An Odd Thing

Not sure why I find this funny but I do. As Google sends cameras around the world to photograph everything for Google Maps, they employ some kind of facial recognition software to recognize when there's a face in a photo and to blur it. If you're walking down a street when the Google cameras snap that street, your face will be blurred so as not to invade your privacy or give you some vague grounds on which to sue the people with the deep, deep pockets.

Okay. But that software is so sensitive that it blurs the faces of cartoons that look only vaguely human. Here, in this image I cribbed off Google Maps, we see that it has protected the anonymity of the little chicken mascot at a Koo Koo Roo restaurant. No wonder that chain is doing so poorly.

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Go Read It!

Ben Yogada, discusses the science of when, to use, a comma in what you, write.

I have my own rules and have debated them with editors and proofreaders over the years. Lately though, I find myself using fewer and fewer. Longtime readers of this blog have actually noticed.

Recommended Reading

James Surowiecki analyzes the budget proposal that Rep. Paul Ryan is pushing. Basically it comes down to let's keep the military ready to go to war with Russia and/or anyone else, spend something (but not enough) on the Social Safety Net and shut everything else down. It's never going to happen but the fact that this man is taken seriously by some is chilling.

Additional Info

Keith Scott, the fine voice actor (and historian of that art form) informs me that the Mickey Mouse's Birthday Party record featured as Today's Video Link was recorded at the Capitol Records Studio on April 8 and 9, 1953 — the latter date being 59 years ago today, as it turns out — and the record was released on August 3 of that year. Keith would know. I suspect the confusion over its release date flows from the fact that it was originally a 78 rpm record but a 45 was released later.

He also informs me that Dave Barry, Dorothy Lloyd and Mexican actor-singer Nestor Amaral were in the cast. I assume Amaral did the singing voice of Jose Carioca but the speaking voice was obviously provided by Stan Freberg. Señor Amaral was a supporting player in one of the two features Disney did with Jose, The Three Caballeros, but he did not do Jose's voice in either. José Oliveira did.

Dave Barry, I should have guessed, did the voice of the goldfish. He was one of the unknown voices in Warner Brothers cartoons…usually the guy who did Bogart when he turned up in something. He did Elmer Fudd in one cartoon (Pre-Hysterical Hare) and actually played Bugs Bunny in one Capitol kids' record. His main line of work was as a very popular stand-up comedian who was featured often on Ed Sullivan's program and all the top variety shows of the fifties and into the sixties. He was very good and probably would have done a lot more cartoons (he told me) if he wasn't out of town so much performing on the road.

But the main thing to note about this whole record is this: If you walked into any record/CD company (whatever they call them these days) and said, "Hi, I'd like to produce an audio story for kids. I'll need a full orchestra, a sound effects man, six or seven singers and maybe ten top voice actors and I'll need most of them for two days," what do you think the odds would be of not getting catapulted to the pavement within seconds? Yet that's how they did these.

Let's See If Thomas Wolfe Was Right…

In this item, I will make frequent reference to the annual event in San Diego we all know as the Comic-Con International. Before it was called that, it had a number of different names and to simplify matters, I'm going to ignore them and just refer to it as Comic-Con.

It changed in other ways over the years, as well. The first one in 1970 was in the basement of the U.S. Grant Hotel. The second one was on the campus of the University of California at San Diego. The third one was at the El Cortez Hotel and the fourth one was at a Sheraton out on Harbor Island. Then Comic-Con went back to the El Cortez for six years before shifting to the city Convention Center (the old one) for two years, then back to the El Cortez for one, then back to the Convention Center for nine more years. In 1991, the new Convention Center was completed and Comic-Con moved in there, occupying (as I recall) about a third of it that year. At this point, attendance had climbed to a staggering 15,000 attendees. That was quite an increase from the years at the El Cortez when the con seemed huge with 4000-5000 people showing up.

Last year, as a point of reference, it had somewhere around 130,000 folks on the premises at one time or another over its four days. Hall H, where they do the big movie-oriented programs, always has around 6,500 people in it — or more than used to attend the entire convention.

