get past the phrase "Democratic Socialist" with Sanders. Which is not to say his candidacy alone might not do the country a lot of good.

Go Read It!

Our pal Joe Brancatelli, who knows as much about airlines as any man alive, asks why those companies treat their customers and even some employees with such contempt. And if Joe can't explain it, I sure can't.

Today's Video Link

A few years back, this blog went on a binge featuring versions of "The Lambeth Walk," a popular musical number from the 1937 musical, Me and My Girl. But I don't think I got this one in…and even if I did, it's time to enjoy this song again. This is from the 1985 London revival with Robert Lindsay and Emma Thompson…

From the E-Mailbag…

The other day here, I was talking about Donald Trump's use of a Neil Young song without Young's permission and I noted how often Republicans seem to do it. I also said "I'm sure there must be Democratic candidates who did the same thing." A reader of this site named David Simmons wrote to me…

I'm so tired of this "both sides do it" crap. If you have knowledge of Democrats who do the same kind of thing with the same kind of frequency, please share.

With the same kind of frequency? No — and I didn't say they did it with the same kind of frequency, but it has happened. Barack Obama was asked to stop using "Hold On! I'm Coming" by Sam Moore. (Here's an article about it.) I can't find anything online about it but I think Al Gore got in trouble with someone about this kind of thing, too. Anyway, the point is that it's not unique to Republicans. They just do it more often.

I do agree with you that "both sides do it" is often a lame justification for all sorts of sins but it's not always wrong. There are a lot of slimy things in politics that are done by both sides.

Friday Morning

I don't have anything to say about the shooting in Charleston that will surprise anyone. The kid who killed those people said he wanted to kill black people and try to start some sort of race war. Everything that is known about him is consistent with that motive. And you have politicians and pundits turning backflips to try and spin it in some way that's more comfortable for them or useful for their personal causes. Has Donald Trump started explaining how this proves that he should be president? If he hasn't, he will. Let me know when someone is out there saying this proves Global Warming is a hoax.

Jon Stewart was terrific last night and Larry Wilmore was even better. Stewart's opening speech is all over the 'net today but if you missed Wilmore's, you can view it here. Both men were very powerful and very wise but that wisdom will not reach the ears of those who today have pillows jammed up against their ears in a desperate attempt to not hear that maybe racism was in any way to blame.

I'm not going to write any more about this because I'll just be repeating what so many others have said…and because the people who need to hear it won't. It's just so sad that so many people think racial hatred is only something that happens to people of their own color.

More Stuff To Buy That You Have Nowhere To Put

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So we did this four-issue comic book series, Groo Vs. Conan, and it was collected into a trade paperback and it's also been nominated for an Eisner Award which I bet we won't win. "We," by the way, is Sergio Aragonés, Tom Yeates and Yours Truly with colors by Tom Luth and Lovern Kindzierski. If you yearn for a copy of the paperback collection, you can order one here.

And if for some reason, you want the thing in a hardcover edition…well, I recently learned that our publisher, Dark Horse Comics, is making up a limited number that will be sold at the Comic-Con International in San Diego. "Recently" may in this case mean yesterday. If they told me about this before, I somehow managed to miss it.

Anyway, they're only making 300 copies and I know of no plans to make any more or to sell them anywhere else. Then again, remember that I didn't know about this until yesterday so that may not mean anything. They're $30.00 apiece and there's a limit of five to a customer per day. They will be selling them at the Dark Horse booth but better still, Sergio will be selling them at his table in the main hall, which is at space I-7. If you buy it from him — same price! — he'll gladly sign it for you immediately and if I'm around, I will too. (And if you feel like trucking across the hall, Tom Yeates should be there somewhere, too.)

Please don't write me and ask me where you can get one. You now know as much about this as I do, maybe more. If you're desperate to have a copy and you won't be in San Diego, see if you can find someone who will be there to buy you one and get it autographed. And if you are there and you want one, I'd head for Sergio's table first thing when you get there because I have a feeling this puppy will sell out rapidly. I intend to get one and…well, I don't like to brag but I think Sergio's is giving it to me at half-price.

