Correction

Marv Wolfman informs me I reversed the dates of when he and Len Wein made their first sales to the comic book industry. I have corrected the relevant sentence in the previous item.

From the E-Mailbag…

Ah, I have a question here from Larry Morra, who I enjoyed meeting down at WonderCon…

I understand you've been to every Comic-Con in San Diego. A lot of people tell me it's changed greatly since the old days at the El Cortez. Do you miss the old convention? Would you rather it was like that again?

Yes and no. I went to the first San Diego comic convention in 1970. This was before it was called Comic-Con International. It was the San Diego Golden State Comic-Con and I've been to every one since.

But let me back off a tiny bit from that brag. The first con, which ran for three days, was preceded by a one-day event as kind of a warm-up/audition. I wasn't there for that. I have also missed a few days of the con over the years. I was only present for one day of the first one. Then in the eighties, there were a few years when professional commitments caused me to miss either the first day or the last. One year, f'rinstance, I missed Day One because a TV show I'd written was taping that afternoon. Then in '88, the big vote to end the Writers Guild strike of that year was held on Sunday in L.A. and I felt I had to be there so I drove home late on Saturday night.

And I recall either one or two years, also in the eighties, when I chose to miss the first day. I started to get a little bored with not only Comic-Con but any comic convention. I think my interest renewed when they began to ask me to do so many panels and — and this is key — when I got over a few mental hurdles relating to how the con was changing. I loved those old cons at the El Cortez and a few other venues. I think as the con evolved, I had the wrong attitude for a time, which was to reject the new wonders it had to offer and to resent that the old con was going away.

It's a mistake I believe I've made in many aspects of my life, not just San Diego Cons. The world changes and whether it's for good or ill, you have to at least be open to changing with it. If your favorite Italian restaurant suddenly converts to Chinese, there's no point in getting pissed-off that you can't get a decent Rigatoni Bolognese in that building anymore. The change might not be for the better but the Shrimp Chow Fun might also be darned good.

No, Comic-Con is not the same thing it used to be…and guess what! The comic book companies aren't what they were in 1977, either. Some who work at them would tell you they aren't even comic book companies anymore. They're multimedia content producers and one of the forms for which they produce content is comic books. When someone complains to me that there's minimal attention paid to comics at the convention, I tell them, "Hey, there's minimal attention paid to comics in the Marvel booth!" And actually, I think there's plenty at that con about comics. You just have to take five minutes to study the floor plan and the programming schedule. Oh — and you have to remember that the world is changing…

I used to host an annual event at Comic-Con called the Golden Age Panel. We don't do it anymore and at every con, someone comes up to me and says they wish we still had one…and sometimes they think it's because the con doesn't care about "those old guys" or I don't care about "those old guys." The sad truth that I have to explain to them is that we're running out of "those old guys." Many have died. Some are unable to attend due to physical reasons. Some just plain don't want to. At WonderCon, an attendee asked me why there was no Golden Age Panel. Easy answer: There were no Golden Age people. Can't have a Golden Age Panel without at least two of them.

Unless Stan Lee snuck in for a surprise appearance — and I didn't hear that he did — the three people at that convention who'd been in comics the longest were Marv Wolfman (he started in 1967), Len Wein (1968) and me (1970). We wouldn't even qualify as a Silver Age Panel, let alone a Golden Age Panel. The con invited a few veterans and didn't get any takers. Last year at San Diego, I only knew of three people attending the con — three out of 130,000 or so — who were in comics before Kennedy was shot: Stan Lee, Ramona Fradon and Jerry Robinson. It looks a little better for this year. We might even be able to scrape together a Golden Age Panel…but if we do, it will likely be the last.

I don't mention this to be maudlin or to act like we can do something about this. The point is we can't, just as we can't stop a lot of things around us from changing. I know too many people who seem to think there are two ways to turn back time. One is to orbit the Earth counter-clockwise at light speed. The other way is to sit around and moan about "the good old days" and how everything is going to hell. They're about equally effective. Far better to look at Today and see what it has to offer that might be, if not better, then almost as good.

Which is not to say there's no point in looking back to see what good stuff of the past can be prolonged or even re-created. There's an event coming up later this year that's going to try to do some of that regarding comics and conventions, and I'm optimistic it will succeed. I'll tell you all about it as soon as I get the time to write another long post here.

Today's Video Link

Yesterday here, I linked to an excerpt from a lecture John Cleese gave a few years ago about creativity. Today, we have a link to the entirety of a lecture he gave on the topic some years earlier. We have Robert J. Elisberg to thank for this. Let me know if the subtitles say anything about llamas and moose…

VIDEO MISSING

It's Happening! It's Happening!

He's been saying it was about to open for years now but he never had a theater and actual dates before! Jerry Lewis's oft-announced stage musical of The Nutty Professor opens July 24 at the Tennessee Performing Arts Center for a pre-Broadway tryout! See? Take a look! I'm half-tempted to go all the way to Nashville just to see this.

Thanks to Galen Fott for this Earth-shattering news. Next thing I know, the Rockies will crumble and Gibraltar will tumble. (They're only made of clay, y'know…)

Recommended Reading

David Javerbaum with the Quantum Theory of Mitt Romney.

