Atul Gawande writes about how the current Health Care Reform proposal would get coverage for a lot of people but how it doesn't do much, if anything, to bring down the cost of medical care in this country. So it's kinda solving half the problem. Thanks to Steve Oelrich for calling this article to my attention.
Monthly Archives: December 2009
Today's Video Link
You know what I always thought was wrong with Guys and Dolls? It's always cast with adults. It works much better with kids…
Bill of Unfare
How to design a menu to get people to order the more profitable items.
Recommended Reading
Retired surgeon John Gary Maxwell spent an awful lot of years dealing with the health care situation in this country. Here's his take on what's wrong with it. He thinks it's silly for people to fear the "socialization" of medicine. He thinks it's already socialized…but with a large chunk of its revenue diverted into profits instead of on healing the sick and the injured.
Recommended Reading
Matt Yglesias has a criticism of the Taibbi piece that seems much more on-target than the others to me.
Recommended Reading
If you're following the debate over Matt Taibbi's Rolling Stone piece, you're going to want to read his response to the first rebuttal to which I linked. I'm not sure who's right here on the main thesis but I think Taibbi's right that some of the specific errors cited are either not wrong or do not impact that thesis.
Irving Tripp, R.I.P.
I would be remiss if I didn't note the passing at age 88 of the extremely prolific comic book artist, Irving Tripp. I was already too remiss by not being aware that Mr. Tripp, who retired around 1983, was still with us. Tripp produced thousands of pages of fine comic art during his career, about 95% of which featured Little Lulu or the other moppets from her little world.
Lulu started life as a magazine cartoon by Marge Henderson Buell but was better known for her appearances in animated cartoons produced by Paramount Studios…and even better known for a run of Dell (later, Gold Key) comic books that were issued, beginning in 1945, in response to the popularity of those cartoons. A talented gent named John Stanley handled the conversion to the comics, writing and drawing her adventures and creating most of her supporting cast. By 1948 or '49, demand for increased frequency of Little Lulu comics was such that Stanley couldn't handle it all. The editors at Western Printing and Lithography — the firm which handled the editorial and printing work for Dell then — paired him up with one of their artists, Irving Tripp.
Thereafter, Tripp did most of the art while Stanley wrote, occasionally drawing a cover or story. Lulu scholars have been known to argue over whether certain works were drawn by Stanley or Tripp or both. Like many of the writers who worked for Western, Stanley sketched his stories out on typing paper, handwriting out the dialogue and doing rough drawings of the scenes. This has prompted some to credit the work completed by Tripp in some form like, "Layouts by Stanley, finishes by Tripp," and that may be accurate. But since in most cases, the original sketched script by Stanley is unavailable for inspection, there's no way of knowing to what extent Tripp followed Stanley's designs and placement. He probably did most of the time but perhaps not always.
Stanley burned out on Lulu around 1959 and thereafter, Tripp drew scripts by others for the book for more than twenty years. He also worked on some of Stanley's other projects for Western. In 1962 (as explained here), Western parted company with Dell and thereafter, Stanley did most of his work for Dell. Tripp occasionally worked on some of these comics, such as the Clyde Crashcup book above.
Tripp seems to have retired about the time Western stopped publishing comics so he worked for the firm for a little over 40 years, not counting several years in the Army during World War II. Someone else will have to do the math on how many pages he drew but it's a staggering total and their quality had everything to do with the enduring popularity of Little Lulu. Tom Spurgeon has more.
Breaking Kogen News
I received this from Arnie Kogen, who's been writing for TV (and selling his rejections to MAD magazine) for many years…
Caught today's News From Me. It was informative and entertaining as always. Especially the Dave Berg piece. As far as "The Breaking Frazetta News," a similar incident happened in my life. After a recent family dispute, my son, Jay, was accused of illegally breaking into the "Arnie Kogen Museum" on Ventura Boulevard. The contents inside, TV sketches, sitcom scripts and MAD Magazine pieces had a street value (Ventura Boulevard) of approximately $150-200. Jay was accused, not of swiping material, but of trying to sneak his scripts, his Simpsons, Frasiers and Malcolms into the museum to increase the value of his Dad's paltry collection. He was caught, led away, and sentenced to four days reading old Thicke of the Nights and Jim Nabors scripts.
Yeah, but did he use a backhoe? It doesn't count if he doesn't use a backhoe.
Seriously, that whole Frazetta story sounds messier and messier. We've been hearing for some time that Frank Senior was in failing health…sad in anyone but especially in a guy like Frank who always seemed so strong and athletic, in addition to being so obviously gifted. His wife Ellie, who handled his business matters, passed away last July and one presumes the current family disputes have erupted because she's out of the mix. I have no idea who, if anyone, is in the right and it doesn't matter to me how the worth and custody of the great Frazetta paintings is divvied up…but it would be nice if the artist himself didn't have to deal with this crap…ever and especially not at this stage of his life.
