Jack Carter, R.I.P.

Veteran comedian Jack Carter has died from respiratory failure at the age of 93. He had an amazing career and made many, many people laugh but I'm afraid I was not among those many, many people. There was something very abrasive and frantic about his performing that rubbed me the wrong way. He always seemed to me angry and not angry the way Don Rickles is funny when he's angry or Lewis Black is funny when he's angry.

I felt this before the first time I met him, which is when he was called in to do a voice on a cartoon special I wrote in 1982 called Bunnicula. It's on YouTube and it did great in the ratings…but I wasn't happy with the way the network insisted I depart from the book on which it was based. That's another story.

The plot concerns a serious dog and a high-strung cat and we initially cast an actor named Joe Silver as the dog and Howard Morris as the cat. At darn near the last minute, Mr. Silver had to go shoot an additional scene for a movie he was in and the producer was trying to think of someone with a similar deep voice. He turned on the TV and a game show was on with Jack Carter on it. One phone call to an agent later, Mr. Carter was booked.

It seemed like a good selection but as we learned the next morning at the recording studio, there were no two people in show business who hated one another more than Jack Carter and Howie Morris. I have no idea of the backstory to their feud but when Jack walked in and saw Howie, he turned magenta and yelled, "I'm not spending two minutes in a studio with that prick!" Howie fired back with something equally complimentary and the battle was on. Since they were both professionals, they did their jobs but every time one of them screwed up a line, the other would say, "Get it right, moron" or caustic words to that effect…and during breaks, they got even nastier.

I was not the director of that session. I had a more important job. I had to keep our two stars from killing each other.

Somehow, we got through the day. Later on, I got to know Howie better and discovered what a wonderful, sweet man he was when Jack Carter (or five or six other people) were not on the premises. I ran into Jack Carter several times and saw no nicer side of him for a long time.

One time though, he told me and some others a joke that went roughly like this…

This fellow who's never made a movie before announces to all his friends that he's about to produce one. He says, "It'll be great! We got Simon to do the screenplay!" His friends are all impressed. They say, "You got Neil Simon to do the screenplay?" He says, "Well, no…this is Charlie Simon. He's my gardener but he types really well. Oh — and I got Sondheim to do the music!" His friends gasp and say, "You got Stephen Sondheim to do the music?" He says, "No, Bruce Sondheim. He's a butcher but he likes to make up little tunes as he cuts meat. Oh — and we got Spielberg to direct!" The friends say, "You got Steven Spielberg?" He says, "No, Agnes Spielberg. She's a neighbor but she's done some interesting things with her camera. And finally, to star in the film, we got Goulet!" His friends say, "Really? You got Robert Goulet?" And he says, "Certainly!"

That's the joke — and of course, the premise of it was that Robert Goulet was famous in the business for never saying no to anything.

Less than a year later, I was in Las Vegas. A comedian I knew was opening for Robert Goulet at the Desert Inn and when I went backstage to see my friend, we joined a small group of folks who were in Goulet's dressing room. There, I heard Robert Goulet tell the exact same joke except that in his version, the punchline was, "Really? You got Jack Carter? And he says, "Certainly!"

I remember thinking, "It works either way."

Most of the time when I encountered Jack Carter though, he wasn't telling jokes. It always went like this: I'd say hello, remind him of my name and tell him we'd worked together on that Bunnicula cartoon. He'd ask me what I was doing now. I'd tell him about the show I was working on. He'd say, like he was genuinely pissed, "Why haven't you written a part for me on it?" Discussion was not possible on any other topic. If I wasn't going to get him hired for something, he had no use for me.

I ran into him a number of times after that and I'd look the other way and make like I didn't recognize him. I absolutely respected his career and how hard he obviously worked to cut himself away from a herd of thousands of comedians who never gained his fame or stature. I just didn't like him on or off screen.

Then one night around ten years ago, I was in the Porterhouse Bistro on Wilshire Boulevard — a great restaurant that is no longer there — and I found myself waiting for someone, standing alongside Jack Carter. He seemed cheerful and was joking with the hostess so I took a chance and said hello. He was charming and friendly and I don't know if old age had changed him or if our previous encounters had been atypical but it was a very pleasant encounter. I was very glad I gambled and spoke to him.

