Go Read It!

The Comics Journal website has posted an interesting conversation between cartoonists Stan Sakai and Chris Schweizer that's well worth your attention. And I can't resist expanding on the following, which was said by Stan…

When I was doing freelance work I met Sergio Aragonés, and he invited me to a C.A.P.S. meeting, The Comic Arts Professional Society. It was an organization of print cartoonists started by Sergio, Mark Evanier, and Don Rico. There are so many comic-book artists in the Los Angeles area, but we never socialized. I joined the second year. I was told that the first meeting was in a church in Hollywood, and it was booked right after the Gay Christians Organization or something like that.

The first two C.A.P.S. meetings were held in June of 1977 at the West Hollywood Presbyterian Church up on Sunset Boulevard in Hollywood, near where Don Rico and his wife Michele were then living. They went there occasionally and knew the minister, who was a flamboyant man named Dr. Ross Greek. On their suggestion, I went up to see him and check out the meeting room he had there.

Dr. Greek, I later learned, was a true mover/shaker of the area. He'd spent much of his life running this and other churches, usually staying only slightly ahead of financial ruin. He had an admirable track record for taking in kids (runaways, especially) who were homeless and/or on drugs and helping them clean up, straighten out and just plain survive. He was also a founder of something called the Lazarus Project, which has been described as "a ministry of reconciliation between the church and the lesbian, gay, and bisexual community." He passed away in 1995 and is still revered in that community.

He was an energetic, happy man who was somehow doing about eleven things at once that day. One of them was showing me the hall they had there…a facility, he said, that was open to any sort of group that looked like it might do anybody any good, no donation required. I decided it would be a decent place for this group we were trying to start and gave him $50 — which from his reaction was a lot more than anyone else had donated lately. When, I asked him, might the room be available?

He led me over to a wall calendar, studied it and said, "Well, we could squeeze you in on Thursday nights between the Lesbian Softball Team and the Alcoholic Gays." I said that would be fine and he took a pen and wrote us in…so the calendar then said…

Lesbian Softball Team
Comic Book Artists
Alcoholic Gays

…and I wondered if anyone was going to look at that calendar and say, "You're letting comic book artists meet here?"

Another Nice Memory

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Our pal James H. Burns writes a nice little piece for the Village Voice about a treasured holiday recollection: Watching Laurel and Hardy in March of the Wooden Soldiers. And a great little movie it is, too. In fact, I remember that when it was colorized, film buffs who ordinarily decry that process as vandalism either didn't notice or didn't object too strenuously. It's such a colorful film in its original black-and-white that a lot of folks thought it was always in color.

Merry Today!

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Christmas was never that big deal in our house, at least not after I hit age 10 or so. This was not because we were mostly Jewish. We observed every holiday we could find. If we'd known what it was, we would have celebrated Kwanzaa…but like all our holidays, with great restraint. We just never made that much fuss about any day.

My Uncle Aaron had been in the business of manufacturing store window displays and he gave us crates of leftover Christmas ornaments. So each year when I was a kid, we bought and decorated a tree, in part because we had twenty cases of decorations in the garage and it seemed like a shame to not put some of them to use. Eventually though, it began to feel more like an annual obligation than a pleasure…so we gave all the balls and snowflakes and garlands to a local charity and I'm sure the holiday baubles thereafter yielded more joy for more people than they'd ever given us. By the time I hit my teen years, we'd managed to whittle Christmas down to a family dinner and a brief exchange of presents.

I had friends who somehow managed to devote most of every December to Christmas…and often, it required a running start commencing shortly after Halloween. For them, the yuletide seemed to come with great excitement but also with all manner of stress factors relating to buying gifts, decorating homes, throwing parties and consorting with relatives who fell into the category of "People You'd Avoid At All Costs If They Weren't Family." So all the merriment was accompanied by a lot of angst and expense. A classmate once told me his father had found it necessary to arrange a bank loan that year just so he could afford a proper Christmas. That didn't sound like a holly jolly time to me.

We had none of that. No one felt pressure. No one went into debt. Everyone would somehow convey a few suggestions as to what they might like as a gift, and always an affordable one. That meant no one had to agonize too much to decide what to buy…and no one wasted their money on something the recipient didn't want or would never use or wear.