My Latest Tweet

  • I know why the Charleston shooter did it. Never mind what he said. It was because of whatever political viewpoint I want to spin today.

Today's Video Link

Speaking of other people playing Groucho Marx, as I was: Regular readers of this blog are sick of me plugging my pal Frank Ferrante and his touring show, An Evening With Groucho, but every time I plug it, people go see it and they write to thank me. Frank miraculously transforms himself into the master comedian and tells stories from his life. He also wanders the audience, chatting and insulting, chatting and insulting. Our clip today is about five minutes from when he was at the Pasadena Playhouse earlier this year…and he'll be doing a limited engagement (limited to three performances) there next January.

In the meantime, watch this space to see when he comes near you. He'll be in Rancho Mirage, California in August, Wisconsin and North Carolina in September, and he's having lunch with me a week from tomorrow at the Magic Castle. Here's some of what he does when he's in Pasadena…

A.C.W.G.T.S.N.O.E.V.A.M.*

You all know Rand Paul, the "Libertarian" who's in favor of government spending a ton more money on defense, stopping Gay Marriage and Abortion, keeping marijuana illegal and sending people to prison for listening to radical political speeches. He used to not have some of those views but in his quest for the G.O.P. presidential nomination, he's trying hard to blend in with the herd.

When you claim to be a Libertarian and real Libertarian groups start disowning you, how do you get a little of that label back? Easy: You introduce a new flat-tax proposal. But since you are, after all, seeking the Republican nomination, it has to be one that slashes taxes for the rich, shifts the burden to the poor and middle class and promises this will be great for all. Yeah, like it's working so well in Kansas. Here's Jonathan Chait to explain why this is a bad plan.

*Another Candidate Who'll Get The Same Number Of Electoral Votes As Me.

Spots Before My Eyes

This first saw the light of this blog on 3/24/08 and I don't have much to add to it. In fact, I have nothing…

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Shortly before Christmas of 1960, my mother entered and won a contest at the Robinson's Department Store in Westwood. It was one of those contests where it was hard to not win — hundreds did — and what she won was an invitation to bring her child (i.e., me) to a Special Disney Preview of a forthcoming movie called 101 Dalmatians.

It took place on a Saturday morning at the Ambassador Hotel near downtown Los Angeles. We reported at the assigned hour, checked in and were herded like cattle (or worse, Magic Kingdom visitors) into separate ballrooms. My mother was held captive, more or less, in a presentation for parents. They were served adult-type food and subjected to what I gather was an extended commercial for going to Disney movies, buying Disney toys for the kids, taking them to Disneyland, watching Disney TV shows, etc. The gist of it was that you weren't a good raiser of children if you denied your offspring any part of the total Disney experience. A decade or two later while visiting Las Vegas, she and my father got roped into one of those scams where in exchange for allegedly free show tickets, they had to sit through a hard sell pitch to buy time share condos, and were almost forbidden to leave without doing so. When she got home, she said it reminded her of that Disney gathering.

Meanwhile back at the Ambassador, I was taken into the other ballroom, the one for kids, which was decorated as if for a child's birthday party. There were dozens of little tables and I was stuck at one with a bunch of other eight-year-olds I didn't know and didn't particularly want to know, and we were served hot dogs and potato chips and ice cream and cake. Some of this was eaten but most of it was thrown around or up. Disney cartoons were run and there was, of course, an extended preview for 101 Dalmatians along with training on how to properly throw a tantrum if our parents did not take us to see it again and again and again and buy us every last bit of 101 Dalmatians merchandise.

There was also a live show. A woman dressed as a fairy princess of some sort sang Disney songs and then Clarence "Ducky" Nash performed with his Donald Duck puppet. I didn't understand a word he said in either voice but I knew enough to know he was the man who spoke for Donald, and it was thrilling to see him in person. There was also a Disney cartoonist — the "Big Mooseketeer" Roy Williams, I think — doing charcoal drawings of Mickey and the gang right before our eyes. I liked that part a lot.

