Josie DeCarlo, R.I.P.

Josie and Dan DeCarlo at an NCS Award Show (Dan won)

Josie DeCarlo, widow of comic book legend Dan DeCarlo and the model for the character Josie, has passed away in her sleep. I don't have her age but her husband Dan was born in 1919. Dan passed away in 2001 and Josie continued to promote his name and work, and she attended comic book conventions as long as her health permitted.

Josie Dumont was a French citizen when she met Dan via a blind date in Belgium shortly after the Battle of the Bulge. Photos of her at the time suggest her as an obvious model for all the beautiful women that Dan was known for drawing throughout his career. She was a direct inspiration for perhaps his most famous creation, Josie. Josie (the woman) fashioned a pussycat costume for a shipboard ball on a Caribbean cruise they once took. Dan's sketches of her in that outfit figured into the later life…and her first name provided the name of the star character when Dan shopped around for a proposed newspaper strip. When no syndicate jumped at what he offered, he offered Josie (the strip) to Richard Goldwater at the Archie company where he was already working. Goldwater accepted the idea and the comic was launched, later turning into Josie and the Pussycats, a rock group dressed much like his spouse had dressed on that cruise.

Dan was the star Archie artist for over 40 years but in 2000, he got into a legal altercation with the Archie company over ownership of Josie and took legal action. Josie stood beside him when he was fired by the firm. He died the following year.

She was a lovely lady and every one of Dan's many friends and fans loved her just as much as they loved Dan. Funeral services will be held Monday is Scarsdale, New York. E-mail me if you need information.

Old L.A. Restaurants: Kelbo's

Two men, Thomas Kelley and Jack Bouck, combined the first syllables of their last names and invented Kelbo's, a small chain of Hawaiian barbecues that were not all that Hawaiian: Burgers, barbecue meat sandwiches and some miscellaneous seafood. The concession to the islands was that every plate was garnished with a piece of pineapple and the fried shrimp was coated with coconut.

They also served very sweet (but very good) barbecued ribs and had a menu of tropical drinks, some of which came flaming or served in a skull mug. About half of each restaurant was a large, dimly-lit bar that I suppose some found atmospheric. I never saw anyone there who looked like they might have been a hooker but given the mood, it wouldn't have surprised me.

Click about to see this very old menu larger

What was Hawaiian — and much of the appeal of the places — was the decor which was comprised of tiki gods, fish nets, lanterns in the shape of pineapples, and other things you could buy at any cheap patio furniture shop to suggest a real cheesy tropical motif. Some of it seemed to have come from a chain of stores that existed in L.A. in the early sixties called The Akron. A gentleman named Eli Hedley was reportedly the main designer and he also was responsible for the interior of other tropical-themed restaurants like Don the Beachcomber. I don't know when Mr. Hedley did that voodoo that he did so well but Kelbo's felt like a place that had been decorated in the thirties or forties and then no one changed anything.

Click above to enlarge

I frequented two Kelbo's. One, on Fairfax across from CBS Television City, was torn down and there's an outlet of The Vitamin Shoppe at that address today. It was a popular hangout for crew members who worked across the street at CBS Television City in the fifties and sixties.

The building that housed the other was over on Pico at Exposition. It turned for a few years into a bikini bar called Fantasy Island and more recently, it's been torn down and condos have been built on that land.

At one point, they had three other locations: In the Brentwood Country Mart over at 26th and San Vicente, on Manchester Blvd. near Van Ness, and on Ventura Boulevard out in Thousand Oaks.

Click above to see this image a little bigger

One other thing that interested me about Kelbo's was that much of its advertising art — like the drawing above — was done by a gent named Bob Hale who otherwise turned up on Los Angeles TV from time to time as a cartooning weatherman. (He was also active in Seattle where he owned a popular hobby shop that bore his name.) Hale's drawings of a fat Hawaiian guy in native garb could be seen on Kelbo's napkins and menus, and both of the outlets I visited had had huge Bob Hale murals on the outside, all featuring his little signature character, Sammy the Seagull.