It all worked well but for a long time, I saw the huge productions that others made of Christmas and felt like I was missing out on something. Christmas was a special day but it wasn't as special to us as it seemed to be to others. I was well into my twenties when I figured out what was going on there. I was then going with a lady who dragged me into her family Christmas arrangements that year. Hours…days…whole weeks were spent planning the parties, the dinners, the gatherings. She spent cash she didn't have to buy gifts and purchase a new party-going outfit for herself…and the decorating took twice as long as Michelangelo spent painting the ceiling of the Sistine Chapel.

It seemed to me more like a chore than a celebration, and one night I asked her why she went to so much trouble. She said, "Christmas is important. When I was a kid, It was the one time of the year when we all got along…or came close to getting along."

There it was. She'd come from a large and dysfunctional family. Siblings were forever fighting. Parents drank and split up and got back together and screamed a lot and separated again. There was much yelling and occasional violence…

…but not as much at Christmas. Christmas was when they managed to put most of that aside. Christmas was when they generally managed to act the way they should have acted all year. That was why, when it came around, they made so much of it.

We never had to declare a holiday cease-fire in my family. We always got along. There was very little arguing between my parents or between them and me, and what little occurred never lasted long. I never had fights with brothers or sisters because I never had brothers or sisters. And my folks and I were known to give each other gifts for no special occasion and to occasionally get the whole (small) local family together for a big meal. So Christmas wasn't that much different from the way we lived all year.

A year or two ago, I told a friend all of the above and his reaction was on the order of, "Gee, too bad for you." Because in his household, Christmas was wondrous and festive and the source of most of his happy childhood memories. I never saw it that way. I have loads of happy childhood memories. They were just no more likely to occur around Christmas than at any other time…and I liked it that way. I mean, you can have Christmas once a year or you can have it 365 times a year. Peace on Earth, good will towards men doesn't have to stop later tonight.

Today's Video Link

Here's a charming bit from Late Night with Jimmy Fallon…and I think it points up what's wrong with the show. Observe how little Mr. Fallon brings to the number. Granted, anyone appearing on TV surrounded by Muppets is by definition going to be the least-interesting person on the screen. But he doesn't react. He doesn't interact. All he does is stand there and look like a nice guy…which from all reports, he is. Every time I've tried watching his program, that's what I see…Jimmy Fallon being pleasant without giving his guests anything to play off of. I really want to like him but he sure doesn't make it easy.

VIDEO MISSING

We Have A Winner!

Winners (plural), actually. E-mails arrived simultaneously from Jack Lechner and Brian Carroll identifying the song I asked about as "Little Green Bag," recorded in 1968 (much earlier than I thought) by a group called the George Baker Selection. Needless to say, I had the lyrics all wrong. The part I quoted actually goes…

Lookin' for some happiness
But there is only loneliness to find
Jump to the left, turn to the right
Lookin' upstairs, lookin' behind, yeah!

Thank you, Jack and Brian. Now, that's off my mind.

Name That Tune!

Okay, let's see if this works. There's a song I keep hearing on the radio that I can't identify…and I can't even make out most of the lyrics. I thought I'd describe as much of it as I can and see if anyone here can tell me what it is, who recorded it, anything. It's a loud, up tune and I'm guessing late eighties or early nineties. The vocal goes roughly like this…

Looking for some loveliness
But there is so much loneliness you'll find
(Something or other)
Look to the left
Look to the right

I probably have most of the words wrong but does that jog a memory for anyone? Maybe they're saying, "Lean to the left, lean to the right." I don't even like the song that much. I just need to identify it to get it out of my head.

Recommended Reading

If you still feel the health bill should have been a lot better, read Nate Silver. He makes a pretty convincing argument that it's pretty good.

Today's Health Care Posting

I was up working at 4 AM Pacific Time so I got to watch live on CSpan as the Senate passed the Health Care Reform bill this morning. I have decided it's a good thing…or at the very least, it will become a very good thing with fixes and amendments yet to come. Conversely, I feel that not passing anything of the sort — and I see no reason to assume that the Republicans currently in power ever would — would be a bad thing. I am not as Liberal on all issues as some of my correspondents believe but, you know, they say a Conservative is a Liberal who's been mugged. A militant for Health Care Reform is a middle-of-the-road guy who's had friends go bankrupt or even (literally) die because they couldn't afford or qualify for health insurance. The statistics show it's a common malady verging on an epidemic.