A few years later — in 2009 — Mr. Carter experienced an awful tragedy. He was standing in the parking lot of the Pantages Theater in Hollywood, talking with Toni Murray, the widow of comedian Jan Murray. A driver who somehow didn't see them backed her car into the two of them. Carter suffered severe injuries that kept him pretty much confined to a wheelchair for the rest of his life. Ms. Murray's injuries were worse and ultimately fatal. A very sad story.

The last time I saw Jack Carter, it was a little over a year ago in a Costco. I told that story here.

Like I said, he had a great career and a lot of fans. We've lost so many comedians from his era that I'm saddened even at the passing of one I didn't particularly like.

Oddly enough, Jack Carter is in the video clip I'd planned on posting later tonight. As a matter of fact, he's pretty good in it. Check back here later for it.

Clean-Up Crew

I'm going to tidy up my language here. Earlier today, I wrote with regard to Obamacare…

…people are better off than before they had it, and no one has yet proposed a better alternative.

Several folks have wrote to suggest that Single Payer would be better…or "Medicare for All." They could be right. I meant…well, you know what I meant. Also, I meant to say "a lot of people are better off" because obviously, no change in the healthcare system could possibly work for everyone. Again, you probably knew what I meant but I should have been clearer.

A Story You'll Like

We leap back to March 7, 2008 for this reprise. Nothing much has changed. I'm still in touch with Betty Lynn, who now lives back in Mt. Airy, North Carolina — a city that has modeled a lot of itself on Mayberry. As one of the few cast members who's still alive — and the only one in residence — she is a local celebrity, present at every important event. I keep waiting for a comic book convention in that area to invite me as a guest so I can go see her. Here's the story you'll like…

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Betty Lynn and Tom Tryon
Betty Lynn and Tom Tryon

I recently found an old photo in my files and I thought you might enjoy hearing the tale behind it.  That's not it up above.  We'll get to it.

Around 1958 at the tender age of six, I came down with Scarlet Fever, a nasty little disease that had me confined to bed for several months. Most of this was spent reading — my obsession with comic books became especially acute during this period — and my father borrowed a little black-and-white TV from someone and set it up in my room so I could watch my favorite shows. He did this when he wasn't scurrying out to buy me more comic books or more comic books or more comic books. Did I ever tell you what a terrific father I had? Nicest man in the world and that's not just my opinion. They had a big vote and he won in a landslide.

One program that I watched often was Disneyland, the Walt Disney extravaganza that was then on ABC, and I especially watched it the weeks they featured a recurring western series called Texas John Slaughter. Every third or fourth week, the show would be given over to the adventures of the pioneer/cowboy hero, who was played by a handsome actor named Tom Tryon. More importantly, his wife was played by a wonderful actress named Betty Lynn. Betty has had a splendid career in films and television, working with practically everyone since the days she was a child star under contract to Twentieth-Century Fox, but if you know of her, it's probably for one role in particular. After Mr. Disney stopped making episodes of Texas John Slaughter, she went over and took the role of Thelma Lou, lady friend of Barney Fife (Don Knotts) on The Andy Griffith Show.

Why was I so interested in Betty Lynn? Easy. She lived next door to us. Betty was like my surrogate aunt. I still talk to her all the time and treat her as one would treat a close relative. A lovely woman…and she was not only our neighbor, not only a TV and movie star…she was even, in a Dell comic book drawn by my future collaborator Dan Spiegle, a comic book character!

One day, Tom Tryon was visiting her. Mr. Tryon later got out of acting and became a very successful author, but this was back when he was not only acting but Texas John Slaughter was a hit series and he was a pretty big star. Before they left for wherever they were going, Betty happened to mention to him that the little boy who lived next door was quite ill. Tryon instantly said, "Well, let me go visit him," and they came over…

…and you want to know what I remember of that visit? Absolutely nothing. Because I slept through it.

I'd been given some sort of medication that knocked me out and my parents were unable to wake me up to meet Tom "Texas John Slaughter" Tryon. They finally gave up and it was only later that evening, when I finally did come out of my drug-induced coma, that they told me he'd been there.

So that's the story of how I didn't meet a then-famous TV star…though I do have a souvenir of his visit. Look at what he left me!

Recommended Reading

Paul Krugman celebrates how well Obamacare is working. Yes, I know it's not perfect…but people are better off than before they had it, and no one has yet proposed a better alternative.