My own theory is a little simpler. It's that some time ago, Romney heard that the way to win votes is to tell the public what they want to hear. So he's on a relentless mission to make sure that at some point during the campaign, every single voter in America hears just what they want to hear from him…at least once.

More Dave, More Craig

This article says that David Letterman and Craig Ferguson have signed new contracts to remain at CBS "through 2014." I'm not sure what that means in terms of actual expiration dates but I'll be surprised if both don't extend again after that.

The piece sounds like a slightly-paraphrased CBS press release, noting that Dave is now poised to break Johnny Carson's record as the longest-serving late night host. I'm curious if he's already broken it in terms of hours served. What with guest hosts and more reruns, Johnny worked fewer nights per year than Dave does…though for many years, Johnny's show was a lot longer.

The reporter also compares the number of Emmy Awards that each has received. Dave's won more though there may be a reason. One of the rarely-mentioned aspects of the Emmy Awards is that the rules get rewritten every year and often, they're rewritten at the urging (nicer word than "threats") of powerful folks in the industry. Mr. Carson started doing The Tonight Show in 1962. Guess what year the series won its first Emmy. It wasn't until 1976.

Johnny's show first competed in a category called "Outstanding Program Achievement in the Field of Variety" which put Tonight in up against things like The Danny Kaye Show and The Carol Burnett Show. Some years, I believe they were competing with the Academy Awards. Anyway, they lost repeatedly. At some point, Johnny became irked by that so he made a bit of a fuss or perhaps had NBC make one on his behalf. In response, a new category suddenly appeared: "Outstanding Variety Series – Talk." This did not solve Johnny's problem because he kept being beaten in it by Dick Cavett or David Frost. Then about the time their shows went off the air, the category was eliminated and Johnny went back to competing with Carol Burnett and the Oscars and didn't win then, either.

Finally, in 1976, Johnny went public with his feeling that the Emmys were configured to prevent his show from ever winning one. He brought it up in a press interview and even talked about it one night on his program, causing the Emmy folks to scramble and get him one. He and the show received a special Emmy in that year, the next year, the year after, the year after and the year after. Then he didn't get one again for twelve more years…until the year he went off. A very odd pattern.

Two other things in the article jumped out at me. Here's one…

Ferguson's "Late, Late Show" has charted its own late-night course since its debut in 2005, with the Scottish-born host frequently tearing up the accepted format by rearranging the order of the show, having themed episodes and delivering unscripted monologues.

"Rearranging the order of the show?" What does that mean? Ferguson starts with a cold opening but so do Dave, Jay and Jimmy Kimmel on occasion. Then it's always monologue, comedy bit at the desk, Guest #1, Guest #2 and Musical Act. Same format as most of them. "Themed episodes?" I think he's done two or three plus he took the show to France the way Dave and Jay have taken their shows to other cities, though not lately. And "Unscripted monologues?" Ferguson works looser and improvises more than the other guys but he has a writing staff that writes jokes for him and most of what he says is prepared in advance.

Also, I winced at the line that said that Craig will be moving to a larger studio. Has that ever helped a show? I thought one of the reasons Conan O'Brien's Tonight Show didn't work as well as his later-night program was that his new studio made it feel like the band was in the next county and the audience was in another time zone. Ferguson's show has a nice, intimate feel and he works close to the camera anyway. If it ain't broke…

Today's Video Link

Here's 10.5 minutes of John Cleese talking about creativity. I'd like to hear the whole of this speech, wouldn't you?

Correction

This is what happens when you write posts at three in the ayem…

I said in the previous item that the only conventions I was doing the rest of the year were the Big Wow! Comic Fest in San Jose and the Comic-Con International in San Diego. I was wrong. In fact, I forgot about one I'm really looking forward to. I'll tell you about it before the day is out. First, I have an e-mail or two to get through…

Where I'll Be #2

I'm not on the website yet but I'll be a guest at the Big Wow! Comic Fest in San Jose, California. It takes place May 19-20 at the San Jose Convention Center and if this one's as good as the other ones, it'll be a great convention. (It's also the only other one I'm committed to except for the Comic-Con International in San Diego.)

And to answer a question I'm already getting in e-mail: At this time, it looks like Sergio Aragonés will be in attendance. His back is better and he's rushing to catch up on back work but he should be able to make his way to San Jose.

Where I'll Be #1

This coming Saturday evening, our pal Scott Shaw! will be debuting his new Oddball Comics show at a comedy club up in Hollywood. If you've never seen him do this at conventions, you don't know what you've missed. Scott collects unusual comic books — the kind you look at, scratch some body part and wonder, "What the hell where they thinking?" They're funny enough when Scott just projects them on a big screen but when you add in his commentary, you have something quite hilarious.

He'll be doing it for six Saturdays at 8 PM at the Oh My Ribs! comedy theater. At each performance, he'll have a special guest commenting on a few of the comics and this Saturday at his premiere, the special guest will be me. What a "get." In spite of this, you should see this…debut night, if possible. Here's the relevant info. Hope to see you there!

Quick News Flash

This year's Tony Awards telecast will be June 10. And Neil Patrick Harris will be back as host.