Old L.A. Restaurants: Zito's

A couple of years ago, I was asked to contribute an essay to an online survey of "My most memorable meals." I decided to write about Zito's and to write this…

My most memorable meals would probably have more to do with who was across the table than what was on it. Get the right dinner companion and a two-fer coupon at Arby's can yield a more memorable event than Passover with Wolfgang Puck.

But, looking just at what was on the plate, I can't help but think of the best Italian restaurant of my childhood — Zito's, which was on Pico Boulevard in West L.A., two blocks west of Westwood. Mr. Zito ran the business end and Mrs. Zito was in the kitchen, whipping up a dark, brown meat sauce, the likes of which I've yet to encounter. It was rich and obviously cooked slow and long…and if I knew what it contained, I wouldn't be writing this, I'd be downstairs whipping up a batch.

Zito's went out of business in the seventies and, since then, I trek from Italian restaurant to Italian restaurant, searching for anything even vaguely like Mama Zito's masterwork. I've had some fine meals in my quest but, so far, no success in locating a clone. (Sometimes, when I sit down to plate of spaghetti in some obscure town I'll never again visit, I am of two minds: I, of course, hope the meal will be wonderful…but what if I find a sauce comparable to Zito's in a dive well off the Interstate in Jerkwater, Michigan? When am I ever going to be back there? How will I drag friends to that wonderful restaurant?

So far, this has not been a problem because I haven't found it. I've also looked closer to home and haven't found it there, either. Zito's building stood empty for a year…then another Italian restaurant moved in. It was and is named Anna's and, of course, I went there and found perfectly fine Italian food. But not like Zito's.

I asked the operators of Anna's and they told me that Mr. and Mrs. Zito had both passed away, as had the other members of the Zito family. They knew because I wasn't the first Zito's patron to inquire. Some had even (apparently) called representing major food corporations, hinting there might be Big Bucks if someone could come up with the recipe for Zito's meat sauce. Alas, no one could.

I told this story once to a restaurant critic. To my surprise, he said, "It's just as well. The recipe probably wouldn't have yielded the same results in someone else's hands." Good food, he explained to me, can be created from a good recipe…but great food is a function of the person who prepares it. In other words, the secret ingredient in Mrs. Zito's sauce was Mrs. Zito. She spent all day making it, no doubt, stirring it, tasting it, adding a pinch of this or a dash of that. "It's like painting," he explained. "I can tell you what color to paint a vase of flowers but that doesn't mean you're going to produce a Van Gogh."

I'm afraid he's right. How sad to think that Mrs. Zito took my favorite meal with her to the grave. On the other hand, I'll bet God's eating well.

Since I wrote this, Anna's has closed down and will be the subject of another post here.

From the E-Mailbag…

Someone named Lila writes to ask…

I see that Paul McCartney got his star on the Hollywood Walk of Fame yesterday. The article said that he was voted the honor in 1993 but finally got around to accepting. But the article also said that his fellow Beatles got theirs years earlier. John Lennon, for example, got his in 1988. I don't understand that. How could you honor Lennon and not honor McCartney at the same time?

The Hollywood Walk of Fame, while I'm sure it's a great honor to most recipients, is basically a promotional vehicle. The Hollywood Chamber of Commerce wants celebrities to actually show up in person to accept them because that brings excitement and crowds and prestige to the area. They do a limited number of posthumous stars but if you're alive, they won't vote to give you one until you promise to be there for the unveiling ceremony. This is why David Letterman and Woody Allen (among others) have never been honored with stars while many lesser names have.

So the answer to your question is that Paul had never indicated a willingness to appear before 1993, whereas the other Beatles obviously had.

Someone has to submit you for consideration and there has to be some pledge from you that you'll appear. Then when they vote to give you one, you have five years to schedule your appearance…unless you're someone like Paul McCartney, in which case they'll rearrange the rules or vote an extension or whatever they did after Paul let the five years expire. The reason they give you five years is so you can work it into your busy schedule…but usually what it means is that you can arrange for the ceremony to coincide with the release of your new movie, the debut of your new TV show, etc. It is not a coincidence that Mr. McCartney has a new album being released at the moment.

