Nice little article on Dan Castellaneta.
Monthly Archives: August 2004
E-Mail Woes
I'm having some problems with my e-mail. If you sent me something in the last day or two and haven't received a reply, I may not have received it. I'll tell you when things seem to be fixed and perhaps you can send it again.
Recommended Reading
Here's a pretty good dissection of the "Swift Boat Veterans for Truth" commercial and the response produced by the MoveOn people.
Return of the King
In 1971, Jack Kirby made a kind of half-hearted effort to get into publishing his own work. He and his son Neal formed a company called Communicators Unlimited, with myself and my then-partner, Steve Sherman. Jack really didn't have the funds to be a publisher, the rest of us were woefully low on know-how, and others did their best to convince Jack it was a bad course for him…so Communicators Unlimited only issued a couple of folios and prints, plus one rather nice book. Copies of Kirby Unleashed now go for a nice piece of change in the rare occasion that you can find one. Fortunately, you don't have to go hunting. This December, TwoMorrows Publishing will bring out what I'm sure will be a lovely facsimile of this legendary biography/portfolio created in Jack's studio using his own files. Best of all, Steve and I will get the chance to correct some of the dumber typos we made. Sounds like a must-have to me.
Free Pix
If you're going to a Target store between now and Sunday, and if that Target store offers digital photo service on the premises, you might want to print out and take along this coupon. It's for 25 free digital prints and I don't see any catch.
Florida Aftermath
There are quite a few veteran comic book artists who've retired to Florida and who found themselves in the path of Hurricane Charley. One of them, Nick Cardy, was evacuated from his home town to another city…and then Charley made an unexpected turn, missed the town where Nick's home is and slammed into the city to which he'd been relocated. But Nick is fine and insofar as I can tell, so are all the other artists who live in the state. Deep exhale.
Color Me Purple
On the topic of colorization, I've received…well, more messages than I have time to answer, either one-on-one or in some proper posting here. It's a complex subject because it gets us off on the topics of, for example, who has the creative moral authority to say that a proposed change in a movie or TV show is proper? Or if we agree that a certain alteration in a movie is "wrong," should that be a matter of law or merely of consumer avoidance?
I don't have set-in-stone opinions about much of this. I do think that an awful lot of what is done to old movies in their conversion for free TV or home video constitutes a revision of the original work. One example of many: The mania of film buffs to locate and restore excised footage — even scenes the filmmakers wanted out — makes for a change that I think is sometimes greater than colorization. But that's generally considered an act of preservation and respect, not of desecration.) The point I was trying to make was that the old dire prophecy that a colorized It's a Wonderful Life would obliterate the original has not occurred. To me, the only problem with those new Three Stooges DVDs that offer both colorized and original versions is the price tag.
I'll write more about this when I have a chance. Today, I'm spending way too much time arguing with a company that wants me to pay $338 more on a cellular air time contract for a phone that no longer works. They'll gladly replace the busted phone for $199 or I can get it for $49 if I sign with them through August of 2006. You can just imagine how happy this makes me.
Tales of Terror (cont.)
To further complicate matters, there's a poll out today that shows Bush and Kerry tied in Colorado.
Tales of Terror
Here's a nightmare scenario. Colorado is placing on its November ballot, a proposition which would have its nine electoral votes divided in a proportionate manner — no "winner take all." If passed, it would go into effect before the next Electoral College convenes in December to pick the winner of the Bush-Kerry contest.
Now, this would probably be good for Kerry. At the moment, Bush is polling at 48% in that state with 43% for Kerry. Bush will probably win in Colorado so in the absence of this change, he'd get all nine votes. If this new rule goes into effect, Bush would probably get 5 votes and Kerry would get 4…or it might be 6-3. The point is that Kerry will probably get a few votes that he would not be receiving without the change.
The "nightmare" part of this would be if it goes through and Kerry wins the country by a few electoral votes. Does anyone think the Republicans would then not sue to invalidate the change and demand that all nine votes go to Bush? And suddenly, we're back in the Supreme Court.
Obviously, I hope that Bush loses in November. But what I really hope is that we have a clean election where the losing side doesn't have ample reason to think they were robbed, and the winning side doesn't have to pretend that their guy won fair and square.
More on Colorization
Kevin Boury writes a response to my message about the colorizing of Moe, Larry and Curly…
Mark, Mark, Mark…I can only imagine your furor if someone went back and changed the entire color scheme of, say, New Gods#1 to make it more appealing to today's youth. While they are at it, how about some new backgrounds for Groo #20 so that there won't be as many people in the crowd shots to distract today's readers with their shorter attention spans?
I've got it… Let's rewrite It's a Mad, Mad, Mad, Mad World to make the jokes more relevant to today's younger markets. And then we'll add some digital performers, like Brittney, to some shots so the kids will pay to see their hottest stars in a cameo role. Ooh, laser beams. What that movie needs is laser beams. Howzabout instead of a group of palm trees, the lasers make a big "W" in the sky and then a lot of cool effects and some smoke and change the soundtrack to Jessica Simpson. Or better yet…It's a Mad, Mad, Mad. Mad World with the Kids from American Idol. I am sure you would have no problem with that.
Or when they start to colorize The Dick Van Dyke Show so that today's children will be enticed to watch it. Too bad they can't just watch it for the writing and the acting. That's why I did.
