Today's Video Link

magiclandofallakazam

We're only a few weeks from the 50th anniversary of The Magic Land of Allakazam. One of my favorite TV shows when I was a young'un debuted on CBS on Saturday morning, October 1 of 1960. I may have only tuned in initially because each episode included one cartoon from the Huckleberry Hound show…but I soon became fascinated with what surrounded it; so much so that I wasn't bothered one bit the second season when the cartoons were eliminated. Master magician Mark Wilson would perform amazing feats and — maybe the best part — each week, he'd teach viewers a simple trick that they could do at home. Naturally, I tried every one of them out on my parents and I recall at least a couple times when I managed to actually fool my father. He always acted as if he had no idea how I'd done it but once or twice, it was different. Once or twice, I could tell he actually was baffled. Knowing something your parents don't know is a big deal when you're eight.

At that age, I was already a bit interested in magic, and watching Mark Wilson make things appear and disappear and float fired up that interest. Oddly enough, I was never much into performing in front of people…and when I did, it was for one or two people, never a large group. If I mastered a trick well enough to do it in the mirror, that was enough for me. The few times I assembled a little magic act and did things for a crowd, I didn't particularly enjoy it…but I certainly respected those who did and did it well. I became more of a historian/appreciator of magic than a practitioner and joined the Academy of Magical Arts, aka The Magic Castle. In a piece here some time ago, I wrote the following…

Mark Wilson, by the way, continues to perform magic but is mainly a teacher and consultant. His spouse — "the lovely Nani Darnell," who you'll see in our video clip — handles a lot of his business dealings. Last year, I took a card manipulation class at The Magic Castle. It was not taught by Mr. Wilson but Nani handled the sign-ups and tuition collection and such. Now, you'll have to imagine the following…

We're all in the classroom — guys about my age, all wearing jackets and ties because you have to wear a jacket and tie when you go to the Castle in the evening. Nani comes in and handles the last of the paperwork, then leaves…still looking quite lovely, almost a half-century after the filming of the video below. As soon as she's out of the room, our instructor (a very famous, important magician) admits that he started doing magic decades ago because he had a crush on her and thought that that was the way to get women who looked like that…

…and every guy in the room, myself included, nods in understanding and agreement.

When you hear magicians say that they were inspired by Dai Vernon or Blackstone or even Houdini…well, that may be true in many ways. But I'll bet Nani Darnell caused more young men in the early sixties to become magicians than any of those guys.

The Magic Land of Allakazam was the first regular network series to feature magic tricks. In the video, they say it's been the only one and I sure can't think of another. Don Alan, a fine magician I got to meet and work with before he passed away, had a syndicated show called Magic Ranch for 13 episodes in '61, obviously produced in light of Mark Wilson's success. There have been oodles of magic specials but that's about it for series.

I came to appreciate how difficult that show must have been for Mr. Wilson. Your average experienced magician has a repertoire of maybe an hour's worth of tricks. Some have a lot less. It takes time to develop and learn most of the good magic feats and it costs a lot of money for the hardware to perform the big ones. Mark Wilson had to fill a half-hour every week. That's a helluva lot of magic to conceive, build, rehearse, etc. He also had to work out ways to make the magic credible on a series that was shot on film and obviously edited. The tricks weren't edited but the show itself was and that always reminds you that you're not seeing a live performance.

Thanks to every magic book that I was able to check out from the library, I could figure out how many of Mark Wilson's tricks were done, and that caused my young mind to occasionally wrestle with ethical issues. Wilson would proclaim every week that the magic was done without the aid of any camera tricks — and apart from the opening of the show and some bits in commercials, that seemed to be true. But then in the midst of an illusion, he'd say, "Nani is inside the box," and I knew darn well Nani was no longer in that box. When he said, "I'm putting the three of hearts in my pocket," I knew he actually had it in his other hand. So I'd wonder, at least with regard to the tricks I couldn't figure out: If he'd lie about Nani being in the box and about the three of hearts going into his pocket, is he lying about there being no camera trickery? I'm now sure he wasn't but there is kind of an odd moral standard at work in some magic.