Some of the criticisms of the bill strike me as out-and-out lies; of folks who'll say anything to kill it believing too fervently their own fibs. But some of the complaints are on-target and valid and will need to be addressed. For what it's worth, the Howard Dean contingent convinced me there are flaws but not that we shouldn't take what we can get now, commit to the goal and begin getting more people covered. An awful lot of human beings would lose their lives or homes while we waited for a bill that got all the bugs out…and it probably still wouldn't get more than 60 votes. Heck, if Joe Lieberman didn't see it as a way to make insurance companies richer, it wouldn't even get 60.

Jonathan Chait summarizes why he thinks this is a great bill. I'd like to be as enthusiastic as he is, and I hope he's proven right. Right now, I'm viewing it as just a real good start.

Recommended Reading

James Warren covers a panel discussion with Stephen Colbert. Lots of insights and even some truthiness.

Go Hear It!

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Back in 1975, fandom entrepreneur Alan Light, who founded what we now call the Comics Buyer's Guide, had an idea. He recorded most of the panels at that year's San Diego Comic Con and issued excerpts as a long-playing, 33 and a third RPM record. I bought one and still have mine, though I don't think I ever got around to listening to it. Apparently, not enough of us flocked to purchase the thing because Alan never did another.

With his permission, a new website called Comic-Convention Memories (run by the same folks who gave us the Shel Dorf and Ken Krueger tribute sites) has digitized the record and you can listen to tracks online. There's some neat stuff there with Jack Kirby, Jerry Siegel, Ray Bradbury, Daws Butler and June Foray and many more. Here's a direct link.

Also on the site is an article I wrote in 1974 about the local (i.e., Los Angeles) comic book convention scene, particularly about a series of monthly one-day cons that a friend of named Greg Koudoulian was operating. Not long after this article ran, Greg got too busy with other matters to continue them so I conned another friend, a fellow named Mark Shimmerman, into taking up the cause. If I get a moment later today, I may reminisce about them because they were a lot of fun. When you have a con with cheap admission and cheap dealer tables, it leads to dealers selling comics real cheap.

Recommended Reading

Chris Cillizza offers up thought on a president's (any president's) first year in office.

I am not displeased by Obama's, though some of that is because Bush lowered the bar so damn low. I mean, Obama could sell a couple of states as cheap Buy It Now offers on eBay and we'd still say, "Well, he's better than the last guy." I am disappointed that he's reversed himself or hedged on some progressive promises like ending "Don't ask, don't tell" and — despite his technical denial that he ever campaigned on the issue — a public insurance plan. But I also recognize that he's facing a Republican wing of Congress that would filibuster his order from Papa John's Pizza…so maybe it's all understandable.

By the way: I am still amazed that this president — who won't mention terms like "single payer insurance" or "more progressive taxation" is viewed as a "Communist" by so many of his opponents. One of the more interesting exchanges during the election, I thought, was when Jon Stewart was chatting with Bill Kristol and Kristol predicted (in a rare instance of William Kristol being right about anything) that Obama would be a fairly moderate, slightly-left-of-center Chief Exec. Mr. Stewart then made the comment, with which Kristol could scarcely disagree, that folks like him knew that and believed that…but were willing to paint the guy as a Commie because they thought it would get votes.

I think that is still the basic operating strategy of the Republican party. What I don't get is why if they're going to call Obama a Stalinist no matter what he does, he doesn't just figure he might as well lean a little more to the left…say, about as far as Richard Nixon did.

The Most Effectual…

Arnold Stang was, as we all know, the voice of Top Cat. But he wasn't the first voice. Apparently, when the show was developed, the Hanna-Barbera crew had in mind to employ the Phil Silvers-like delivery that their star actor, Daws Butler, also supplied for Hokey Wolf. Daws does not seem to have actually recorded any episodes before the decision was made to seek another voice. Why? When I asked him, Joe Barbera said he didn't recall so we're left to speculate.

