Happy Spike Jones Day!

In addition to being the 54th anniversary of the debut of the first Hanna-Barbera cartoon show, today marks another historical event I want to mention. Early this AM on its hoary rerun of I've Got A Secret, GSN ran one from February 1, 1961 with special guest Spike Jones. Since they don't seem to be selecting episodes in any order (the one the night before was from '63), I wonder if this choice was because someone there knew that if Spike had lived, he would have been 100 years old today. Here's that segment from the show that aired this morning…

I was and still am a great fan of the fine and funny bandleader and at one point (as described here) came close to writing a book about him. I've collected most of his records…no small feat for he was very prolific. Actually, I should clarify and say that I only tried to collect the ones where he was credited because he also worked as an anonymous musician, arranger or conductor on hundreds of records for other performers…a great musician and a very funny man. I ran a Spike Jones clip here the other day without realizing its proximity to his centennial. I think I'll run a few more the next few days, starting with this one featuring a performance from one of his biggest-selling records.

You will notice Mr. Jones himself playing the duck call, which on the record label was described as a "birdaphone." (It said "Willie Spicer on the birdaphone." Mr. Spicer apparently did not exist. He was a joke credit on several of Spike's recordings. On Spike's "Hotcha Cornia," Willie Spicer played the "sneezaphone.") It is not known if Spike himself did the Bronx cheer on the well-known recording of "Der Fuehrer's Face" but it is known that he recorded two different versions of it. RCA Records was afraid some folks would find the razz offensive, even if it was directed at Hitler…so there's another version which just has a rude trombone sound in its place. Here's the authentic, albeit truncated-for-film rendition. The main vocalist is Carl Grayson…

John Cleese's Latest Tweets

John Cleese just posted two which, combined, say the following…

I see Yoko Idle's been moaning (again), about the royalties he had to pay the other Python's for Spamalot. Apparently he paid me "millions"… actual rough figures last time we checked – Yoko Idle $13m, Michael Palin $1.1m, the others just under a million each…

To those wondering when those wacky Monty Python boys would be reuniting soon for another movie or other endeavor: I think you may have your answer in the fact that Mr. Cleese went public with this. (And before anyone asks: I believe the reason Mr. Palin received more than the others was because at one point, he was going to co-write the show with Idle and did some work on it.)

My Latest Tweet

9 Chuck E. Cheeses in San Francisco have been fined for violating federal child labor laws. Newt says, "That's my kind of place!" — [Follow me on TWITTER]

Today's Video Link

The first series Bill Hanna and Joe Barbera produced for television was Ruff & Reddy, which went on in 1957. Matter of fact, it debuted on December 14, 1957 — 54 years ago today, forever changing the world of animation. Some would say "…and not for the better" and we could spend hours debating that. Matter of fact, I could spend hours debating it with myself. I'd have to factor in my personal fondness for Bill and Joe, along with my awareness of them as genuine Job Creators who kept animators working at a time when many thought that art 'n' craft would soon employ no more people than Mr. Disney could accommodate. I guess the main talking point would be my love of the early H-B cartoons, starting with the debut of Ruff & Reddy.

I was five at the time and I'm pretty sure I saw it the first morning it was on. It was new animation but not all new and not all animation. A fellow named Jimmy Blaine hosted the show, which was on NBC Saturday morning. He had two talking puppet birds with him. Each episode contained a few minutes of him talking with the birds, a couple of Ruff & Reddy episodes and one old cartoon (often Fox & Crow) from the rarely-opened Columbia/Screen Gems vault. Having already memorized all the old theatrical cartoons that were shown on TV, this was a refreshing new trove to enjoy.

Our video today is a series of Post cereal commercials that I guess aired on the Ruff & Reddy program, though I don't recall them at all. They have somewhat better animation than the episodes of that series. Don Messick did the voice of Ruff and he's also the spaceman in the first commercial. The announcer on it is Dick Tufeld. Daws Butler played Reddy with a voice not too different from the one he'd do the following season for Hanna-Barbera on their first all-animated series, Huckleberry Hound. Daws also supplied the crocodile with a voice similar to the one he'd do for H-B in '58 as Quick Draw McGraw. I liked the shows starring both of those characters more than I liked Ruff & Reddy but at the time, I liked Ruff & Reddy a lot. And I still do, especially when they're not selling cereal…

From the E-Mailbag…

Barry Mitchell, who often turns up doing funny things on ABC news programs, sends the following comment on my treatise on pie-flinging…

We had Soupy on World News Now in August, 1998. The director would not let him throw a pie at me for fear it would mess up Peter Jennings' brand new anchor set.