My Latest Tweet

  • Gay marriage foes hysterical…Obamacare saved…Confederacy ending…Trump fired…all God's way of telling Jon Stewart he can't quit.

Today's Video Link

This is from the year 2010. All this talk about the legalization of Same Sex Marriage reminded me of it and I should have put it up on Friday…

Con News

The New York Times has an article on the business side of Comic-Con International. I would quibble with this paragraph:

The group began almost by accident, with 300 friends and acquaintances meeting in 1970 to swap notes and artifacts under the aegis of the comic strip artist Sheldon Dorf in the basement of San Diego's U.S. Grant Hotel.

The 1970 event — I was there — was open to the public. It was not just friends and acquaintances. I also wince a bit when Shel Dorf (no one outside his family called him Sheldon) gets sole credit for the con…and Shel was not really a comic strip artist.

But I thank Tom Galloway for telling me about the article. And it's nice to hear that negotiations are in progress to keep the convention in San Diego for 2017 and 2018. The current contract expires after the 2016 gathering. I remain confident that the con ain't goin' nowhere.

My Favorite Movie (I think…)

As you are well aware if you read this site much, I am a big booster of the movie, It's a Mad, Mad, Mad, Mad World. One of the happier "jobs" (more like "pleasures") I've had lately was appearing with my friends Mike Schlesinger and Paul Scrabo on a very, very long commentary track for the recent, wonderful DVD/Blu Ray release of the film by Criterion. One can order a copy here.

However! I suggest that if you haven't seen the movie before or if you want to introduce it to someone who hasn't, the best place to view it for the first time is in a movie theater…a movie theater with a big screen and a good print and a packed, enthusiastic audience. It really is a film that is diminished by being seen in the TV in your den, no matter how big your screen is.

silversmadworld

If you live in Los Angeles, the Egyptian Theater in Hollywood is running it on Saturday, July 11 at 7:30. I will not be there since I'll be in San Diego at Comic-Con but maybe you can be there. Here's the info you need to do that.

If you live in New York, the Museum of Moving Image in Queens will be screening it as part of their 70mm festival on Saturday, August 15 and again on Sunday, August 16. I won't be there because I won't be in Queens and may still be recovering from Comic-Con but maybe you can be there. Here's the info you need to do that.

If you have kids, take them but explain to them first that what they'll be seeing is a gaggle of the greatest comedians who ever lived, few of whom are around today. There aren't many places where they can be introduced to people like Milton Berle and Sid Caesar and Jonathan Winters and Dick Shawn and Phil Silvers. That's one of the many wonderful things about this film.

And before someone writes to ask — and someone always does when I mention this movie — here is the (sadly) short list of cast members who are still with us: Marvin Kaplan, Carl Reiner, Jerry Lewis, Barrie Chase and Nicholas Georgiade.

Also, the California Incline — a key filming location on Pacific Coast Highway — has been demolished as part of a year-long reconstruction project. This link currently will take you to a Google Map view of the bottom of the ramp as it stood in March of this year before the work started. You can click and "drive" up it and look around until such time as Google Maps updates its photos. You might want to take a last look.

My Con Sked

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Thursday July 9, 2015 at 3:30pm – 4:30pm in Room 8
THE SERGIO AND MARK SHOW

The men who bring you Groo the Wanderer show their faces and explain just how and why it is they bring you Groo the Wanderer, as well as other silly comics. It's the award-winning duo of SERGIO ARAGONES and MARK EVANIER, accompanied by the equally heralded STAN SAKAI (creator of Usagi Yojimbo), and coloring whiz TOM LUTH (if he can get away) holding court, answering your questions, and doing what they do best, which obviously is not writing little blurbs like this for the Comic-Con Events Guide.

Saturday, July 11 at 11:45am – 1:00pm in Room 6BCF
QUICK DRAW!

Once again, three supercharged cartoonists duel to their dooms with Sharpies, each attempting to outdraw all opponents. It's one of the most popular Comic-Con events, and this year it's personal. Our returning champion SERGIO ARAGONES (MAD, Groo the Wanderer) goes mano a mano against SCOTT SHAW! (The Simpsons, The Flintstones) and Disney legend FLOYD NORMAN. Plus, you can expect a few other cartoonists to get their licks in. Presiding over it all is your Quick Draw! Quizmaster, MARK EVANIER. No wagering, please.

