You Know What I'm Talkin' 'Bout?

My father's brother's son David Evanier gets a pretty good interview out of Jackie Mason.

In the eighties, I took my father to see a couple of one-Jew shows that Mr. Mason did here in Los Angeles. The first, which was all his best material, was brilliant. My father loved it. The second, which was all the stuff Mason had that he hadn't used in the first show, was so-so but my father loved it anyway. Later, I saw two other shows that defined the term, "diminishing returns" — and then there were some TV appearances, including on political-type shows where Mason delivered fact-free, hysterical attacks on Bill Clinton — and I kinda gave up on Jackie Mason. In 1998, a comic who couldn't produce a single funny Monica Lewinsky joke should have faced comedy disbarment.

I would love to believe my cousin's headline ("Comedian Jackie Mason — Who Turns 82 Sunday — Is Still Really, Really Funny") but I'm skeptical. Still, it's a good interview and worth your attention. [WARNING: The linked website may ask you to fill in one of those annoying "Captcha" things with the distorted letters…]

Today's Video Link

You don't hear a lot of Homer and Jethro these days. Let's rectify that…

Friends of the Family

In some past posting here, I mentioned that my family had some wealthy friends when I was a kid — the Zukors, Ben and Betty. They did some wonderful, important things for me and before I get to them, let me tell you how they came to be family friends.

My father's best buddy for a time was a fellow named Leo Young who worked in the same office. Leo was a great guy. As I've noted, my father used to always get mistaken for a member of President Kennedy's cabinet named Abraham Ribicoff. Leo Young used to always get mistaken for the composer Meredith Willson. I was present once when a stranger came up and complimented him on The Music Man. Depending on his mood, Leo might correct such folks or just say thanks. He told us that one time, a man on the street insisted on singing him about eight bars of "Shipoopi."

Short story about Leo Young. Leo had an 85-year-old father in a nursing home in Florida. Every week, Leo would write a brief letter in longhand to his father and get one back. That was how they stayed in touch. Then Leo died from a sudden heart attack. He was around 60 and I don't recall my father ever being as upset over anything as he was over the death of his friend Leo.

His widow Ann consulted with her father-in-law's doctors and it was decided not to inform him of Leo's passing. He was close to death himself and I guess the thinking was, "Why put him through that grief?" The problem, of course, was those weekly letters from his son.  If they stopped coming, he'd know something was wrong.  I had an odd skill that was the answer to that problem.

When I was younger, I had this uncanny ability — and it really came out of nowhere — to forge handwriting. I'm not very good at it anymore. Ever since my life began to revolve around working on a computer, my skills at lettering and drawing have atrophied and now I'm lucky if my own signature looks like I wrote it. But I used to be able to create not just bogus autographs but whole pages in someone else's penmanship.  So after Leo died, the letters to his father didn't have to stop.   Each week, Ann Young would ghost-write a letter from Leo to his father and I would recopy it in Leo's handwriting, then she'd send it off. The father lived another six months or so and when he finally departed, he never knew that his son had predeceased him.

Anyway, Ann Young's sister was Betty Zukor and that's how my family came to know the Zukors, back when Leo was still with us. The Zukors lived in a huge house in Beverly Hills that's a few doors from where Jay Leno now lives. So that should give you some idea of the kind of money we're talking about here. The first time I was taken there, they sent me off to play with a visiting Zukor niece who was but a year or two older than me.

I think I was ten, maybe eleven. I do not remember the girl's name but I do remember that we put on swim suits and went into the Zukors' pool, then we toweled off and went into a little cabana room to play board games. While the adults in the house thought we were peacefully engrossed in Chutes & Ladders (or something of the sort), the niece took off her swim suit, paraded about naked, then told me, in not precisely this phrasing, she'd never seen male genitalia in person and would like to view mine. I was terrified she wanted to do more with it than look but I gave her a quick peek just to be polite, then we returned to our board games. She didn't seem to be impressed by what she saw and I didn't think to suggest she check back in a few years.

This kind of thing happened to me repeatedly with female playmates before I hit puberty. Unfortunately, not after.

The Zukors' wealth came from a small network of small department stores. You can see a smidgen of one in the above photo, which was taken by the great Ansel Adams. The Owl Drugstore you see there was located in downtown Los Angeles at the corner of Broadway and 6th, and a Zukor's is next door. Both chains are long gone. Shortly after the Zukors' niece and I played "show and tell," my family and I were at a brunch with the Zukors and I was introduced to one of the owners of the Owl Drugstore chain. I actually took the opportunity to complain to him about how the Owl Drugs near my home didn't do a great job of stocking and tidying their comic book rack.