That new album, by the way, is called Kisses on the Bottom, which is a line from the old song, "I'm Gonna Sit Right Down and Write Myself a Letter." Most of the album is old songs, including many by Frank Loesser. As my friend Shelly Goldstein reminded me, Sir Paul just happens to own Mr. Loesser's old music publishing company. So when those NBC stars were singing "Brotherhood of Man," the cash register was also ka-chinging at Paul's house, which is good. He probably needs the money. In fact, here's an Amazon link if you want to help the poor guy out by ordering the new CD or buying MP3s.

Low-Cost Lucy

Today only, Amazon is selling the complete I Love Lucy on DVD — 194 episodes on 34 discs — for $70.49. This is a set that retails for $240 and which Amazon usually sells for $128. $70.49 is about as good a price as you're ever going to see. I think it works out to around two bucks per Babalu.

My pal Vince Waldron tipped me off about this so I could share it with you. So instead of putting up an Amazon link that will get me the commission if you click and buy it, I'll put up one that will give the commission to Vince. Here it is. While you're at it, you might want to purchase his fine book about The Dick Van Dyke Show. It's easily the best book anyone will ever write about what may be the best situation comedy anyone will ever produce.

My Tweets for 2012-02-10

  • The campaign to get Ellen DeGeneres fired has done the impossible. It's made folks think J.C. Penney is hip, modern and THE place to shop. #
  • I keep reading that Republicans don't like Mitt Romney. Maybe I'm wrong but haven't one or two voted for him? #
  • I just got notice of the annual Disney stockholders' meeting. It's in Kansas City in March and if I sell my shares, I can afford to go. #
  • Just fed Max the Cat for the fourth time today. At this rate, I'm going to have to take away his collar and get him a lap-band. #

Old L.A. Restaurants: Piece O' Pizza

Piece O’ Pizza was the brand name of a string of eateries that once decorated the Southern California landscape…an amazing reach considering the awfulness of their signature product. Do you like pizza where the crust tastes like matzo, the toppings have the thickness of carbon paper and you can’t decide whether to eat the pizza or the box it came in? If you do, you’d have loved Piece O’ Pizza pizza. Just awful. What kept them in business, it seemed to me, was their great, racy slogan ("Had a piece lately?") and the fact that there then weren’t a lot of other places where one could grab a fast pizza to take home.

Also, they served a decent meatball sandwich and a more-than-decent (and very cheap) spaghetti plate. Many of the Piece O’ Pizza stands were in "Skid Row" style areas, and I bet that spaghetti plate kept a lot of homeless people alive.

Like I said, they were all over L.A. There was one on Pico just east of Sepulveda, one at Beverly and Fairfax, another on La Brea just south of Hollywood, another on La Cienega near Airdrome, another on Western just south of Hollywood…and (I’m guessing) at least 200 more. As far as I know, there’s only one remaining. It’s down on Venice Boulevard about a half-mile west of Sepulveda. A year or two ago, I was in the neighborhood and in need of rapid lunch, so I decided to go in and have the spaghetti plate, just to see if it was still the same. Since there is no parent company now to supply the preparations, I was expecting totally different cuisine…but the meat sauce was more or less what I recalled, or at least it seemed to have evolved from the same recipe.

I probably won’t go back since I now have better places to eat. I suspect that’s what killed off the Piece O’ Pizza chain in or around the late eighties. As Numero Uno and Pizza Hut and even Domino’s spread, everyone had a better place to get a quick pizza or to have one brought piping-hot to their door. Speculating further, I’d guess that too many of their stands were located in depressed areas, which made it difficult for them to upgrade their product. It would have been awkward to simultaneously improve their menu (thereby making most items more expensive), advertise that they’d done this…but still service the crowd that just wanted the cheapest-possible plate of pasta.

I don’t exactly miss the places since they weren’t that good. On the other hand, I’ve been to fancy Italian restaurants where I enjoyed a $20 entree a lot less than I liked the Piece O’ Pizza spaghetti plate. Even in the early eighties, it didn’t cost much over two dollars…and that included garlic bread.

Today's Video Link

As I said in a Tweet the other day, I saw none of the Super Bowl, thereby maintaining my lifetime cumulative record of watching football games which stands at about ten minutes. That's where it's been since 1971 and where it's likely to remain 'til I plotz. I say this without pride or shame or any criticism of those who love it. When I see how happy Super Bowl Sunday makes some people, I wish I could join in. But some people simply can't wrap their brain around Italian Renaissance Madrigals and I can't even feign caring about football. The extent of my interest in last Sunday's game was that my mother's caregiver has a son who plays defense on whatever team won. If I had any more interest than that, I'd click over to Google and find out the name of that team.