So we compromised: Soupy just pushed it in my face. Not quite as funny, but before he left the studio, Soupy reminded me to be sure to add the gunshot sound effect. We did, and it made all the difference.

Well, there you are: Verification of what I say from The Master. Pushing it in the face is not as funny as throwing it…and you need the gunshot sound. And not just any gunshot. Soupy had the perfect one which was more of a ricochet.

I wrote about my own experiences with Soupy in this article. As I've mentioned here and many other places, I made an embarrassing error in this piece when it was first published: I knew that Soupy's director on his syndicated show in the seventies was Lou Tedesco but I somehow typed the name of Lou Horvitz. Years later when Soupy's autobiography was being written — heavily ghosted due to his medical problems — his collaborator asked permission to quote from it and I, of course, granted permission. Anything for Soupy. Well, much to my surprise, they reprinted the entire thing in Soupy's book…including my Tedesco/Horvitz mix-up. So it's wrong in Soupy's book, which is where you'd figure you could go for solid facts.

Recipe Corner

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We do not particularly recommend these or any brands. We recommend you experiment.

I have no idea how to make an apple pie or a lemon pie or a peach pie or a nesselrode pie. I don't even know what kind of tree a nesselrode grows on. But I do know how to make a throwing pie…and you only have to look as far as YouTube to see that nobody else does these days. The site is full of videos of people throwing pies and they're almost all terrible. In about half of them, the pie-e (that's a two syllable word denoting the recipient) and the pie-r (another two syllable word and it refers to the thrower) is saying, "Okay, get ready. I'm going to hit you in the face with this pie."

Right there, they don't get the concept.

The person being pied is not supposed to act like they're aware the pie is coming…or at least not at that moment. They usually do know — Soupy Sales, the greatest pie-e of all time, certainly did — but half the joke is that they act like they don't know. And they usually should know. I am very much against pies as an assault weapon for reasons I covered here yesterday.

The recipe for making a pie to hit someone in the face is deceptively simple. There are two ingredients: A pie shell and shaving cream. Do not use a real pie. For one thing, they can ruin clothing and furniture. A guy I heard about once pied someone with genuine coconut custard at an art gallery opening. He not only ruined the fellow's suit but the pie got on several pieces of artwork and damaged them. For another thing, real pies either stick too much to the recipient's face or not at all.

If they stick too much, clean-up becomes a hassle. Soupy usually did his show live, remember. White Fang would smack him in the kisser with a pie and then they'd go to two minutes of commercials…and Soupy didn't have time to go shower and have his make-up completely redone before he had to be back on camera. Shaving cream wipes off easily and his crew could get it right off the walls and floors using one of those "wet vac" vacuum cleaners.

The pie shell can be real and it should be store-bought and brittle. "Moist" is fine for eating but if you're throwing, you want the pie shell to shatter on impact. The last time we threw pies on a TV show I worked on, the prop man bought pie shells at the supermarket and then baked them longer than one is supposed to bake a pie. That made this particular brand very fragile. The shell was kept in an aluminum pie plate, filled in that plate…but removed at the last possible moment before it had to be lobbed.

The shaving cream should be the kind with nothing in it…probably the simplest, cheapest brand. Do not under any circumstances use one that says "menthol" or "aloe" on it. It can sting the eyes so the fewer ingredients, the better. Fill the pie shell with shaving cream at the last possible minute. These do not keep well. Some brands of shaving cream turn (the pun is unavoidable) soupy within five or ten minutes. Then follow these important pieces of advice…

Very important and I can't repeat this often enough: Remove the pie plate. If you are stupid enough to throw a pie with the plate, especially if it's aluminum, someone should be throwing a pie in your face. The funny visual is to see the pie-e with cream and pieces of pie shell on his or her face and to see as much of their expression as is not obscured by shaving cream. It is not as funny to see a paper or tin plate stuck on their face hiding the entire expression.