The Magic Land of Allakazam was sponsored by Kellogg's cereal and the show was loaded with Kellogg's promotion. It was on CBS from 1960 to 1962 and then on ABC for a few more years before it disappeared. Wilson sells old episodes on DVD and has a whole website about the show and its history here. He also sells some pretty decent books and videos on how to do magic. Here's a little video that they built out of the show's opening titles. The odd edits whenever Rebo the Clown looks into the Magic Wishing Hat are because they've cut out little clips of Huckleberry Hound, Yogi Bear, Mr. Jinks and Pixie and Dixie that used to be in there. I bought some DVDs of the old shows (which alas, lack the Hanna-Barbera elements) and the whole episodes still have that old — the word is unavoidable — magic…

Friday Morning

It's been disturbing to see an insignificant pastor in Florida, the head of a church of no stature, holding the nation and media hostage with his threat of a big Koran bonfire. Is it now that easy for anyone to command the attention of the world and to do something that will change world opinion of America? If I get fifty friends together and threaten to torch someone else's holy books, do I get that much airtime and calls from important people? Wow.

I just saw our president's news conference in which he repeated the points that the proposed conflagration is (a) not what America is all about and (b) likely to endanger our troops. Both are valid but I wish he'd put a little more emphasis on (a) than (b). And of course, the big trouble with all this is that it is presently U.S. policy — started by Bush, continued by Obama and pretty much the last remaining justification for the Iraq War — that we are now trying to reach out to peaceful, reasonable Muslims. Burning their holy volumes and promoting Islamophobia might not be the best way to accomplish this.

And I find myself concurring with Glenn Greenwald that there's something amiss when we warn that this one wacko padre may wind up with blood on his hands but give a pass to so many who are dripping red and white corpuscles. We have this odd selective outrage in this country. It's been more than five years since the most important thing to some was that the heart of a woman named Terri Schiavo keep beating. How many other Terri Schiavos have died since then in like scenarios (or because they didn't have decent insurance) without any of those folks caring in the least?

The Man Who Once Said, "……."

harpomarx03

If you love Harpo Marx, you're going to have a great time prowling around a new Harpo Site, kind of an online museum being operated by Harpo's son, Bill. Bill's a great guy and this is a great website and stop reading this message and go look around.

And if you don't love Harpo Marx…well, I really don't want to know you then and don't care what you do.

Meter Reading

My friends in Los Angeles need to be aware of this. You know how if you parked at a parking meter and the meter turned out to be broken, you didn't have to pay? Well, you may not have known that but it doesn't matter. That's not how it works anymore. They're installing new, solar-powered meters and if you park at one and you can't put a coin in, you'll get a ticket. That's going to be real annoying.

I don't know how often this has happened: I'm going somewhere, fretting I'll be tardy for an important appointment…and there's no place to park. Around and around I drive, the level of fret increasing…

And then I spot an empty parking space!

I pull in, probably doing one of those time-consuming parallel jobs. I turn off my engine, unbuckle the old seat belt, gather what I need to gather, get out, head for the meter with coins in hand —

— and the meter's busted.

Now, I knew that in L.A. you didn't have to pay then but sometimes this happens in an outlying area like Santa Monica…and I'm not certain it's not different there. Sometimes also, I can't see why the meter isn't working and I fear it'll be fine once I leave my car there and go off…and I'll return to a ticket. Once in a while, I'll get back in the car and go off to find another space…and I realize that the reason that space was empty was because someone else either thought like I did or didn't know that it's ever legal to park at a busted meter.

Well, now it's not. So what's going to happen is that those spaces will be vacant and we'll all pull our cars into them, turn off our engines, unbuckle our seat belts, etc. — and then find out that the meter's broken and we can't park there. Like I said, that's going to be real annoying.

Today's Video Link

It's been a while since I've mentioned Big Daddy here. Big Daddy was a local (L.A.) band I followed for a number of years…a group of fine musicians who had a great gimmick. They'd take contemporary rock hits — the stuff that was then on the charts — and redo those songs in the style of the fifties…you know, kind of like, "What if Michael Jackson's latest record had been recorded in 1958 by the Platters?" That kind of thing. They were very clever and funny…and I liked their versions of some songs better than the hit versions. Alas, they no longer perform or record and most of their albums and CDs are outta print…though you can buy or download this one.

I linked to a couple of videos of their work here, here, here, here, here, here and even here. Today's video is someone's home movie from back when Big Daddy worked at Disneyland. They'd start each set by playing real fifties music and then segue over to their anachronistic delights. My thanks to Brighton Roc for telling me about this one…

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Policy Statement

The anniversary of 9/11 is coming up. This weblog shall show its respect for the tragedy of that day by not doing a single thing here to exploit its memory to sway public opinion or raise money. Thank you.

Today's Hamburger Report

Consumer Reports rated fast food burgers and here's what they and their readers decided. In-N-Out and Five Guys tied for first place followed closely by Fuddruckers and a couple of places I've never tried. McDonald's fared especially poorly, finishing well behind even Jack-in-the-Box, Burger King, Wendy's, Carl's Jr and White Castle.