Saturday July 11, 2015 at 1:00pm – 2:30pm in Room 6BCF
CARTOON VOICES 1

The fine art of giving voice to animated characters is again demonstrated by a dais of the best. This year, join KEONE YOUNG (Star Wars Rebels, G.I. Joe), PAT MUSICK (Rugrats, Extreme Ghostbusters), ERIC BAUZA (Ben 10, The Adventures of Puss in Boots), JESSICA DiCICCO (Gravity Falls, Pound Puppies), PHIL MORRIS (Green Lantern: The Animated Series, Ultimate Spider-Man) and JOSH ROBERT THOMPSON (Family Guy, The Late Late Show with Craig Ferguson). MARK EVANIER, as usual, gets these talented folks to demonstrate what they do so well.

Saturday July 11, 2015 at 4:30pm – 6:00pm in Room 5AB
THAT 70'S PANEL

Once again, this panel talks about what was so special about comic books in the 1970s, starting with all the new talent that entered the field and bonded with the old talent. Discussing those days will be CHRIS CLAREMONT (X-Men, Wolverine), BOB LAYTON (Iron Man) DON McGREGOR (Black Panther, Sabre), DEAN MULLANEY (Eclipse Comics), and others. MARK EVANIER, who was writing Yogi Bear and Scooby Doo, will officiate.

Sunday, July 12 at 10:00am – 11:15am in Room 5AB
THE ANNUAL JACK KIRBY TRIBUTE PANEL

It's been 21 years since we lost him and we still can't stop talking about the man some called The King of the Comics. Jack Kirby may have been the greatest creative talent the field has ever seen and once again, some of his friends and fans will be discussing why. This time, it's ROB LIEFELD (Youngblood), MARV WOLFMAN (Tomb of Dracula), J. DAVID SPURLOCK (Vanguard Productions) and PAUL S. LEVINE (attorney who represented Jack). Naturally, your moderator is Kirby assistant and biographer MARK EVANIER.

Sunday, July 12 at 11:30am – 12:45pm in Room 6A
CARTOON VOICES 2

Another panel of experts at voicing animated characters convenes for your edification. They'll tell you what they do, show you what they do and probably fracture a fairy tale in the process. This time, we have JULIE NATHANSON (Final Fantasy, Spider-Man), BOB BERGEN (Porky Pig, Star Wars), MISTY LEE (Ultimate Spider-Man, Hulk and the Agents of SMASH), WALLY WINGERT (Batman: Arkham Asylum, The Garfield Show) and CHRIS EDGERLY (The Simpsons, Dreamworks Dragons). Hosting and directing is MARK EVANIER (The Garfield Show).

Sunday, July 12 at 2:00pm – 3:00pm in Room 25ABC
COVER STORY: THE ART OF THE COVER

Forget about the insides! What makes for a great cover on a comic book? This topic will be discussed and debated by some artists who've been responsible for some of the best. With KEVIN WADA (She-Hulk, Adventure Time), DAVID AJA (Hawkeye, Immortal Iron Fist), LORA INNES (The Dreamer), STEVE LIEBER (Quantam & Woody, Road to Perdition), and CHIP KIDD (Peanuts: The Art of Charles M. Schulz, Batman: Death by Design). Your host is MARK EVANIER, and that about covers it.

Sunday, July 12 at 3:00pm – 4:30pm in Room 25ABC
THE BUSINESS OF CARTOON VOICES

How does one get into the business of doing cartoon voices? Well, careers have been launched by folks coming to this panel and listening to some serious free advice from people actively engaged in the process from all sides. Explaining the industry this year is PAUL DOHERTY (secretary-treasurer of the Cunningham-Escott-Slevin-Doherty Talent Agency), actors BOB BERGEN and MISTY LEE, and your moderator (and voice director/supervising producer of The Garfield Show), MARK EVANIER. Only serious students need show up.

As always, participants and times and everything is subject to change. I suggest that if you want to get into the Cartoon Voices panels or Quick Draw!, you get there well before their start times. The line may be forming at this very minute.

