Today's Video Link

A reader of this site, Shmuel Ross, wrote in this morning to suggest I rerun this post from May 6, 2006. In the video, you'll see a gent named Gene Patton who passed away last Monday at the age of 82. Patton was a stagehand who got a few moments of glory in his life thanks to The Gong Show. Here's an obit on him and here's the piece I put up here in 2006…

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In 1976, a very odd program appeared on NBC's daytime schedule…and also in prime-time syndication. It was called The Gong Show, and I was never able to dislike it quite as much as my critical faculties told me I should. There was plenty to make one cringe, and I sometimes did…but I still tuned in from time to time with ambiguous feelings I never had with the other shows produced by the Chuck Barris Company. I thought the others — The Dating Game, The Newlywed Game, The New Treasure Hunt, et al — showed an underlying contempt for anyone willing to appear on them…and maybe even anyone who tuned in to watch. At times, that seemed true of The Gong Show, as well. But not always, which I guess is what was so intriguing: The occasional joyous moments in the midst of such a shoddy program.

There was a bizarre feeling of fun about the original Gong Show especially since Barris, functioning as host, was willing to be part of the chaos. On Truth or Consequences, which had gone off not long before, contestants were dressed in funny costumes and hit with pies…but Bob Barker, who was the emcee, was always perfectly dressed and coiffed and it was understood that his dignity was not to be punctured in any way. I thought that was tackier than what Barris did on The Gong Show and The Gong Show could get pretty danged tacky.

Still, one time, I accepted an invitation from Gong Show director, John Dorsey, to hang around on tape day. I watched one episode from the booth, marvelling at John's ability to call shots faster and more skillfully than any other director I've ever seen. Then I went down to the floor to watch the next episode being taped…and something happened during it which I still remember with a tiny tingle. It was a regular bit they did involving a stagehand named Gene Patton who'd come on and dance under the name, "Gene Gene the Dancing Machine."

The minute they started playing his music — "Jumpin' at the Woodside," I think the tune's called — the studio positively erupted. Barris started dancing and the panelists jumped up and started dancing…and you could feel how much Gene Gene enjoyed what he was doing. Okay, fine, they're performers. It's part of the act. But the crew also started dancing — people not on screen. The guy operating Camera 1 was operating Camera 1 and dancing at the same time. Grips were dancing, lighting guys were dancing, the members of the band were dancing as much as they could and still play their instruments. And of course, the audience — an odd mix of younger Gong Show fans intermingled with old ladies who couldn't get in to the Hollywood Squares taping down the hall — simply had to leap up and boogie. Some of the show's performers and staffers were a little (shall we say) under the influence of something…but the crew wasn't and the audience wasn't. It was just an honest "high" of excitement.

I've been on many TV stages in my life. I've seen big stars, huge stars — Johnny, Frank, Sammy, Dino, Bob, you name 'em. I've seen great acts and great joy, and if you asked me to name the most thrilling moment I've witnessed in person, I might just opt for the Gong Show electrifying Stage 3 for all of 120 seconds. Maybe it was because it came so totally out of nowhere that it stunned me but everyone, including the stone-cold sober people, was suddenly just so…happy. There was something very, very invigorating and enjoyable about being in the midst of all that sudden happiness, however frivolous it may have been.

Here's a clip from The Gong Show showing Gene Gene doing his dance on another episode. The thing I find funny in it is that you can see everyone getting into the spirit of the moment — Barris, two of the three celebrity panelists (Arte Johnson and Jaye P. Morgan), the band…everyone except the third panelist, a new comic named David Letterman. You can see him decidedly not getting into it…though you can't see much of him because Dorsey seems to have tried to cut around him. I'll bet you the crew and audience were dancing, too…but Dave's just standing there, clapping along to not look like a bad sport, probably wondering how long it would be before he got his own show and didn't have to put himself in any situation he couldn't control. Watch.