The only moment I saw was not of the game but of a commercial which I've embedded below. I was sitting in a restaurant in San Francisco. The pre-game show, which I gather lasts for forty days and forty nights, was on a big projection screen on one wall. I heard no audio over the noise of the diners but believe it or not, I guessed the song was probably "Brotherhood of Man" from How to Succeed in Business Without Really Trying. It just looked like that's what they were dancing to.

Years ago, I read an article that said that was the most-played, ASCAP-lucrative of all the tunes written by the great Frank Loesser. He wrote arguably better songs but "Brotherhood of Man" was used a lot in commercials, including a long run in ads for Hamm's Beer. Every time they sang "Brotherhood of Hamm's," a little cash register at the Loesser estate went ka-ching. It's like that with most composers. Bert Kalmar and Harry Ruby wrote better, more loved songs than "Hooray for Captain Spaulding" but none that Groucho used every week on his game show…and almost everywhere else he went.

Anyway, when I got back I wanted to see the commercial with audio and here it is. There seem to be at least three different versions on the web and this is the longest I've found. If I were Jay Leno, I might look at how much money I've made for my network the last twenty years and wonder why they don't give me more attention…or in this case, camera time. Then again, Leno was in three separate Super Bowl commercials and will probably be working long after everyone else in this ad is sitting behind a table at an autograph show selling photos. Including Donald Trump…

VIDEO MISSING

And say, while we're on the topic: Here's one of those Hamm's Beer commercials that made the ka-ching sound at the Loesser house…

From the E-Mailbag…

I received this message from a reader named Mike Schryver…

I read your comment on Prop. 8, and noted your stance that it would be better if the public voted directly to allow marriage equality. As a gay man, I wonder if you've considered this aspect of it: It's galling to have other people believe they get to vote on your rights. Imagine that a measure was proposed forbidding people over 6' tall to own property. I think that not only would you question the logic of voting on this, you'd be insulted that others believed they should be able to turn your life into a political football.

I'm not angry with you for suggesting these votes should take place. I'm just wondering if you've considered this side of the issue. None of the gains in the '60s civil rights struggle occurred by popular vote. They only came after court decisions affirmed that it was improper for the majority to limit the rights of a minority. That's where this will end up eventually, as you pointed out.

I always enjoy reading your blog. Thanks.

I'm sure it must be galling to have people voting on your basic rights as a human being. I'm assuming though that having them vote to acknowledge them and repudiate the infringers would be less galling than having them vote to take those rights away. The former would, I suspect, go a long way towards stopping those kinds of votes anywhere if the opponents of gay rights lost a biggie, which is what I believe would happen if California got to vote on this again.

It must also gall many that judges and politicians are voting on whether gays are entitled to simple basic human equality. This should not be an issue at all…but alas, it is.

America did vote on civil rights in the sixties but not by clear referendum. They voted by electing leaders with explicit platforms. A vote for Strom Thurmond was a vote for limiting the civil rights of "coloreds." And since you gave me an opening, I'll mention something here that I'm increasingly coming to believe.

Back when we did have that racial issue in this country — back when there were those still arguing for school segregation and other divisions by skin color — no one personified that side more than Governor George Wallace of Alabama. He was the guy who stood in the door at the University of Alabama in a symbolic attempt to stop two black students from entering.

Several biographies of Wallace that have been written the last decade or two have all said this about him: That he really didn't care that much about if blacks were integrated and didn't think it could be stopped. He just thought it was a good issue to ride at the time to get himself elected. He was interested in power and money…and some of those bios say that getting laid a lot was even more important to him and that his proud racism attracted a lot of ladies.

Anyway, whether that was true of Wallace or not, I'm increasingly coming to believe that the vast majority of politicians out there crusading against Gay Marriage just view it as an issue that's useful in pursuit of other goals. A few like Michele Bachmann and Rick Santorum may really feel it in their hearts…but to the Newts and the Mitts and so many others, it's just a way of rallying the troops and getting campaign donations. They used to use Flag Burning that way but it wasn't as effective.

Getting back to what you asked me, Mike: Yes, I did consider what you asked and I think it's a disgrace that there are any votes by anyone — citizens, judges, state senators, anyone — on whether a whole class of people is entitled to basic human dignity. But I also think that the sooner we get to the day when this is no longer red meat for political rallies, the better.