Anyway, that's what you need to know about how we came to know the Zukors. They did many nice things for our family. My father made it clear he would never accept money from them but we got invited to a lot of fancy dinners and such. We also got some nice leftovers. The Zukors were supporters of the arts and had tickets for everything. They had tickets for a special charity screening of the then-new movie It's a Mad, Mad, Mad, Mad World for the evening of Saturday, November 23, 1963. Due to the events of Friday, November 22, they didn't feel like going…so they gave us their tickets.

So it was because of the Zukors that I got to see what instantly became one of my favorite movies and in some ways, a life-changing experience. Oh, I probably would have seen it a few weeks later but a few weeks later, the film was seriously trimmed. I got to see it in the longest version that ever played in a theater.

Some years later, the Zukors had tickets to a production of A Funny Thing Happened on the Way to the Forum that was playing at the Ahmanson Theater in Downtown Los Angeles. It starred Phil Silvers, Larry Blyden, Nancy Walker, Lew Parker, Carl Ballantine, many other wonderful folks and a superb, gorgeous dancer named Charlene Ryan who is now married to the noted cartoonist, Sergio Aragonés. Because they were donors to the Ahmanson, they had six terrific seats — second row center! — to the second performance, which took place on October 13, 1971. Two of them were occupied by my father and me.

So it was because of the Zukors that I got to see what instantly became one of my favorite musical comedies and in some ways, a life-changing experience. If not for them, I might not have seen it at all…and certainly not from such great seats.

The Zukors were members of the Hillcrest Country Club, an establishment that was built back when other country clubs in this town wouldn't let you join if you were poor and/or Jewish. Every so often, Ben and Betty invited us to brunch or dinner there and I got to see from not-too-afar, stars like Jack Benny, George Burns, Danny Kaye, Milton Berle and so many others. On one particularly memorable afternoon that I've written about, I met and spoke with Groucho Marx.

So it was because of the Zukors that I got to meet one of my favorite comedians and that was, of course, a life-changing experience.

There were other things they did for us but I'm thinking now of just one. When I was around twelve, Mr. Zukor gave me a gold watch. I believe someone had given it to him and he already had nine or so so he gave it to me. It was very handsome and it looked very expensive and I wasn't sure I should touch it, let alone wear it. Around that time, my mother needed to have a watch of hers repaired so they took along the gift Mr. Zukor gave me and had it appraised. The man at the store said it was worth about a thousand dollars…and this was 1964 when a thousand bucks could do more than fill your gas tank twice.

He offered us two deals for it on the spot: $350 cash or he'd sell it for us for a 50% commission. He said, "What I'd do is place it in my display case with a price of $1,500 on it. I'll bet that within a year, maybe six months, someone will walk in and offer me $1,000 for it and we'd settle somewhere around $1,250." With my okay, my father turned down both options. As I said, he'd always declined to accept money from Ben Zukor and to turn around and sell the watch felt too much like taking money. Also, it seemed like a sound investment. Who knew? Maybe by the time I was ready to go to college, that watch could pay for it!

I certainly wasn't going to wear a watch worth that kind of money. I actually don't like wearing watches at all and before I gave 'em up, I busted or lost a lot of $9.99 Timex ones. So we put the watch in the family safe deposit box and I forgot all about it. Recently when my mother passed away and I sold her house, I needed to visit her safe deposit box to get some papers and I decided while I was at it to empty it out and move anything important in there to mine. That's when I came across the watch. I'd been into that safe deposit box before that but this was the first time I really paused to consider what to do with it.

If it was worth over a thousand bucks in '64, what might it be worth now? I'm not sure since I haven't had it appraised but I searched on eBay and found watches that look identical selling for around $150…and no, I didn't accidentally type too few zeroes in that amount.

I put it away in my safe deposit box. Maybe someday, I'll have it professionally appraised and I'll find out that this model is amazingly rare or that the gold is gold or that it once belonged to Gable. Right now, it's precious because it reminds me of Ben and Betty Zukor and how nice they were to me and my family.