But it's really not one convention. It's several occurring simultaneously in one building. Or at least I find that it helps to think of it that way. It's like a big buffet where you have to go around and help yourself and maybe you want to avoid the salad bar and the display of Mexican food and focus on the stuff you like. There's a full-sized Videogaming Convention going on in that hall and I largely avoid it as surely as I avoid bean burritos. And though I have been attending that con at that convention center for 21 years and having a great time, I not only have never set foot in Hall H, I'm not entirely sure where it is. I know which end of the building it's on and I've seen the lines waiting to get in but that's about it.

You can not only find a Videogaming Convention there, you can find a convention that's all about current animation or one that's all about forthcoming movies. You can pick and choose events to create a con about Anime or one about collecting original art. There's a cosplay convention and a Small Press convention and there's even — I know it's hard to believe — one about comic books. There's actually a pretty good convention there about comic books…the paper kind, not to be confused with the kind that appears on movie screens.

What isn't in there?  A smaller, intimate convention where most attendees know most other attendees…or at least the subject matter and programming are sufficiently narrow that we all feel a common interest with one another.  That's a lament that I sometimes hear: Comic-Con, some say, was better when it was just 3000 of us hanging at the El Cortez.  Those cons were less like industry trade shows and more like a big, three-day party and the biggest "star" on the premises wasn't some Hollywood flavor-of-the-month who was doing a movie playing a character Jack Kirby had designed.  The biggest star at those El Cortez cons was Jack Kirby.

You know, the comic book artist.

I loved those cons.  I love the current ones too and I don't fault these cons for not being those cons.  I can and do go to other cons from time to time and feel a lot of what I felt about the days when a con in San Diego felt more intimate…if "intimate" can even be applied to a gathering of thousands.  They haven't asked me back to the Mid-Ohio Con in Columbus (now called Wizard World Ohio) lately but that felt a lot like a vintage San Diego Con the last few times I was there.  So has the Super Con (now called the Big Wow! ComicFest) in San Jose I'm attending next month.

And still later this year, I'm going to be the Fan Guest of Honor — and I'm really proud of the "Fan" part — at the San Diego Comic Fest 2012, which will be held in that town October 19-21.

Let me make the point clearly that while this event is organized by several folks who were responsible for starting the Comic-Con International decades ago or working on it, it is in no way affiliated with or endorsed by that entity. It is, in fact, trying to carve out its own identity not as a competitor but as a small, loving attempt to recapture that feel of a smaller convention where everyone's largely interested in comics and not what we used to call "mainstream media" before "comic book movies" made $100 million-plus.

There will not be 130,000 people there. There won't be a tenth of that number. There will be few if any movie stars or videogames. If you've always wanted to attend one of the big Comic-Cons, this is not the one you want to attend. This is one that aspires to be like the ones back at the El Cortez. (They'd be holding it there but for the fact that the El Cortez is no longer a hotel. It's now a mixed-use facility — condominiums, apartments and retail outlets.)

I'm looking forward to it. If you harken back to the days at the El Cortez, you'll probably look forward to it, too. Over the next few months, I'm going to post some convention memories here that may explain just why we're looking forward to it. In the meantime, you can do two other things you can't do at Comic-Con International. You can order a membership and you can reserve a hotel room that's in the same zip code as the convention. Check out the convention website.

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Today's Video Link

Here's a little treasure…one of the lavishly-produced kids' records done by Capitol Records. It's Mickey Mouse's Birthday Party and it came with a full-color booklet that you followed along as you played the record. The cast is rather amazing, especially when you find out who it is doing the voice of Mickey.

It's Stan Freberg. Stan did a lot of voices on Capitol's childrens' records but I believe this was the only time he did Mickey. Usually, a Mr. Walt Disney played Mickey and when he got tired of doing it, he handed the job over to Jimmy MacDonald, who was mainly a sound effects engineer. In fact, Jimmy handled sound effects on this record and did some other voices but Freberg played Mickey, reportedly at Walt's request.

Exactly when this record was produced is the subject of some argument among the kind of folks who'd argue about this kind of thing. Some say 1953, some say 1954 and some say 1955. I asked Stan and he wasn't sure. Whenever it was, it was after he was already a major creator of comedy records for Capitol. He did "John and Marsha" in 1951. In addition to voicing The Mouse, Stan further demonstrates his great versatility in the roles of Doc, Sneezy, maybe another dwarf or two, Dumbo (!), Br'er Fox, Joe Carioca (speaking, not singing), The Crocodile, The White Rabbit, The Mad Hatter…and hey, how about that great Jerry Colonna impression as The March Hare?