Not that anyone's opinion matters but yours on a topic like this but I much prefer Five Guys to In-N-Out. I used to really like In-N-Out but my last half-dozen visits have all been disappointing and I've been wondering if they've changed or I have. Since their sales seem to be higher than ever, I'm guessing it's me. I'm not a big fan of McDonald's except that there are times, especially at airports, when they're just plain dependable and convenient…and maybe unavoidable. I still prefer them to Burger King and Jack-in-the-Box by a wide margin…and the last two times I went to Carl's Jr were the last two times I'll ever go to Carl's Jr. I like Wendy's, and White Castle struck me as a fun place to eat…once. (In light of McDonald's low rating, I assume none of the voters were factoring french fries into their evaluations. Five Guys really leaves In-N-Out in the dust if you're taking fries into account.)

By the way: If you do have to eat at a McDonald's, the best hamburger I've found there is the Quarter Pounder without cheese. This requires a bit of explanation. Once upon a time, you could go to a McDonald's and order a Quarter Pounder with or without cheese and they had both ready-made and rarin' to go…and probably sitting there for five or ten minutes before you ordered. At some point, they stopped pre-making them without cheese so now it's a special order and if you're lucky, they'll grill up a fresh (i.e., frozen) patty just for you. Any McDonald's hamburger has its shortcomings but they're all a lot better in the unlikely event you get them hot off the grill.

Thanks to Vince Waldron for letting me know about this survey. The gesture of my friend Vince is all the more touching when I consider that he's a vegetarian.

Today's Video Link

Here…meet my pal Colleen Doran, a very talented artist with an uncommon hunk of business acumen. Those two skills do not always go together, which is why you too often hear of creative folks who fear they won't be able to continue writing or drawing once their electricity is turned off. Or some of them do understand the "money stuff" but in any struggle between their creative impulses and common sense of livelihood, the latter loses out. (And what's really sad is when neglect of the contract or deal terms ends up wounding the work. I'm getting tearful calls now from an artist friend who's not only not being paid properly for his work, he's discovering he gave the publisher permission to destroy its integrity in a dozen different ways.)

So here's Colleen, who doesn't make such mistakes…and who is generously outspoken in advising others not to…

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Recommended Reading

Hendrik Hertzberg on the price of the Iraq War.

The last time here I wondered aloud about what the war had accomplished, I received two long e-mails from servicemen — one still in Iraq, one now over in Afghanistan, explaining Iraq from their viewpoints. They seemed to have been fighting completely different wars for different purposes and with different results.

Recommended Reading

I'm linking to this in large part because so many of you have sent me the link. TV scribe Fred S. Fox wrote the famous episode of Happy Days wherein Fonzie water-ski jumped over a shark. This triggered, years later, a phrase that entered popular speech — "jumped the shark." Mr. Fox is right that folks are misremembering if they think that scenario marked the demise of the series.

Go Listen To It!

Here's a clip I can't embed but it's sure worth a trip over to YouTube to hear it. It's audio only of the first three minutes of Johnny Carson's first Tonight Show for October 1, 1962.

Quick explanation: At the time, the Tonight Show was an hour and forty-five minutes in some markets, 90 in others. This was because some stations ran a 15-minute late newscast before it and some had a half-hour. So the show would start at 11:15 (10:15 Central) and they'd do whatever they did, going to a commercial break at 11:28 or so. When they came back from that break, the show would have another opening billboard and it would more-or-less start over for those just joining it. Once Johnny was ensconced as host, he'd do his opening monologue in the first fifteen minutes and do some comedy bit or maybe even have on a first guest who was expendable for much of the country.

But Johnny felt his monologue wasn't expendable. Later on when he was successful and had some clout, he began to object to the arrangement. He stopped doing the first fifteen minutes of his own show, leaving that to Ed McMahon and bandleader Skitch Henderson. They'd host that part and then Johnny would appear at 11:30 and do his monologue for the full roster of stations. Eventually, the first fifteen went away completely.

On his first night, they wanted all of America to see his debut so Groucho Marx came in, did the first fifteen minutes and then introduced Johnny. And you'll hear that intro if you click here. I didn't know this still existed and I am, of course, curious if the rest of this episode does.

Why Actors, Writers and Other Creative Folks Don't Get Hired

The other day I wrote the following here: "Even if you constantly produce quality material on time, there's another very good reason why you might not get hired or be able to sell what you write or draw. It's the same reason good, reliable actors are often unemployed." And I promised to elaborate. This is that elaboration…

Basically, the reason is that the amount of opportunities is finite but the number of applicants is not.

