Number fifty-six in a series…
Monthly Archives: November 2011
Recommended Reading
My chum Robert J. Elisberg tells us what would have happened if George W. Bush had done some of the things Barack Obama has done. I concur.
Recommended Reading
In some ways, it's great that the Occupy movement has no official spokesperson. It makes the group more organic and allows those who worry about it to worry about just where and how it will wield whatever influence it has. On the other hand, when those who abhor the Occupy movement try to dismiss it as dirty hippies who just hate rich people and achievers, there's no one to say, "No, we don't hate rich people. We hate rich people who cheated and gamed the system to become rich or richer." (At least, I think that's what most of them are saying…)
The criminal end of what the Occupiers are mad about is being chronicled a lot by Matt Taibbi. He keeps talking about what this company or that broker did that should be punished by jail time…and I don't see anyone questioning his alleged factual recitals. I see some dismissing the purported crimes as "business as usual" but not saying that it shouldn't be the norm. If you get a moment, read this piece by Taibbi and then read his follow-up.
The First of Two Laurel & Hardy Posts This Weekend
If you watched Laurel and Hardy films years ago on TV, you were probably used to the sound shorts starting with a title card that looked something like the above. That's how I saw them when Engineer Bill ran them on Channel 9 back in the mid-sixties. It was several years before I learned that the familiar plaque wasn't on those great movies when they were first produced and released.
Originally, each short began with the MGM lion since MGM distributed those films produced by the Hal Roach Studio. The lion was then followed by a more decorative card and there were several designs over the years, many of them specific to the film at hand. One that I rather liked was this one…
In 1943, Roach contracted with a company called Film Classics to rerelease those shorts so someone had to go in and delionize them. While they were taking Leo off, they also put a new Laurel & Hardy title card on them. In some cases, they also remade the next title card which gave the name of the film. In others, they just cut from the new card to the old one for a jarring change of styles. There was also a lot of tampering with the films themselves, including some inexplicable edits and the dubbing-in of misplaced music on early talkies that didn't have, someone apparently thought, enough. Subsequent prints, including the ones run on TV, were usually made off these prints so that's what we all saw for a while.
One of the many nice things about home video is that it encourages companies to go seek out better prints and original materials. The new Laurel and Hardy DVD set, which you can order here, restores its contents back to pretty much the way the films were originally supposed to look…or darn close to it. I'm still stumbling through it but so far, I'm delighted with the picture quality and the completeness. (One short, Laughing Gravy, is much longer than I've ever seen it before owing to the restoration of extra footage.)
I'm also still making my way through the extra features and commentary tracks and so far, they're great too…though I would warn everyone that Jerry Lewis divulges some highly incorrect "facts" about the history of Stan and Ollie. Believe not a word he says except for when he talks about how great they were.
Turner Classic Movies is running a batch of silent Laurel and Hardy shorts tomorrow evening with more treats later in the month. I'll post a little guide to them before they air but in the meantime, you might want to set your TiVo or DVR.
My Latest Tweet
You ever notice how everyone who writes an obit for Andy Rooney tries to imitate his style? I can't stand that. — [Follow me on TWITTER]
Today's Video Link
The canine alter-ego of Robert Smigel goes to Wall Street. This is worth the time you'll spend sitting through the silly ad…
Beyond Zero
My friend Jim Brochu, mentioned many times on this blog, is taking time out from his one-man show as Zero Mostel, Zero Hour. He'll be playing Sheridan Whiteside (a role Zero should have played but I don't think he ever did) in a New York off-Broadway revival of The Man Who Came to Dinner by Moss Hart and George S. Kaufman. It begins November 25 at the St. Clement's Theater.
I wish I could see him in that but I don't think I can get back there. I'll have to settle for seeing him next Tuesday when he's a contestant on Who Wants To Be A Millionaire? He did not ask me to be a phone-a-friend.
Recommended Reading
Dahlia Lithwick on the new Conservative defense of Herman Cain: There's no such thing as sexual harassment and any woman who'd file such a claim is just a greedy tramp looking for a lot of free, unearned money. I have no doubt there are such ladies — just as there are men who report crimes that didn't happen — but it is a legitimate crime in many instances. And if a woman accused, say, Joe Biden of it, the pundits denying it's a genuine wrong would not be saying that.
Great Photos of Stan Laurel and/or Oliver Hardy
Number fifty-five in a series…
From the E-Mailbag…
From Jeremy Redfield comes this accusation. I have added in hyperlinks where appropriate…
You have apparently not been completely honest with us, Mr. Evanier. In your report on Neil Gaiman's appearance on The Late Late Show with Craig Ferguson, you said you "needed to get something to" Mr. Gaiman but did not say what it was. Could it perhaps have been a vegetarian haggis?
In his segment, Mr. Gaiman presented Mr. Ferguson with a vegetarian haggis which he said he had smuggled into America. The vegetarian haggis now sits on Mr. Ferguson's desk and has become another of the games he plays with guests to end their segments. They are invited to touch his vegetarian haggis. Tuesday night, Ted Danson touched it.