That will come with the mass population accepting it, not just with it being forced on those who presently have a problem with it. The courts can make it legal but opponents of Gay Marriage will cry "judicial activism" as a rallying cry to redouble their efforts. What will make the matter really go away is if those crusaders realize they can't win a vote of the people. I think.

Go See It!

The fine artist Drew Friedman salutes the fine artist Frank Frazetta by showcasing some of Frazetta's work on movie posters. That work was not what he was best known for but there's some amazing things there. Some of it almost too good for the assignments. I did once hear Frazetta say, perhaps tongue in cheek, that art directors were not all that happy with what he handed in because no matter what he did, he was somehow unable to magically turn into Jack Davis.

Two small points. Drew speculates that some of the art on the poster for The Fearless Vampire Killers was by Gray Morrow. I don't know who did it but I doubt it was Morrow. It doesn't look that much like him to me. Also, a few years after this film came out, Morrow filled out a questionnaire for Jerry Bails' Who's Who in Comics project itemizing as many past credits as possible. Morrow listed poster jobs on a number of cheap, less prestigious films but he didn't list The Fearless Vampire Killers.

Secondly, Drew takes note of the revisions Frazetta made on his poster for The Night They Raided Minsky's. Bert Lahr was moved to a less prominent position and Drew says it was because Lahr died just before the film's release. Actually, Lahr died about halfway through the film's production and more than nine months before its release. I find it hard to believe Frazetta did the poster art long before the movie finished shooting. It seems more likely that someone just decided it was wrong for Lahr (in a supporting role) to get better placement on the poster than Norman Wisdom, who had the larger part. Frazetta also had to tone down the sexiness of the girls on the poster. (Talk about your false advertising: The dancers in the film couldn't have been less like the ladies Frazetta painted and still be of the same gender.)

But don't worry about these minor matters. Go look at the splendid Frazetta paintings.

Recommended Reading

Ricky Gervais discusses being famous. I'm kinda amazed at the number of people who aren't famous but are certain their lives would be so much better in so many ways if they were.

My Tweets for 2012-02-09

  • Trump endorses Romney. Romney starts losing elections. I'm not saying there's a direct connection but… #
  • The G.O.P. establishment will not let Rick Santorum be the nominee. He'd rather ban gay marriage than taxes on capital gains. #
  • Rick Santorum would have done even better if he'd changed his name to "None of the Above." It's also safer to Google. #

Today's Video Link

Richard Belzer interviews Gilbert Gottfried about what some would call bad taste in humor. This runs a hair over twenty minutes and I guess I need a parental-type warning here because they say a lot of naughty words that will singe your ears if you aren't used to them. I think Belzer overstates the significance of Gottfried's routine right after 9/11 but I otherwise agree with most of this…

From the E-Mailbag…

Daniel Van Orden writes to ask…

I've seen the Henry Morgan hosting show before, but the fact that you posted this and are an expert in the field has me asking a question that has bugged me since the show was new.

Did the big time celebrities really just take $20/$40/$60 and cigarettes for appearing? They were frequently plugging their own shows or movies, but it seems cheap and awkward.

Celebrities who appear on game shows are and always have been paid a minimum of union scale, whether it be AFTRA scale or SAG scale, for appearing. They do it for the exposure and to plug what they have coming up…but there's also a little money in it. I suspect that on something like I've Got A Secret, they didn't take the $20 and may not have even taken the cigarettes. But for most, the money was probably secondary to the exposure.

On a lot of those low-money game shows, the prize money was really just a prop. On some, if the top prize was $100, they paid every contestant $100 regardless of what they actually "won" on the show. The money was trivial and it made contestants more cooperative and forestalled any complaints that the game wasn't fair. Of course, contestants on a show like I've Got A Secret usually got more than what they won. A lot of them got paid trips to New York and generous per diem cash.

Often, so did the celebs. One of the few times I got to talk to Buddy Hackett at any length was the day after Game Show Network had run an old What's My Line? on which he appeared. I asked him about it and while he had no memory of the specific appearance, he did tell me the following. He said he had a policy of never, ever paying for travel out of his own pocket. When he went anywhere to perform, the folks hiring him would pay for his airfare and hotel. If by some chance, he had a reason to go to New York and didn't have someone else to pay, he'd find someone to pay. He'd have his agents call up and book him on What's My Line? or some other game show or talk show in New York. Then that show would pay. He said, "I did a lot of shows just because I was too cheap to buy a ticket."