Creem was an irreverent rock magazine founded in 1969 and flourishing in the seventies…and I think it even made it into the eighties. It has been revived in online form at this site.
Currently featured is this article about Marvel's Conan the Barbarian comic book. In it, writer Jeffrey Morgan says that Jack Kirby left the company in 1970 because they didn't assign the art job on that comic to him. This is nonsense. I was working for Jack a month before he left Marvel and he couldn't have cared less about Conan. Jack never liked handling other folks' characters and I doubt he'd ever read a Conan novel. Also, the Conan comic book was always going to be written by Roy Thomas, and as Roy has noted in several different articles, Jack didn't want to work with any writers but Stan Lee. (That was not a criticism of Roy. Jack had simply decided he didn't want to work "Marvel method" any longer, drawing a comic from a plot instead of a full script. Roy did not write full scripts. Neither did Stan but he was the boss so Jack didn't have a lot of choice there.) Roy has also pointed out that it was out of the question then for someone like Kirby or even John Buscema to draw Conan. Kirby and Buscema were receiving Marvel's top page rate and since the publisher had no confidence in Conan, and also had to pay a licensing fee for the rights, the book had to be drawn by someone receiving a low rate.
Morgan also describes a visit to the Marvel editorial offices in August of 1970 and says that the walls were covered with F.O.O.M. (Friends of Ol' Marvel) posters by Kirby that had been slashed to demonstrate how someone felt about his defection to DC. Actually, F.O.O.M. wasn't invented until 1973. If there were Kirby posters up, they were Marvelmania posters. And if they were slashed, I can't imagine why since when I visited those offices in July of 1970, everyone there wished Jack well, gave me warm notes to take back to him, etc. They were probably not as warm to the topic of Kirby over in the business offices but they sure loved him in the editorial division.
Apart from all that, you might want to take a look at the piece, which is a review of the new Dark Horse reprint of the early Marvel Conan comics. I haven't seen that volume yet but I hope someone notes that Roy Thomas deserves praise for suggesting a book that challenged all the established notions then of what would sell. He stuck with it despite predictions from everywhere that it would bomb big, and he built it into one of big successes — financial and creative — of its day. I don't think he's received enough credit for that little feat.