Sammy was always being drawn into his TV weathercasts, shivering or tanning himself depending on the forecast. It was said that Mr. Hale had once had a severe drinking problem and that after he quit, he lectured and illustrated pamphlets for Alcoholics Anonymous or some such group. Which always made me wonder why he'd done so much work promoting a place where a lot of people just went to drink.

Update

Jon Delfin informs me that Sutton Foster has left Anything Goes on Broadway and has been replaced by Stephanie J. Block. I love Sutton Foster but if Ms. Block is as good in the show as she was in that production I saw of They're Playing Our Song, she's terrific, too.

P.S. on Previous Post

For the record, I wrote that before I saw last night's Daily Show with Jon Stewart. He said the same thing, as he usually does, much better.

And I accidentally deleted a line I wrote and wish I'd included. It went something like this: I'm kinda weary of folks who think Free Speech includes their right to be heard unrebutted. There's this "victimization" ploy used way too often by folks who seem to think that way. Person A makes their case for some cause or viewpoint. Person B comes along and shreds their argument with a devastating reply. Person A fires back by crying, "This is an attempt to shut me up!" Sarah Palin is especially adept at getting full coverage on TV, radio, the web and print media of her charges that someone someplace in conspiring to stop her from getting her every message out.

From the E-Mailbag…

A reader of this site named Christopher Woerner apparently thinks my view of Rush Limbaugh's situation smacks of hypocrisy. He cited something I wrote about some time ago here. This is me now…

What I saw of the gubernatorial debate last night here in California seemed to steer clear of silly topics…like what can be done to solve the state's problems. Instead, they talked a lot about how someone in Jerry Brown's office was overheard calling his opponent, Meg Whitman, a "whore." That's rude but…I dunno. I have a hunch someone in Ms. Whitman's office at some point may have called Jerry Brown an asshole and had the good fortune not to have it get recorded. In any case, Brown apologized a couple of times and Whitman could have scored a few points with me (though not enough to get my vote) if she'd said, "Fine…apology accepted. Now, let's get on with much more important things, like how to get California back on the right track." Instead, she tried to make the whole election now turn on that, darn near suggesting Californians should vote for her because some unnamed person in Brown's presence called her that. Brown, who I generally like — I think he was a fairly good governor his last go-round, better than any since — talked way too much about Whitman's housekeeper. "Vote for me because my opponent is a bad person" doesn't go very far with me. I'd still like the candidate I vote for to have a little competence.

Mr. Woerner then makes the following points in his e-mail. This is him now and I've taken the liberty of numbering them but I've not changed anything else…

1. Obama's still running ads against Sarah Palin with that exact message, and she's not even running, so there's one inconsistency.

2. You didn't suspect that anybody around Fluke called Rush a nasty name without it being caught on tape, so there's another inconsistency.

3. Rush apologized and Fluke didn't accept, there's a third.

4. You cited Jason Alexander's argument about the size of the audience, which is like saying it's ok to steal as long as you don't steal much. Or else Duckman would have required severe censorship if they should ever have found an audience like the Simpsons. This is all inconsistent with your free speech leanings, so a fourth inconsistency is found.

5. So comedians are allowed to use terms like "slut" and "whore" because they don't have the audience of the mighty AM Radio Titan that is Rush Limbaugh. Candidates for Governor of California can use those terms because they aren't stuck on AM radio like a pathetic shock jock. And this is all in the name of fairness and equality. Nope, nothing inconsistent about that.

Okay, this is me now again. Addressing #1, the only anti-Palin ad I've seen from the Obama campaign is one that merely says she's wrong about a lot of the accusations she makes against Barack Obama. She's saying he's destroying the country this way and that way and all these ways. His ads say she's wrong and that people shouldn't believe her. If there's one out there where he calls her a slut or a whore or any personal insult, I haven't seen it. Did you think my premise was that candidates should never respond to their detractors?