Actually, it would also be nice if the paintings remained available for public exhibition. I've always wanted to make a trip to the Frazetta Museum but I never had the time. Or a backhoe, which is apparently what you need to gain entrance these days.
Today's Video Link
Tom Lehrer. For obvious reasons…
Recommended Listening
BBC Radio is airing a two-part audio documentary on the Monty Python comedy albums. Part One can be heard at this link but only for the next few days. I'll post a link when you can listen to Part Two. And we have Greg Ehrbar to thank for letting me know about this.
Recommended Reading
Andrew Leonard does more correcting and disagreeing with that Matt Taibbi article.
Gene Barry, R.I.P.
Quite a few e-mails have asked me, "Where's your Gene Barry obit?" I wasn't going to post one because I have no special insight or experience with Mr. Barry to share. I enjoyed him in his many TV shows and I thought he was quite good in the musical, La Cage Aux Folles. I have no idea if Mr. Barry had an ounce of gay in him but if he didn't, he did a great job of acting like he did…and if he did, he did a great job of playing one who was good at passing for straight.
I told him that the one time I met him…a brief chat at one of those Hollywood Collector Shows. We also talked a bit about the Bat Masterson and Burke's Law comic books that people were bringing to him for autographing. He hadn't seen much of them back when he was starring in those shows and was only now discovering what was in them. (I identified for him the artist he thought drew him best. It was Gene Colan.)
Pre-Masterson, Barry had been a Broadway actor and a successful one. In 1983, he startled many by returning to the stage there as one of the leads in La Cage Aux Folles. Today, it would not be risky for a "leading man" type to play gay — whether he actually was or wasn't — but back then, a lot of them would have feared damage to their reputations. The job resurrected Barry's acting career and I doubt too many thespians worry about such things these days, thanks in part to the courage of Gene Barry.
He seemed like a nice man. He had a great career. That's about all I have to say. Here's a link to a real obituary.
Funny Book Report
There have been an awful lot of books released lately about comedians and comedy writing and just, in general, being funny. Back here, I recommended William Knoedelseder's book, I'm Dying Up Here, which is all about Comedy Store and about the 1979 strike that occurred there.
I would also recommend The Second City Unscripted by Mike Thomas, which is an oral history (i.e., a buncha interviews) with performers and writers who passed through the portals of the Harvard of improv comedy. There have been other books of this sort but this is one of the best…and being the most recent, it includes Stephen Colbert and other recent superstars of the Second City style of mirth. There is much to be learned herein by actors, even if they never venture into improv, and about how to play well with others.
And I'd also recommend Last Words, the posthumous autobiography of George Carlin. I dunno how much of it was written (or dictated) by Mr. Carlin before he left us and how much was the work of his co-author, Tony Hendra, who completed the work after. It's a pretty seamless whole though, and a nice insight into the life of the gent I think is the best stand-up comedian who ever lived. My one little quibble with it has to do with George's legendary Change of Life — the point in his career when he shifted from being a short-haired comedian entertaining the Merv Griffin audience to a long-haired one aiming at a younger audience. No doubt it was wrenching and courageous and ultimately satisfying for the man…but I always thought he was a bit of a pretentious bore on the topic, treating it as a major turning point in American culture. Since he was never pretentious or boring about anything else, it really stood out, and this book gives it a bit more importance than I think it deserved. But hell, he was George Carlin and he did plenty to erase pretension and fraud from our lives.
Lastly, I have less enthusiasm for Twenty-Nine Years of Short-Term Memory Loss, the autobiography of Tom Davis, who with Al Franken was a charter writer (and occasional performer) on Saturday Night Live. I always liked the man's work (or at least, the team's work) but his book rambles and it skips over vast gaps of his life and you can tell it was written by a fellow who did an awful lot of drugs. That is, you could tell if he didn't mention it on almost every page. His recollections of certain events are at odds with what has been reported elsewhere. Compare, for example, his account of the death of comedian Steve Lubetkin to what is said about it in the Knoedelseder book. Starting with his title, Davis makes a joke of how much he doesn't remember and then proceeds to prove it, even to the point of sharing e-mails he sent to Franken asking him to refresh his recollections. If you're interested in the early days of SNL, there are some good anecdotes and insights but it's one of those books where you want to reach in, tap the author on the shoulder and ask a lot of follow-up questions.
I have a whole pile of other books on comedy to get through. Watch for a follow-up post one of these days.
Recommended Reading
Tim Fernholz believes to have found many an error in Matt Taibbi's Rolling Stone piece — the one to which I linked a little while ago here. So if you read Taibbi, read Fernholz.
Today's Video Link
It's about time to start linking to some of the Christmas videos that people like to watch every year…