Throw it, do not shove it. You may need to get close for reasons of aim but make sure the pie leaves your hand before it connects with the face in question. There are two reasons for this. One is that it feels more like assault and less like comedy if your hand comes into contact with the person. The other reason is that you want the pie shell to shatter on impact.

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Establish the pie. In whatever scene you do, there should usually be a reason why someone has a pie…like it's part of a dessert buffet or something. The oft-pied Mr. Sales was able to get away with the pies just coming from nowhere but he was Soupy Sales and you're not. On his show, it was just taken for granted that everyone, house pets included, had a pie at their disposal whenever one was needed.

Establishing the pie is hard to do convincingly as audiences get instantly hip. They see a pie — especially one of those shaving cream deals — and they think, "Ah, that's going in someone's face." The easiest way to retain the all-important premise of surprise is to bait-and-switch. Set up a scene where it looks like Person A is going to throw the pie at Person B and then instead, it winds up in the face of Person C. And onlookers love it when instead of A hitting B, B somehow turns it around and pies A.

If you're making a video or film, a perfectly-timed sound effect is essential. Watch any clip of Mr. S. Sales and observe the expert timing (and remember, they did almost all of these live) as the sound of a bullet ricochet accompanies the delivery of the pie into Soupy's kisser. Half a second later and that pie would have been half as funny.

The pie-e is not supposed to laugh. They're not supposed to look like they wanted it to happen. They're supposed to look into the camera like Oliver Hardy or Wile E. Coyote with an annoyed look of punctured dignity. And lastly…

Less is more. Ten pies is not ten times as funny as one pie. It's like throwing someone into the swimming pool with their clothes on. Once they're wet, they don't get any wetter. The joke is the first time they get wet. If you're going to hit someone with ten pies, you need to have ten variations on the joke. And you need to not linger forever on the image of them covered with goop.

Follow these rules and you too can follow in the footsteps of Buster Keaton, Moe Howard, Clyde Adler (he was the main guy who threw 'em at Soupy) and other great Sandy Koufaxes of the Pie. And who knows? You may even get a laugh or two…though audiences have seen a lot of this so I wouldn't count on more than two. Thank you and class is adjourned.

Recommended Reading

Ezra Klein dissects the tax proposals of the various G.O.P. candidates who still seem to be in the race. It pretty much comes down to a debate over who can give the smallest temporary tax cuts to the poor and the largest permanent tax cuts to the rich. Because as George W. Bush proved so conclusively, you cut taxes for the rich and in no time at all, the economy is booming and unemployment is practically eradicated.

What was that definition of "insanity" again?"

Today's Video Link

Believe it or not, I still have more videos to link to featuring "The Lambeth Walk." To make it easy on those of you who ran screaming into the streets when I gave you a steady diet and still hear it in your sleep — though no one said you had to watch what I embedded — I'm going to ration them to one a week or so. Here it is on a player piano…

This Just In…

Mitt Romney has figured out the foolproof way to win the Republican presidential nomination. Early next week, he will announce that he's poured millions of dollars into a research firm that has finally perfected a working time machine. If elected president, Romney vows, he will not only undo every law, executive order and action that Barack Obama has instituted — including unkilling Osama Bin Laden and dozens of other terrorist leaders — but Romney promises to travel back in time and somehow change things so that Obama will never have been elected in the first place.

My staff did extensive polling of the G.O.P. base," the former governor of Massachusetts told reporters in an informal chat Monday afternoon. "We wanted to determine what they most wanted so that whatever it was, I could insist that's what I've always been about. It turns out they don't want to believe they live in a country that would ever elect someone who wasn't a white ultra-conservative…so I'm going to give them what they want. Elect me and you'll wake up one morning and never know Barack Obama ever existed.

We've already tested it once," he added. "Just see if you can find anyone who remembers the guy who was James Bond between Pierce Brosnan and Daniel Craig."

Asked by reporters what else he might do with his time machine, Romney replied, "Well, there is the little matter of about eight thousand speeches of mine I wish I'd never given. And I may also arrange for Jay Leno to have never had that show he did at 10:00!"

Watching the Watched

Colleen Doran is one of the best artists in the comic biz these days and also a forceful, wise voice on the topic of how to be in that industry and not get swindled. It's happened to her many times and she often blogs about her experiences and how not to replicate them over on this page.