Regarding #2: I suspect most people, including some of his devout listeners, call Rush nasty names at times. That's kind of the premise of being a talk radio guy. I even suspect that when Limbaugh goes on the air each day, he thinks about some of what he plans to say and giggles, "Boy, this'll make those Liberals hate me." There is something of a difference between insulting someone in public and insulting them in private…and a difference between (a) insulting a man who plunges himself eagerly into the mud each day and hurls invective and makes millions doing it and (b) insulting a powerless college student who volunteered to testify before Congress. And actually, my big problem with Limbaugh was not that he insulted her but that I think he grossly misrepresented what she said in order to do so.

In the case of #3, Limbaugh offered up a pretty feeble apology for a microscopic fraction of what he said about her. Jerry Brown apologized about eight times and for 100% of the one word in question…and it wasn't even something that he said.

You're right that if something's wrong, it's wrong. (This is #4 now.) But insulting someone in private is in no way comparable to saying it in front of millions of people. If one of your friends told another of your friends they thought you were a liar, you wouldn't and probably couldn't sue them for slander. If someone went on the radio and said it, you could and might. Same thing if someone quoted something you'd written to one or two people in private and passed it off as their own. You couldn't/wouldn't sue them for plagiarism. If they did it on TV, you could and maybe would. And in both cases, a court would consider the size of the audience in assessing damage to you.

But I really wanted to get to #5. You say, "Candidates for Governor of California can use those terms." Really? What candidate for Governor of California called someone a "slut" or a "whore?" Jerry Brown did not insult anyone. He apologized because someone else in his office had done so…in private. Not one person has ever faulted Rush Limbaugh for anything he or his staffers said in private or meant to keep private. To try and defend Rush, you're taking something an aide to Jerry Brown said once that was accidentally heard elsewhere, rewriting history to pretend Brown said it, then equating it with something Rush said deliberately (and over and over) in front of millions. Is that the best you can do?

And really, the consistent principle here, and I stand by it, is that people can say what they want and then they can suffer the consequences, if any, of what they say. A comedian can get up and call people names and be rude…and if the public decides they don't want to pay to see that guy anymore or if club owners decide they don't want to book him, fine. Comedians do lose work and popularity sometimes because they cross some subjective line. Ask Michael Richards. And if Rush or anyone in his line of work goes too far and sponsors desert him or stations drop him, okay…that's how it works. Freedom of speech does not guarantee you a job. It does not guarantee you an audience. If some guy on radio started denying the Holocaust and advertisers began fleeing him in droves, you'd nod and go, "Sure."

In its purest form, Free Speech is your right to stand on a little soapbox in a public park and yell about what's wrong with the government or private industry or French's Mustard or your brother-in-law's bowling scores or anything. If people listen and cheer you on, that's their right. And if they think you're a jerk and they walk away, that's their right, too. I also have the right to stand nearby on my little soapbox, point at you and say, "Don't listen to that man! He doesn't know what he's talking about." That's my Free Speech. As long as I don't outshout you or somehow stop your message from being heard by those who opt to listen, mine doesn't infringe on yours.

I'm kinda baffled as to what Rush's defenders think is the wrong done to him, other than that most don't think there was anything amiss with what he said. I keep reading that he's being "censored" or that people are trying to silence him…which is an odd way to refer to a man who's still being heard by millions each day and quoted all over the 'net. Rush Limbaugh's may well be the most unsuppressed voice of this or the previous century. When Ed Schultz said something similar, he was suspended for a few days. I think that's kind of a token, slap-on-the-wrist punishment but Rush's outfit didn't even do that to him. He still has every bit of power he had to get his message out, except of course that his backers have lost a little revenue. I doubt he will suffer much in the long run but even if he does wind up with fewer sponsors and fewer listeners, it's his own fault.

Today's Video Link

A revival of Anything Goes is still playing on Broadway with (last I heard) Sutton Foster and Joel Grey still in the leads. Here's a rehearsal-type video of the title number — no sets, no costumes, just talented people performing…

Five Guys Alert!