Briefly Noted…

Several folks asked what the heck it was that Mark Rylance was reciting in those clips I posted this morning…and several more reminded me those were lines from the writings of poet Louis Jenkins. A lot more memorable than thanking your co-stars, family and agent, wouldn't you say? I'm not sure his co-stars, family and agent felt that way but I did.

Recommended Reading

Kevin Drum explains the problem the Republicans have: To win votes, they need to moderate some of their positions. The trouble is that that's counter to the financial health of Fox News and that's what's driving this train.

Today's Video Link(s)

The Theatermania website picks out some of their favorite acceptance speeches at the Tony Awards. Make sure you don't miss Michael Jeter's for Grand Hotel.

But my favorites are still Mark Rylance's. Here's what he said on the two occasions when he won…

One Hundred and One

I don't have a whole lot to say about the list of the 101 Best-Written TV Shows as selected via online voting by members of the Writers Guild. It's a list about which we can all say, "They think that is better than that?" We can all find a few shows on it that we can't believe would make the Top 500 and name a few that oughta be in the Top 10 but didn't make the list at all. (My list would, unlike the official one, include S.C.T.V., Naked City, WKRP in Cincinnnati, He and She, The Trials of O'Brian, My World and Welcome To It, The Bullwinkle Show and East Side, West Side. And no, I didn't vote. I think they sent me a notice but I didn't pay a lot of attention to it…)

I also don't understand a lot of their credits, noting the creator(s) of some shows, pilot writer(s) on others, and I see some simple mistakes. That was Jack Mendelsohn who worked on Rowan & Martin's Laugh-In, not John Mendelsohn, for instance. I would imagine a lot of people are angrily phoning the Guild about things like that.

But hey, it's just a list that will probably achieve its objective, which is to remind people that TV shows are written by someone and not, with a few exceptions, ad-libbed by the performers. Even Whose Line Is It Anyway? and You Bet Your Life had writers even if they didn't call them that. I never take these things too seriously…especially when apples and oranges are being compared. Which was better-written? The Sopranos or Seinfeld? I'll tell you but first you tell me how you begin to compare those two shows…

Recommended Reading

Fred Kaplan on what reporters do — and should do — when they're leaked information that might have an impact on National Security.

Where Nobody Knows Your Name

cheersmuncie

Many years ago, I wrote a script for the TV series, Cheers. I don't mention it much since it wasn't produced but basically, when I was on hiatus from another job and had something almost resembling free time, the producers there asked me to write one. We came up with an idea that would have involved booking a certain very funny actor as a guest.

They told me that if they could get the guy, they'd film my script and if they couldn't get the guy, they wouldn't…and they couldn't get the guy so they didn't. I wasn't too bothered by this and not just because I got paid anyway. Yeah, it would have been a nice credit but I'm sure that if the actor had been available, the fine staff there would have rewritten at least 90% of what I handed in…so it would have been a credit for work that really wasn't mine. I've gotten a few of those and while they look great on your résumé, they always make me a little uncomfy.  It feels especially odd when friends who see the show broadcast will cite a line I didn't write and say, "When I heard that, I said to myself, 'Ah, that's pure Evanier!'"

A year or two after that, my agent sent me to meet with a producer who was seeking writers for a new series. After the initial amenities and my customary joke/explanation of my last name, she said, "Your agent told me you'd written for Cheers. I love that series. Which episode was yours?" I explained mine had never gotten before a camera and I told her why. She gave me an odd look and moved quickly on to other questions. It wasn't the friendliest of meetings and I left with the feeling that I wasn't going to be hired and if by some chance she wanted me, I didn't particularly want to work on that show. As things turned out, I wasn't hired and the show was cancelled some time between the opening titles and the middle commercial. Which just goes to show you. If they'd hired me, I bet it would have lasted all the way to the end credits.

Several months later, that producer called me and said, "I want to apologize. When you told me you'd written a Cheers and it hadn't been filmed, I thought, 'Well, I just caught this guy in a lie.' This afternoon at lunch, I ran into David Lloyd [whose credits on Cheers were legendary and indisputable] and I told him how I once caught a writer lying about writing a Cheers and when I mentioned your name, he said, 'Oh, yeah. I remember he did a script but we couldn't get the guest star we needed for it.' She said she was sorry about eight different ways then added, "Maybe I did you a favor by not hiring you on that show of mine." Probably.