She has been abused in other ways, as well. Attractive women — especially those in the public eye — sometimes have these problems. There's a TV show on the Investigation Discovery channel called Stalked: Someone's Watching that deals with a situation that too many people take lightly or treat as some sort of to-be-expected "price you pay" for being pretty. Years ago, I was involved with an actress who was literally afraid to dine out in public because "he" might be lurking nearby…and the police wouldn't or couldn't do anything until "he" did something more illegal than scaring the hell outta her, night and day.

Colleen bravely tells her story on the episode of Stalked: Someone's Watching that is running this week. It runs later again tonight (10:30 AM on my satellite) and twice again next Sunday. Consult, as we say in the TV business, your local listings.

I just watched its first airing and it's a chilling tale. I'm led to believe that the authorities do more now about this kind of thing than they did when my friend lived in a state of constant worry…but they still don't do nearly enough. Perhaps if more "stalkees" like Colleen made their stories public, these situations would be treated more like actual crimes — which they are — instead of potential ones.

Today's Video Link

The person who posted this clip to YouTube said it was Spike Jones with Mickey Katz. I don't see Mr. Katz in it. I think the poster thought Billy DeWolfe — who is in it — was Mickey Katz. But he got Spike Jones right. It's Spike's contribution to Variety Girl, a 1947 movie into which Paramount Pictures stuck every actor they had under contract…or who wandered anywhere near the lot while they were shooting. The male lead here is DeForest Kelley who, many years later, would play the doctor on some science-fiction TV show produced by Paramount…

VIDEO MISSING

Recommended Reading

I still don't think Newt Gingrich will be the Republican nominee. As Barney Frank says, Democrats couldn't be that lucky. But I'll say this for the Newtster: He's gotten a lot farther than any of us thought. And by "us," I mean folks who've looked at his history of ethics violations, his marital square-dancing, his constant selling-out to whatever special interest was paying him the most. You can see all of that if you look at his record or at the commercials Ron Paul is running against him.

Paul Waldman offers an interesting thought about what his supporters see in Gingrich, above and beyond the obvious sparseness of alternatives. They think he's smarter than Barack Obama and will expose him as an intellectual fraud…ergo, all the jokes about Obama using a TelePrompter.

I suspect one of the many ways in which they're wrong is that, first of all, politicians often rely on TelePrompters. Some have even relied on hidden hearing devices so someone could feed lines to them. It's another one of those cases for condemning Obama for something that was jes' fine when a guy they liked did it. Moreover, I get the sense that Obama doesn't use his TelePrompter to give him smart words but to reduce the stammer and to get them out faster. He's done fine in debates and other impromptu appearances. He just has more moments of hesitation between his nouns and verbs, sans Autocue.

I'd be curious to know what percentage of what's on his TelePrompter is material he himself wrote as opposed to a crew of speechwriters. I get the feeling it's higher than most. For some reason in this country, we think a politician is smart because intelligent thoughts come out of his mouth and we don't much care if they came out of his or someone else's head. Anyway, my problems with Obama have to do with what he does as President — more accurately, with what he doesn't do — and I don't think he isn't a very smart man. I also thought George W. Bush was a lot smarter than most folks thought he was. I just thought he was wrong a lot, as even smart people can be, and also that his goals for America was to make life better for the really, really rich. At that, he excelled.

Pieing the Star

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As a fan of slapstick comedy (the constant pics of Laurel and Hardy should have tipped you off to that by now), I see a certain beauty in the placement of a pie into the face of someone. It is, of course, an art…and like all forms of art, it is possible to do it very, very well and very, very badly. Tomorrow in this space, I will be discussing the proper way to "pie" someone and I will give you this one preview: If the pie has an aluminum or even a paper plate at the moment of impact, the person throwing the pie is an ignorant douchebag who should be forbidden by law to ever again hurl any kind of pie or other replica of baked goods. In fact, this especially applies if it's a real baked good.

This ban should also apply to those who employ pies as an assault weapon and I'm not kidding about that. I actually once saw someone get hurt by a surprise pie-in-the-face…not seriously but there's nothing funny about attacking someone out of the blue like that.