Perhaps the studio feared that the show would come out so close to Bilko that someone would sue. It was similar in so many ways and they weren't helping differentiate it by hiring Maurice "Doberman" Gosfeld to supply the voice of Benny the Ball. (Interestingly, shortly after Top Cat ended production, Allan Melvin — who'd played one of Sgt. Bilko's two corporals, became the star of several H-B cartoons…and Harvey Lembeck, who played the other corporal, turned up in a few unbilled roles on Hanna-Barbera shows.) Or perhaps there was the fear that the Hokey Wolf voice was too identified with that character or with kids' shows.

In any case, the studio cast a character actor named Michael O'Shea to play Top Cat. O'Shea was a minor star in 50's television. He was nominated in 1955 for an Emmy as "Most Outstanding New Personality" but lost to George Gobel. (So did another nominee in the category that year, Walt Disney.) Mr. O'Shea was married to actress Virginia Mayo and did mainly bit parts in movies and TV shows throughout the sixties and seventies when, it is said, he also worked for the C.I.A. in an undercover capacity. He does not appear to have done any other animation voicework.

O'Shea recorded four or five episodes of Top Cat before the decision was made to replace him. My pal Earl Kress and I have wondered if at any point, they considered giving the role to Jerry Mann, an actor who was doing some work for the studio at the time, usually supplying a voice that was in the Phil Silvers ballpark, though not as close as Daws' semi-impression. Barbera seems to have liked Mann's Silvers-like voice and employed it in several installments of The Flintstones, including giving it to Dino in the one episode where the loyal pet spoke.

Arnold Stang was an odd choice, as he was usually associated with milquetoast, whiny characters and Top Cat was a cool, confident fellow. But someone thought he was worth a read and when he auditioned, Hanna and Barbera liked what they heard. Before the week was out, they had him signed and he re-recorded the relevant lines in the shows that had already been done. He was quite wonderful in the part. (Ironically, a few years after the show was cancelled, Arnold relocated to the East Coast and so he was unavailable when H-B featured Top Cat in a guest appearance on a kids' record. When that happened, they usually had Daws Butler do the Hokey Wolf voice…and Daws also used it in one episode of Top Cat where he played a rival con-man/feline. Arnold did return to do T.C. in the 1985 series, Yogi's Treasure Hunt.)

While we're talking Stang Voice History: Many obits note that Arnold was the voice of a character called Shorty who served for a time as Popeye's sidekick in wartime cartoons produced by Famous Studios. They make it sound like a long, important gig. Just for the record, Shorty only appeared in three cartoons and Arnold only did his voice in the third, Moving Aweigh. The first two were Happy Birthdaze and Marry-Go-Round, and Jack Mercer supplied Shorty's voice in them. The character looked a little like Arnold (more so in the third cartoon) and sounded a little like Arnold even when Mercer did the role…but though Arnold was heard in many Famous Studios cartoons, including a few other Popeyes, he only played Shorty in one.

Today's Video Link

From a 1962 special on ABC which aired not long before he took over The Tonight Show, Johnny Carson introduces Carl Reiner and Mel Brooks. They then perform one of those routines that no one remembers was also on their first 2,000 Year Old Man record…

VIDEO MISSING

Today's Free Plug

I get a lot of press releases, ads from friends, things like that. I've decided to only run ones from folks who (a) I know and (b) who send them to my special e-mail address for press releases and (c) who don't also send them to my regular e-mailbox. Here's one…

Aardwolf Publishing is taking pre-orders on The Whorehouse Madrigals, the newest dark fiction collection from Clifford Meth. With a cover by fantasy award-winning artist Kelly Freas (his last ever!), an introduction by "Handsome" Dick Manitoba (of the legendary proto-punk band The Dictators) and illustrations by the brilliant rising star Mike Henderson, The Whorehouse Madrigals contains Meth's best work to date. Solicited for $13.95 in this month's Diamond Prevues, you can advance order the book now for $9.95 postage-paid and have your book signed. Aardwolf is offering the collection with a double-your-money-back-if-not-delighted guarantee. How's that for confidence? Please visit www.aardwolfpublishing.com.