This is just for my friends in Los Angeles. Yet another Five Guys has opened in our midst — in Westwood Village at 1061 Broxton Ave. I haven't been there yet and may not be in the area for some time but it's there and I'll bet the burgers and fries are quite wonderful. Another is under construction at Coldwater Canyon and Ventura out in Studio City.

I'm sorry, folks. I know that as a native Angeleno, I'm supposed to worship at the altar of In-N-Out. Once upon a time, I did. But either their food has changed or my taste buds have changed or maybe both. I no longer think In-N-Out is the best or even a contender for great fast food burgers…and I never thought their fries were very good. I rarely eat that kind of food at all these days but when I do, I eat it at Five Guys. And no, despite how it may sound, I'm not kissing up in the hope of scoring some free meal tickets.

Today on Stu's Show!

Today, acting legend Ed Asner pays a return visit to Stu's Show. The last time he was on was one of the most fascinating interviews Stu Shostak has ever done and they barely scratched the surface of Mr. Asner's long, impressive career. Today, they resume scratching. A lot of folks don't know how much else this man has done in his life besides play Lou Grant and hate spunk.

You can listen live (and for free!) to their two-hour conversation (which might run over that length) by going to the Stu's Show website at the appropriate time. What time is appropriate will depend on where you live but if you're on the West Coast, it all starts at 4 PM. So I guess that means on the East Coast, it's 7 PM and other time zones have other times that you can probably figure out based on what I've told you.

If you can't listen live, wait an hour or so after the broadcast is over, then go to that website and download it as a podcast…which will only cost you a scant 99 cents. And for better value while you're there, download four shows total from Stu's extensive library and the checkout page will only charge you for three. How can they do it?

Scripting Stuff

My buddy Bob Elisberg has written a good, in-depth article about several software packages via which one can write a screenplay. Knowing Bob, I assume he knows what he's talking about although the only one with which I have any real experience is Movie Magic Screenwriter. I've used it from its inception, back when it was called Script Thing, and I Beta-tested various versions and made suggestions. Its whole function when it outputs numbered dialogue scripts for animation recording was put in there because I suggested it and showed its inventor how to format such documents.

I've never found a way to make it work for me as a tool for writing comic book scripts, though some other writers like it fine for that. I still make mine in Microsoft Word with an array of macros that I wrote. But I do like Movie Magic Screenwriter tremendously for all other kinds of scripts.

That is the full extent of my opinion on such software. Anything else you want to know, listen to Bob.

Today's Video Link

Here's one of those clips that I'm amazed exists. Between the time Jack Paar departed as host of The Tonight Show and Johnny Carson took over, there was a six month gap. Mr. Carson was still under contract to host the afternoon game show Who Do You Trust? over on ABC and couldn't assume command of NBC's late night program until the contract expired. Some reports say that ABC was refusing to let him out early but my understanding is that the real obstacle was Don Fedderson, producer of Who Do You Trust?

So for six months, guest hosts vamped in Johnny's place. Art Linkletter hosted a week or two. Merv Griffin hosted a week or two. Steve Lawrence hosted a week or two. Even Soupy Sales hosted a week or two…and so did Jerry Lewis. You may wonder why from this clip but Jerry was said to have done a very good job and that led to him wanting to do a regular show of this type, and that wanting led to his infamous two-hour live prime-time talk show for ABC the following year. Here's a little less than eight minutes of one of those nights Jerry hosted The Tonight Show before Johnny took over. It includes one of Jerry's patented overpraise-the-guest introductions followed by Jack Carter and Jerry conducting a conversation with their usual dignity…

Recommended Reading

Dahlia Lithwick discloses an astounding situation in the state of Virginia…and it's not a stretch to presume this is happening other places, as well. People are convicted of crimes. Many years later, DNA testing proves their innocence. And no one tells them.