It was one of the stars of a TV show I worked on — not a big star but a small star, someone whose name most of you would not know. I would like to think that is not unrelated to the fact that he had been an enormous and difficult jerk all season to the point of being roundly disliked by the crew and his fellow cast members. It was the last day of taping and the Associate Producer, who had been the recipient of much abuse, had ordered up a Pie Hit — to be delivered right after this star taped the last line he or anyone on the show had to tape.

Just before the director shouted, "It's a wrap!", a pie sniper was signalled to do what he'd been engaged to do. He was from a company that would "pie" the person of your choice and I thought at the time, "What an odd occupation." Can you imagine the conversation when this guy goes home for Christmas?

"So, Phil, your brother Mike just passed the bar and your sister Alice just got admitted to U.S.C. on a medical scholarship. What are you doing these days?"

"I work for a company that sends me around to hit unsuspecting people with pies." His family must be so proud.

I don't know what the call was like for his services but they did not come cheap. As I later learned, the customer had to sign a form that stated they would be present at the moment of impact. I guess that was so that if the recipient got angry, the pie-r could point to the client and say, "He arranged it! Slug him!" You also had to sign a guarantee that you would cover all costs if a lawsuit resulted and all medical bills if the deliverer got kicked in the groin or slipped on meringue or whatever.

Our A.P. decided he wanted to "pie" the star so badly, he agreed to all that, plus that pretty hefty fee. This was the same Associate Producer who kept running in and telling me, "You can't do a joke about Grover Cleveland! What if his descendants decided to sue us?"

The way this particular assassin worked was via what looked like a lovely gift box. It was open on one side — the side he kept towards himself — and the pie was inside. He would walk up to his intended victim as if delivering a present and hand it to the unsuspecting about-to-be-pied person. The person would (usually) take the gift and as it was transferred to his hands, the pie-r would extract the pie from it and shove it in the guy's face, ho ho ho. That was how it went on our stage.

Funny? Yeah, I guess for a second. The crew all laughed because they figured it was scripted and part of the show and that the fellow knew it was coming. When it was apparent that none of that was so, the laughter petered out. The reaction was thereafter more like if a stranger had walked up and punched the guy in the face.

The star was so startled that he fell to his knees. One of the dancers on the show was, as they say, "sweet on him." In fact, earlier that day, the Associate Producer had walked into the star's dressing room and discovered this particular dancer doing what he said was a fine impression of Linda Lovelace. Now, she rushed over to help him up, wipe off the pie and help him back to that dressing room.

I ran back there to see how he was and, I guess, to make sure he understood that despite our own arguments, I had nothing to do with him being custarded like that. The dancer was crying and she was putting some sort of contact lens solution she had into one of his eyes which was all red and swollen. The pie-r had hit him hard and apparently shoved crumbs of crust into and around his target's left cornea. Soupy Sales always knew to close his eyes at the last second…but Soupy Sales always knew a pie was coming. The star had hurt his knee too when he went down.

The dancer was probably more upset than the star. He looked up at me and said, "I guess I deserved that, huh?"

I said, "Nah. You maybe deserved a small tart but not a whole pie. At worst, a twinkie or a cupcake."

He thought for a second and asked, "Did the whole crew vote me this?"

I said, "No. And it wasn't me or any of the writers. But don't ask me who did."

"I won't," he said as he got up. "But I know what I've got to do." He started heading back out to the stage despite his dancer friend urging him to remain seated and let the swelling in his eye go down. She and I both followed him out there…and I wasn't sure what he was going to do. He couldn't very well start punching out everyone who had a reason to be mad at him.

He walked back out to the exact spot where the "hit" had been made and he called out for everyone's attention. Crew members were striking the set and moving scenery away but everyone stopped. And when he had near-silence, he announced — in a pretty loud voice because the microphones had all been shut down — "I want you to all hear the card that came with the pie." There was a little gift tag on the pie box and he pulled it out of his shirt pocket and read, "Thanks for a great season and for being a tremendous asshole!" He said that last word with a laugh and then said, "I'm sorry, everyone." The whole crew applauded him.

They might have applauded more if they'd seen what the card actually said. It said, "Thanks for a great season and for being a great sport!" It was the guy's best moment on that show…but you know what? I still think it was a crappy thing to do to someone.

Tomorrow in this space, I'll tell you the right way to make and throw a pie…and most important, when.