At the end, before we and our respective parents were released from Disney custody and reunited, there was a drawing for prizes where everyone present was destined to win something. I wanted one of the charcoal sketches but had to settle for a 78 RPM Little Golden Record that featured two songs from 101 Dalmatians. One side had the movie's best tune, "Cruella De Vil." The other side had a title song that was very catchy and very bouncy and in the weeks that followed, I played it often on my little phonograph. The ending went…

Picture one hundred and one mischievious creations
One hundred and one puppy birthday celebrations
One hundred and one, that's a lot of doggy rations
One Hundred and One Dalmatians!

To my surprise when I made my parents take me to see the movie, that song was nowhere to be heard. It was not on the LP soundtrack of the movie, either. Throughout the sixties, long after I'd lost or broken my Little Golden Record I had that tune running through my head but could not find a copy of it to save my life. I couldn't even find any evidence that it had ever existed. Around 1970, when I began to meet Disney scholars and asked about it, none of them had ever heard of it. One told me I'd obviously made it up. "I didn't make up those lyrics when I was eight years old," I replied.

One day last year, I lunched with Greg Ehrbar, co-author (with Tim Hollis) of Mouse Tracks: The Story of Walt Disney Records, the exhaustive book on the topic, and I thought to ask him about it. He knew of the song and thought it had been written by the team of Mr. Disney's favorite tunesmiths, Richard and Robert Sherman. When he told me this, I felt like more of a ninny than even usual because I know Richard Sherman. For some reason — a lot of mutual friends, I guess, plus the fact that we're both members of the Magic Castle — I run into him at least once a month somewhere. I could have asked him about it years ago!

I did, the next time we were together and he was quite amazed that I knew those lyrics and could sing them, albeit poorly, from memory and from when I was eight. He was also quite flattered (who wouldn't be?) and he told me the story of its creation and omission. Basically, Mr. D. came to them. They were new in his operation, this being before Mary Poppins or The Parent Trap or all those great songs they wrote for Disneyland attractions. The Great and Powerful Walt suddenly decided 101 Dalmatians needed a bouncy title song and they whipped one up which everyone liked but which they couldn't find room for in the movie. That Little Golden Record I won was apparently arranged before the movie was locked, at a time it was still believed the tune would get in. That it didn't was allegedly because some other high-ranked Disney official (not Walt) lobbied successfully for its exclusion.

Before I could ask my next question — where the hell do I find a copy? — Richard told me he thought it was being included among a bevy of "cut songs" on the new, then-forthcoming two-disc DVD release of 101 Dalmatians. I was delighted and a few weeks ago, while Costcoing, I picked one up and came home, gleefully anticipating being able to, at long last, hear this song I've had running through my brain since 1961 and last heard around then.

Well, guess what. It's not on the DVD. It's a great DVD, of course, and here's a link if you don't plan on doing any of your own Costcoing soon and you wish to order one. It does have some omitted tunes among its many and splendid special features but the song of my obsession is not among them.

It turns out that a stereo remake of The Song (very nice but not the original) is reportedly on a special 101 Dalmatians CD that you get if you purchase the DVD from WalMart.

So am I forever frustrated in my yearning to again hear the original? Happily, no. Through other means, I finally got my hands and ears on a copy just this last weekend, plus someone sent me a link to an online excerpt that I think is/was part of an Amazon sample. It's not a fabulous song but I've had it caroming around inside my skull since around '62 or '63 or whenever I lost/broke that Little Golden Record, and I missed the one or two places it's appeared since then. This is satisfying to me in a way that cannot possibly mean as much to you. I'm also delighted that my memory of the lyrics was dead-on accurate all these years. So I'll close this by offering you the last thirty seconds of the record, the 45 year itch that I was finally able to scratch. Hope it doesn't haunt you as long as it's haunted me…