A few of my friends knew about my adventures with Cheers, including one who worked at Jim Davis's big studio in Muncie, Indiana. That's where Jim runs the Garfield Empire and on one of my visits back there, I was taken to the Cheers bar…which is still there. This is not a Cheers bar in Boston. It's in Muncie and apart from the name, the logo on the sign outside and some pictures on the walls and furnishings (glasses, coffee mugs, etc.), it doesn't have anything to do with the one on TV. I don't know if it's licensed or franchised or unauthorized or anything of the sort. But my friend thought it would be fun to take "a real Cheers writer" to lunch there and introduce him to the owner. The place served a pretty good hamburger but the owner couldn't have cared less. He didn't even ask me which episode(s) I'd written.

Last week while back in Muncie, I passed the place and I couldn't resist. I stopped my rental car and took a photo, not because of the "Cheers" sign out front but because of what was below it: "Cornhole Tournament?" "Cornhole Tournament!???"

Apparently, it's a game played with beanbags.  That's not what I would have expected if I'd seen that sign in West Hollywood.

Today's Video Link

Recently, PBS aired an American Masters episode all about that Mel Brooks guy. To coincide, a special program was done in New York hosted by Joy Behar and featuring Susan Stroman (who directed The Producers and Young Frankenstein for Broadway), Robert Trachtenberg (who directed the American Masters episode) and via Skype from Los Angeles, Mel Brooks (who directed…well, you know). Here are a few moments…

VIDEO MISSING

The Travels of me

As one or two of you figured out from my recent posting rhythm here, I have been outta town: In Muncie, Indiana where the principal export is Garfield comic strips. I was back for meetings on The Garfield Show, where I have the title of Supervising Producer. This means I write, rewrite and direct the voices. I have just about nothing to do with the actual animation so I'm not bragging when I say that what I've seen of Season Four is stunning and amazing. I'll tell you more about it when I know when those episodes will begin airing in America. At the moment, I don't.

I flew back to Indianapolis last Tuesday and had to change planes in Memphis, Tennessee. There are two things you should know about the airport in Memphis. One is that if you're changing planes — and this isn't the first time this has happened to me there — the gate where your first plane arrives is situated as far as humanly possible from the gate where your second flight takes off. I am not sure of the exact size of Memphis International Airport but I have walked its entire diameter every time I've been there.

Second thing you should know about the airport in Memphis: They have a stand there in their food court — Jim Neely's Interstate BBQ. The proprietors have two real restaurants in Memphis and one at the airport. As we all know, cuisine at airports is notoriously sub-par, especially at the kind of "fast food" places you need to rely on when you have a short stopover, plus you have to walk the entire length of the #@!%!# airport to get from one Delta flight to another. In the Indianapolis Airport, where I've logged many an hour awaiting Boarding Time, the best place I've found for quick chow is — I'm not kidding about this — McDonald's. Mr. Neely's little Memphis business is a glorious exception.

interstatebbq

I have found great BBQ in many unexpected places but did not imagine I'd ever find it in an airport. From now on, whenever I fly across country and I have to change planes and I have a choice, I'm stopping in Memphis. But I'm also bringing a pair of roller skates.

When I got to Indianapolis, I went to pick up a rental car. Hertz upgraded me from the full-sized car I'd reserved to a Toyota 4Runner. I think every time in my life I've rented from Hertz, I ask for a full-sized and get an SUV. This 4Runner was fine but for the fact that its brakes were adjusted to a feather touch and it was impossible to gently brake. If I exhaled too forcefully, the whole truck screeched to a halt and once, on wet streets, I skidded badly — fortunately, not near anyone else or anything hittable. It got me (barely) to my hotel but Wednesday morn before heading to Muncie, I went back to the airport and exchanged the Rose Bowl Float for a Toyota Corolla. It nicely served my primary need, which was to not get into an accident.

I had a nice stay in Muncie. On my way to Garfield Central, I saw one thing that amused me greatly and I'll post a photo of it later along with any other anecdotes from the week that come to mind. Now, I gotta go unpack. I just wrote this first because it feels so good to be back in my office chair using my full-sized keyboard.

Go Read It!

John Oliver tries to set expectations as low as possible for his stint guest-hosting The Daily Show without Jon Stewart.

Today's Video Link

Phil Pollard sent me the link to this. It's another one of those videos where I suggest you don't ask questions. Just take seven minutes, click and watch even through the dull portions…

VIDEO MISSING