Clarence Nash did the voice of Donald Duck. Vance "Pinto" Colvig played Goofy, Practical Pig, Grumpy and he probably provided the sounds of Pluto. June Foray played Snow White, Thumper, Pinocchio, Peter Pan and Alice. Nick Stewart, who originated the role in Song of the South was Br'er Bear and I think that's Johnny Lee reprising his part as Br'er Rabbit. Jimmy MacDonald played Gus Gus and Jaq.

A few of the other voices, I'm not sure about…and I imagine some of the one-line parts are studio singers. It's a great cast but they were fibbing in part to advertise this as featuring "The original voices of Mickey Mouse, Donald Duck and other famous Disney characters." Neither Stan nor June did any of those voices in the movies.

Give a listen and don't worry about turning any pages when Donald commands. The video will handle that for you…

Comic-Con Blues

A couple of folks have written me about what I wrote about Comic-Con International here recently. Some seemed to think I said that everything that has changed about it has changed for the better. No, I didn't say that nor do I think that. I just think that there's much to enjoy within the new stuff.

I received a couple of messages that said something to the effect that two things have unquestionably changed for the worse: The prices and the fact that it's difficult to get admission. The con sells out so quickly each year that longtime attendees sometimes find themselves shut out. They're right that neither of these is for the better.

The price of a badge has skyrocketed, true. And I could point out that the price of almost everything has skyrocketed but that would, I know, be small comfort. All I can say there is that the con is non-profit and that they spend a lot of money on programming and other benevolent purposes. It's not like the operators are pocketing vast fortunes. If a for-profit convention was turning away at least 100,000 people each year, I suspect they'd figure they could double or even triple the cost and still fill the hall.

That many folks can't get in at any price is troubling and I don't think there's any solution. I can write a longer post about this some day but after hearing all these rumors about the con moving to Anaheim or the con moving to L.A. or Vegas and learning many upsides and downsides, I'm convinced none of those locales are viable.

Meanwhile, the San Diego facility is expanding in size and will soon be able to accommodate more bodies. Alas, I sense the number of bodies that wish to attend is expanding at an even greater rate. If anyone has a solution other than to hold the con outside and just let it stretch to Tijuana, I'm sure the convention committee would be glad to entertain it.

In the meantime, watch this space over the next few days for some posts about and around this topic.

Mr. Chuckles

chuckmccann08

Our pal Chuck McCann has a nice honor.  He's going to be the Grand Marshal of the annual Doo Dah Parade, which is scheduled for April 14 this year in Ocean City, New Jersey.  People love Chuck everywhere but those who grew up where they could watch his kids' show on New York TV in the sixties really love him.  Here's some press coverage of this honor and my thanks to Richard Gersh, who told me about it.

But that's not what I really wanted to tell you about Chuck.  What I really wanted to tell you is that he's just set up the best website on the Internet — better than this one even because his is full of clips of Chuck McCann. It's Chuck McCann's "Let's Have Fun" Club and you definitely want to join this…that is unless you're one of those weirdos who doesn't like having fun. Just go. Sign up. Browse around. And you'll see why you want to be there.

Great, Scott!

Last evening, a bunch of us went up to Hollywood to see the first of six presentations of the Oddball Comics Show by my longtime buddy Scott Shaw! Scott has amassed a great collection of comic books that cause you to stare and wonder, "What the hell were they thinking?" Some are hilarious even without the scathing commentary Scott provides.

He's done this for years at comic book conventions, often to packed houses that love every minute. You have five more chances to see him do it, Saturday nights at 8 PM at the Oh My Ribs! comedy theater up on Santa Monica Boulevard near Cahuenga. Each week, he also has a special guest to provide some additional play-by-play and last night, it was me. Next week, it'll be animation authority Jerry Beck and Scott is also promising some of his racier covers.

The theater is not large so you might want to reserve seats now. I promise you will laugh and laugh a lot.

P.S. In case you can't read the word balloons on that Betty and Me cover on your monitor, she's saying, "Archie, did you have any trouble rescuing me?"  And he's saying, "I sure did, Betty!  I had to beat off three other guys!"  Like I said: What the hell were they thinking?

Recommended Reading

Al Franken, whose name I don't believe I've read anywhere in the news for months now, has a funny fund-raising letter out. That's great, Al, but what are you doing to advance all those worthy goals we've heard from you?