Taking the last of these "suggestions" first: I'm not sure anyone has suggested that colorizing The Dick Van Dyke Show will attract consumers who were avoiding it just because it was black-and-white. Once upon a time in the Great Colorization Debate, that kind of notion was batted around but I don't think anyone is currently colorizing old films with that as a motive. Rather, the idea now seems to be that colorization can create a kind of variant edition. Remarketing what you've already marketed is a big thing in many industries these days but nowhere more than in home video. You know…they put out your favorite movie on DVD and you buy it. Then a few years later, they put out the new, improved version with the better transfer, audio commentary, documentary on "the making of…" and deleted footage. That gives them the chance to get you to buy it again, plus they can proclaim a "new" $29.99 event which might snag consumers who haven't bought the old version which is now marked down to$9.99, anyway. Colorizing, by and large, is a way of offering a new incarnation of something you already own.
I now have all the episodes of The Dick Van Dyke Show on DVD in their pristine, black-and-white state. I don't think they'd make much more money by releasing colorized versions but if they did, I don't see how this harms me. I ain't gonna buy 'em. The only way I can see myself objecting is if (a) the colorized versions replace the originals and make them hard to acquire or (b) if Carl Reiner and Dick Van Dyke raise a stink. I doubt either of these will happen. If it's done, it will probably be done with their consent…and if they aren't outraged, why should I be?
When someone discusses altering a piece of creative work, I think you have to go on a case-by-case basis and ask what aspects of the work should be sacred. Then you have to consider whether it's being done well or not. Your Mad World example sounds lousy to me, just as you intended. Recoloring New Gods #1 sounds like a wonderful idea. Jack Kirby hated the way it was colored in the first place. Obviously, if someone recolored the book and made it worse, that would be bad but I don't think that's an argument for not recoloring it at all. To me, insisting it should be just the way it was in 1970 is like saying that if you reprint a novel, you shouldn't fix the typos. Moreover, if you reprinted New Gods today, you'd almost certainly be printing on whiter paper with brighter inks and a wider palette, and the old color scheme might look even worse than it did originally. So it's not going to be faithful to the original either way, which is often the case when you transfer work from one medium to another.
As for your suggestion of altering Groo, that's an easy call. Sergio Aragonés drew that material and he owns it. So whether or not to make the change is his decision, and I don't see that anyone else's opinion even enters into it.
For the most part, I like to see things as originally intended and I doubt I'll buy the colorized version of anything unless some colorizer creates something very special. In the meantime, since colorized versions don't seem to be knocking the originals out of existence, I don't see the process as the threat that some once thought it was. If it's done and it's done badly, it's just a bad repackaging that I don't have to buy or even look at. It's like when they did that color, shot-for-shot remake of Psycho that most of us ignored. It didn't diminish the original one bit and probably, somewhere, there was someone who really enjoyed it. If someone gets a bang out of seeing the Stooges in color, I say let 'em enjoy themselves. My big gripe is still that it raises the price.
Recommended Reading
Over on Slate, Kim Masters has an article on the current lawsuit involving Disney's hiring and firing of superagent Mike Ovitz. We're gonna hear a lot more about this.
Recommended Reading
Jonathan Rauch offers an interesting piece on gay marriage and how it relates to the sad story of James E. McGreevey, the abruptly outgoing governor of New Jersey.
Recommended Reading
If one wishes to understand John Kerry's position on Iraq, one should read this article by William Saletan and then follow it with this somewhat similar article by Fareed Zakaria. I don't think Kerry's view is difficult to understand but every time he explains it, it's almost like he's trying to make sure he gives them a sound bite that states the opposite.
Original Cast Crisis
If we are to believe this article, the original Broadway cast album may be on the endangered species list. I know of no significant recent Broadway musical that has gone unrecorded but they're claiming it's going that way. We'll see.
Sunset Stripped
Where does the Sunset Strip begin and end? I'm a little puzzled by this article which addresses this vital controversy. According to the piece, the West Hollywood Convention and Visitors Bureau is insisting that the name only applies to the portion of Sunset Boulevard that is within West Hollywood. The report says that if this standard is upheld, a number of places like the Chateau Marmont and the big Virgin Megastore — which have always been referred to as being on "The Strip" — will lose that distinction. The Virgin Megastore and attendant mall are on the site where the world famous Schwab's Drugstore once stood. Once upon a time, Schwab's was probably the most famous thing on the Sunset Strip…but they're now saying that plot of land isn't part of that boulevard of tinsel 'n' glamour. How could this have happened?
Well, I'm in an investigatory mood tonight and this page on the website of the West Hollywood Convention and Visitors Bureau says the Strip is "Crescent Heights to Doheny." That would exclude (by a matter of inches) the Virgin mall, which is on the Southeast corner of Sunset and Crescent Heights. But the Chateau Marmont is a couple blocks west of Crescent Heights so it is along the stretch from Crescent Heights to Doheny.
The Times article suggests that the Chateau Marmont is east of the point where West Hollywood leaves off and plain ol' Hollywood begins. But on this page of the Visitor Bureau's website, you'll find a link to a map they drew up which shows West Hollywood extending all the way east to La Brea. So not only is the Chateau Marmont in West Hollywood, so is the Virgin Megastore and the Laugh Factory and all the businesses which the article says are complaining about the newly-defined cut-off point. (They seem to be a little confused on that page of the website, by the way. There's a link that says it will take you to "a detailed city map through MapQuest." And it does take you to a detailed city map…of the middle of Kansas.)
So it sounds like someone is playing fast and loose with the geography…or maybe they're just shaken up because the Dudley Do-Right Emporium, a gift shop on the site of the Jay Ward Studio located on Sunset one block west of Crescent Heights — is closing down. The Bullwinkle statue's being moved too, I'm told. That's enough to confuse anyone.