Comic-Con Update

And now, they've posted the Programming Schedule for Sunday so it's all up. Go over it, make notes, decide in advance what you want to try to get into. I will help the process by posting a list of the panels I'm hosting in just a few minutes.

Here is Mark's Fearless Weather Forecast for Comic-Con. I say it'll be 70° with a few thin clouds the entire time. And for those of you who think the con should relocate to Las Vegas, it will be 108° and quite humid there on the same dates. I rest my case.

Today's Video Link

Dan Rather — who does not seem to grasp the basic concepts of comedy — conducts a relatively serious interview with Don Rickles…

Jay Emmett, R.I.P.

Jay Emmett, an important "behind-the-scenes" person in comic book history, died last Monday in West Palm Beach. He was 86 and the cause was given as heart failure.

Emmett was the nephew of Jack Liebowitz, one of the owners of DC Comics and the guy who called the shots there for years until he moved upstairs to assume a seat on the corporate Board of Directors. And he had another uncle on the other side of his family who was involved with DC. That was Ira Schnapp, the amazing letterer who was responsible for the iconic logos for most of DC's covers from around 1938 until 1968. Emmett started in the firm's mailroom as a young man and eventually moved upward. He was one of the founders of DC's merchandising division, Licensing Corporation of America. There were years there when the licensing folks brought in a lot more revenue than the publishing department.

As our friend Paul Levitz noted in an online tribute, Emmett "…was the last member of the founding families of DC to be actively involved with the company, serving as the Warner Communications 'Office of the President' exec responsible for both the publishing division and the Warner Bros. movie studio at the time of the first Superman movie." He also negotiated the famous settlement with Jerry Siegel and Joe Shuster that gave them pensions and restored their credit to the property they created.

Emmett left the company in 1981 after pleading guilty to charges of fraud in connection with a bribery scandal. He became a powerful figure in the world of professional sports, including time working in the excecutive branches of the Baltimore Orioles, the San Diego Padres and the Boston Red Sox. He was also instrumental in the founding of the Special Olympics. It has been announced that a public celebration of his life will take place this summer at Fenway Park, and that in lieu of flowers, his family requests memorial donations be made in his name to the Special Olympics.

Good Blogkeeping

Earlier today, I linked to a video of President Obama's moving eulogy for the Reverend Pinckney who was gunned-down in that Charleston church. On the wise advice of Steve Bacher, I have swapped out that link for this better one.

As I said, I think it's a great speech and the following is a very minor quibble, not with the speech but the spaces between its sentences. I once attended a funeral for a friend at a black church and was a bit surprised at a custom they have. Every time the person at the lectern says something you like or agree with, everyone is supposed to mutter "Yeah" or "Right" or "Amen." A woman seated near me kept saying "So true, so true." I don't get that. I think it makes it harder for the speaker to speak and harder for the listeners but, hey, who am I to quarrel with what I'm sure is a long-standing tradition?

The thing is that at one point during one of the eulogies for my friend, the person at the podium was talking about some of the obstacles that the deceased had overcome to achieve some success. The speaker said, "The first editor he showed his work told him to give it up and that he was absolutely lacking in talent!"

And the woman near me, who was half-asleep and agreeing by rote, said "So true, so true…"

Talking Head

johnkerwin01

I talk a lot about talk shows here and it's time I talked about John Kerwin's talk show. You may or may not get it on your TV and it may or may not be where this listing says it is. It says I should be viewing it on Channel 177 but I find it on Jewish Life TV, which is 469 on my cable lineup. (177 is the Pacific feed of GSN, which they ought to just rename The All-Family-Feud Network.)

John is a stand-up comic who I've never met but I used to see him up at the Improv and I think other local comedy clubs. He's a clever, personable guy who knows how to interview people — a skill not evident in everyone who's ever starred in a talk show. He does his with no pre-interviews or semi-scripted exchanges…you know, the way talk shows used to be. Some of his guests are folks you've heard of — I just watched an old, funny interview he did with Jonathan Winters — and some are, quite honestly, people unknown to me. Kerwin is pretty good at making them interesting so I've learned not to not watch just because I don't recognize the guest's name.

He does this show on a budget which I would guess is about the same as what Jimmy Fallon's program spends on bottled water for its green room. Given what he has to work with, he does a nice job. Tune him in sometime. That is, assuming he's tunable on your TV. You might enjoy what he does there.