You have not disclosed your role in this smuggling incident but I see that on his website, Mr. Gaiman refers to you as his "haggis mule" and says that the haggis was shipped from overseas and that you took delivery of it. Is this so and if it is so, why did you not disclose it?
I would like an answer, keeping in mind at all times that you are under oath.
I respectfully decline to answer and wish to assert my Fifth Amendment rights.
Today's Video Link
I'll bet a lot of you have never seen this. It's one of a couple of openings for The Bugs Bunny and Tweety Show that ran on Saturday morning in the 1990's. The folks at Warner TV Animation kept fiddling with the opening of their Saturday AM series that ran vintage Looney Tunes, trying to make it seem "new" without losing that great theme song and Mel Blanc's vocals. The body of the show was, after all, old cartoons that nine-year-old kids had seen eighty quadrillion times…so to make something seem fresh, they kept reconfiguring the main titles.
At one point when the show was back on CBS, the execs there asked me if I had any idea how to freshen the program. All I could think of was to suggest that they get WB to dig into its vaults and see if they had any of the interstitial segments that were animated for the prime-time Bugs Bunny Show back when it was on ABC in 1960-1962. A search was conducted and the result was that they had lost most of that footage. They had a few black-and-white prints in 16mm and I believe there was a brief discussion of whether it was feasible to pull some clips from those, colorize them and throw them on the air but that was deemed impractical.
One of the lessons the big studios have learned in this era of cable and home video is "Never throw anything away." Every week, some exec at every company curses his predecessors for not doing a better job of protecting the vaults and preserving some movie or TV show that they'd now like to market somewhere but can't. One of the reasons some movies are not out on DVD is that the company that owns the copyright doesn't own a good print or negative. Sometimes, they obtain one by dealing with the kind of collector they used to call a Film Pirate and sic the FBI on.
Anyway, I am — as I so often am — off-topic. Here's a 90's opening of The Bugs Bunny and Tweety Show…a nice bit of animation but no one will ever improve on the original.
Today's Political Comment
I'm not sure how guilty or innocent Herman Cain is of sexual harassment…and a lot of the folks who say they're sure really can't be but you know how it is in politics: The guy you want to have be guilty is always guilty and the guy you want to have be innocent is being smeared by a ginned-up phony story. All I know is Cain's version keeps changing and getting worse…so even if he didn't verbally accost all those ladies, he's at least guilty of bad crisis management and not being able to get his story straight. I also think some of his defenders are saying some pretty stupid things…like "there's really no such thing as sexual harassment" and "the media never covers charges of sexual misdeeds against Democrats." We all know how little traction Paula Jones's allegations got.
Polls say Republicans aren't deserting Cain over this. Well, actually the headlines reporting those polls say that. The actual polls show some erosion. There might be more if those Cain supporters had a viable second choice to go to. If they don't want Romney, giving up on Herman just means moving to some other flawed candidate who has little to offer besides not being Mitt Romney.
But the main thing here is that I really don't believe most of the current Cain supporters figure on being Cain supporters when it comes time to vote. I think telling a pollster "I'm for Herman Cain" is like saying "I'm for anyone who didn't do these four or five things (like launch an Obamacare-like health program) that Mitt Romney did." For most of them, there's no point in abandoning Cain now because they're already planning on abandoning him before marking their ballots for whoever at that moment seems most likely to beat Obama.
The question I'd like to see the pollsters ask is "Regardless of who you'd like to see be the Republican nominee, which candidate do you think would stand the best chance of unseating Barack Obama?" I'll bet that would be a better indicator of who the G.O.P. candidate will be than "Who do you intend to vote for?"
Sid Melton, R.I.P.
I never met Sid Melton but I couldn't let his passing (at age 94) pass without notice. A lot of people knew him as the sidekick on Captain Midnight; others as Danny Thomas's agent on The Danny Thomas Show or as Alf Monroe, one of the carpenters on Green Acres. The guy worked a lot, appearing in more than a hundred movies and TV shows.
He was one of those actors who was regarded as utterly dependable. Once on The Dick Van Dyke Show, they had an episode about a delicatessen owner who has a crush on Sally Rogers (Rose Marie) and tries wooing her with sandwiches and roses. Gavin McLeod was originally cast in the role but when he had to undergo an emergency appendectomy, the producers had to scramble for a replacement. They looked no farther than the soundstage next door to theirs where The Danny Thomas Show filmed. Melton stepped into the part and was very good in it.
One year in the late sixties, my parents and I went to the Greek Theatre here in Los Angeles to see Carol Burnett perform. She took questions from the audience and one little obnoxious man kept asking her to marry him. Apparently, Ms. Burnett couldn't see him from the stage and she tried to move on to another questioner but the annoying guy kept yelling, "Why won't you marry me?" and people around him started to laugh. We could all see it was Sid Melton even if Carol couldn't. Finally, enough people were laughing that Burnett took a closer look, recognized her suitor as Sid Melton, and literally fell down laughing. "My God, you're in everything," she said…and she was right. For a time, he was.
The Articles
Playboy has put up a number of their most interesting interviews for online reading. If you can navigate your way around the nekkid women in the margins, you might find a conversation you'd enjoy reading.
Great Photos of Stan Laurel and/or Oliver Hardy
Number fifty-four in a series…