The practice of wrongful conviction doesn't seem to bother many people. I suspect that if a lot of folks think about it at all, their attitude is that if you're poor (and in some cases, if you're a racial minority) and you get thrown in jail, you're probably guilty of something. So it's no big deal if you're convicted of the wrong something. Never mind that every wrongful conviction means that our justice system is sloppy and that someone got away with The Perfect Crime. I mean, if you commit an act of violence and someone else goes to prison for it, they really aren't looking for you.

Anyway, I find it troubling that so many innocent people are convicted…and troubling that so few people seem to care.

Wonderful WonderCon

If you're going to WonderCon this weekend in Anaheim, this handy guide will tell you loads of stuff you'll probably want to know.

And you'll probably want to dress for wet weather. At the moment, it looks like rain starting late Friday night or early Saturday morning, rain most of Saturday, then a tapering-off and occasional showers on Sunday. If you're going to be driving through the mountains or the Grapevine area, don't drive through the mountains or the Grapevine area.

I'm hosting five panels over the three days. Here's the rundown again…

Friday, March 16 at 2 PM in Room 204, we'll be playing Quick Draw! And an interesting twist this time is that we'll be playing it without my partner Sergio Aragonés, who is recuperating from back problems and who won't be at the con. But we'll have Scott Shaw!, Mike Kazaleh and Disney Legend Floyd Norman drawing away, along with several surprise cartoonists all moving their Sharpies at a rapid clip. This is always a highlight of any convention so get there early.

Saturday, March 17 at 11:30 AM in Room 211, I'll be interviewing Joe Ruby and Ken Spears. The team of Ruby and Spears has been the most successful writing, creating, and producing team in Saturday morning television. Among the shows they brought you were Scooby-Doo, Wacky Racers, Jabberjaw, Dynomutt, Thundarr the Barbarian, Plastic Man and more than I can list. They don't sit for this kind of chat often so I'm real pleased we've been able to persuade them to do this.

Saturday, March 17 at 3 PM in Room 213, you'll want to attend the Cartoon Voices panel. This time, we have Gregg Berger (The Garfield Show), Laraine Newman (The Fairly OddParents), Wally Wingert (The Avengers), Bill Farmer (Goofy), Alicyn Packard (The Mr. Men Show), Michael Bell (G.I. Joe), and maybe a few others.

Sunday, March 18 at 11:30 AM in Room 211, we have a panel called Tribute to the Legends: Kirby, Simon, Robinson, and Eisner. That is, of course, Jack Kirby, Joe Simon, Jerry Robinson and Will Eisner. This'll consist of Scott Shaw!, Len Wein, Batton Lash, Marv Wolfman and maybe a few other folks discussing the vital contributions that Jack, Joe, Jerry and Will made to the world of comics, along with some personal remembrances. Sadly, we no longer really have the personnel to do a Golden Age Panel at a convention…but we can still talk about those folks.

Sunday, March 18 at 12:30 in Room 207, I'll be presiding over Cover Story: The Art of the Cover. This is a popular panel with those interested in comic art theories and craft. We bring up a bunch of artists who do great covers, show slides of some of their covers and discuss what went right and wrong with those covers. This time, we have Arthur Adams (Monkeyman and O'Brien), Michael Golden (The ‘Nam), Mike Mignola (Hellboy), Eric Powell (The Goon), and Fiona Staples (Saga). I always find this fascinating and audiences seem to, as well.

That's the list. To repeat for emphasis: Sergio Aragonés will not be at this convention…or any others for at least a month or two. Sergio's back problems are healing nicely but this kind of thing takes time so he's having to curtail his con-going for a while.

I, on the other hand, will be at the con all three days. I adhere to a firm principle at conventions of demanding they not give me a table so you won't find me sitting behind one. But I'll be wandering about and loitering at other folks' tables so if you see me, say howdy. Or words to that effect.

Recommended Reading

John Dickerson makes the case that it's going to be Romney. I think so too but it still could take a while.

You know, I haven't decided which I'd prefer be the Republican nominee. I think Santorum would be a lot easier for Obama to beat…but I also will breathe easier when Santorum goes down to defeat and there's no chance of him becoming president.