For the purposes of this discussion, I'm going to lump together people who want to write, people who want to draw, people who want to act, people who want to play major league baseball…all those professions where in one way or another, you audition and if the right person says, "Hey, you're the one," you get paid to do what you want to do. There are obviously differences between those professions but they share this in common: Lots of people want to do them and there can never be enough opportunities for them all. The roster of a professional baseball team is limited to 25 players. Obviously, there are a lot more than 25 people who dream of playing for the Yankees. Some of them may be extremely skilled but they're going to get turned away because the team can only accommodate 25 of them.

People who aspire to such jobs often forget this. They think of it as a contest: Can they prove they're good enough to get the person or persons who makes/make the selection think they're good? Yes, that's the game but it's only part of it. Because most of the time when you succeed at that, others have as well. You're not the only victor. The hiring entity has ten or twenty good people and one job…and that's when it comes down to whims or going eenie-meenie-minie-mo. Too many people, not enough openings.

The system by which such jobs are awarded is a subjective, unpredictable one. You and/or your work are evaluated. Someone makes a judgment based on taste or hunches or whatever. But no matter what criteria they use, no matter how they go about deciding who they want, there are this many people and that many jobs, and at some level, there's nothing you can do about that. Each year, 53 beautiful women are finalists in the Miss America pageant. Each year, 52 beautiful women don't win and wonder, "Why couldn't it have been me?" And the answer is that it probably could have been but 52 had to lose. It's not like the one who won is the only good-looking one in the crowd. They're all gorgeous. They all pretty much fit the criteria via which the decision is made. But there can only be one Miss America per year, at least until the nude photos surface.

I occasionally find myself in a hiring position and I don't enjoy it. Actually, I enjoy the hiring part but I really, really hate the calls and e-mails and not-so-subtle hints from friends that result in me having to say, "Sorry, there's no opening." That is much more often the case than, "Sorry, you're not good enough." Usually, it doesn't even get as far as me deciding if the person can do the job. I've already filled it so I don't have to decide if each new applicant is the best choice. But I know that usually doesn't satisfy them…and some of them get very frustrated or even angry.

If you make the decision that your profession is going to be one of those where you have to keep auditioning, literally or implicitly, it sure helps to understand that it will involve this Luck of the Draw. Being great at what you do doesn't get you jobs. It puts you in the first tier for selection, along with a batch of other folks who are great, for when there are jobs. To get angry or frustrated at this system is silly. It's like an unemployed plumber getting mad because not enough people have dripping sinks this week. If you can't accept this, you're just going to make yourself unhappy…and/or spend a lot of time trying to change a situation that you're powerless to change.

Today's Video Link

Here's some footage I never thought I'd see…one of those things I assumed was long since lost to the world. In August of 1963, Allan Sherman guest-hosted Johnny Carson's show for a week. I loved Allan Sherman and begged my parents to allow me to stay up late enough to watch. They lovingly said no. Not on a school night…and for reasons I can't recall, I don't think I even saw him on Friday night, when there was no school the next day. Yet here's a few key minutes of that week on YouTube…

Mr. Sherman hosted from Monday, August 5 through Friday, August 9. On Monday's show, he came out and issued a challenge to Cary Grant, who at the time was about the handsomest, classiest man in the movie business…and someone who'd never really done television. Sherman explained that the short, pudgy guy we all saw on TV and on the covers of his record albums was a character he'd created; that he really looked just like Cary Grant but that the other look just seemed more fitting for a guy who sang quasi-Jewish song parodies. The challenge was to come on the program and allow America to make a side-by-side comparison and determine which of them was the more adorable.

That was on Monday. On Tuesday night's show, Sherman came out and announced he had not heard a peep from Cary Grant. This, of course, was an admission that Cary was afraid to let the public decide. And then on Wednesday afternoon, Sherman received a telegram of concession from Grant and on Thursday, an off-the-air phone call. I believe Grant apologized to him, explaining that he was shooting a movie (probably Charade) or he'd have flown back to New York and appeared on the show to properly button the gag. But Sherman had fun with it, anyway. The video below starts with the opening of the show from Wednesday night, then cuts to a statement he made on Friday night to sum up. My thanks and amazement to Barry Mitchell for digging this up…

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The Truth!

Vern Morrison did some research and determined that the correct date of this morning's Johnny Carson clip is Thursday, January 9, 1964. Thanks, Vern.

By the Way…

I just noticed that the banks are closed today, there's no mail delivery and most folks have the day off. I'm impressed…all that just because it's Sergio's birthday!