Happy Birthday, Nick Cardy!

Nick Cardy is one of the great comic book illustrators of all time. Has anyone ever drawn a handsomer hero than his Aquaman? A sexier heroine than his Wonder Girl? I think not. If you doubt me, you can see many examples of Nick's fine work over at his website.

Nick turned 83 a few days ago. I just called him to wish him at least 83 more, and we had a long, lovely chat because Nick loves to talk. (The first time I interviewed him on a convention panel, he was nervous before. He kept saying, "I can't speak in public…what am I going to say? You'll have to ask a lot of questions to get anything out of me." As I've learned, this is a sure sign that the person is going to start talking and, much to the audience's delight, not shut up. Went through this with Nick. Went through it with Will Elder. Went through it with Al Williamson. When they say that, I know they don't need me there.)

Anyway, Happy Eighty-Third to Nick Cardy, renderer of Aquaman, Teen Titans, Bat Lash, Congo Bill, Tomahawk and so many more. What a fine gentleman.

Recommended Reading

Michael Kinsley describes what seems like a great reason for his personal dislike of George W. Bush.

The Fox Cartoon News

Here's a story that was posted today in a weblog staffed by reporters for The Dallas Morning-News. The direct link to the story is here but since their site has a lot of link glitches, I'm going to post it in full. It's by a writer named Jim Frisinger…

Fox News loves lawyers all right. Cartoonist and The Simpsons godfather Matt Groenig tells this story on Terry Gross' Fresh Air today (and repeated tonignt on KERA at 7 p.m.) Seems The Simpsons did a Fox News parody, including use of the news crawl on the cartoon segment. Fox News threatened to sue. (Sounds like Al Franken all over again.) The Simpsons stood firm. Fox News backed down. Mr. Groenig figured Fox mobul Rupert Murdoch saw no percentage in the suit: Fox News suing a program appearing on the Fox Network. Hmmm. But if I heard the interview correctly, you won't see any new episodes with the Fox News crawl under Homer and Bart's antics: as a policy matter the network asked the cartoon to drop the concept because viewers might be confused that they're watching real news. I did not make this up.

And I don't think Matt did, either. I think Fox was just worried that viewers would realize that Homer Simpson had more credibility than Brit Hume. And seemed more lifelike.

(P.S. Yes, I know it's Matt Groening, not Groenig. But the reporter didn't.)

Recommended Reading

Ronald Brownstein on something that I think is necessary and inevitable in this country: Universal Health Coverage.

Startling Revelation

Today's Daily Variety has an article about this award I'm receiving from the Writers Guild tonight. It's in the subscription-only area of their website and I don't feel like quoting it here, but I was amazed to read the first sentence and discover an interesting fact about myself. In my stock bio which I furnished to the Guild, the next to last line includes the following phrase…

[Evanier] has received three Emmy nominations (no wins).

Can't get much clearer than that. Nevertheless, the story in Variety begins…

Three-time Emmy winner Mark Evanier has been tapped for the sixth annual animation writing award by the WGA West's Animation Writers Caucus. The kudo will be presented tonight by the caucus at its annual reception.

I know it was a harmless mistake but I just cringe at stuff like this. There are people in this world who claim honors they really didn't receive and I'd hate for anyone to think either that I'd won three Emmys or that I was like Bill O'Reilly, bragging about two fictitious Peabody Awards. Maybe it's not a big gaffe but as a recent recipient of the Nobel Peace Prize, I'm somewhat embarrassed.

Another Pitch For Donations

Traffic at this site is way, way up to the point where I have been exceeding my allotted bandwidth and the hosting service has started to charge me more money. I am therefore making another of those shameless suggestions that you either send me some money via PayPal or place your Amazon purchases through one of my links.

(Special Bargain Hint: Amazon has a special Evanier two-fer in progress that will benefit those of you who haven't purchased my books, Comic Books And Other Necessities of Life and Wertham Was Right. Individually, they sell them for $12.95 and $11.66, which mean that to buy both would cost you $24.61. But on either page, there's a special offer which will get you both books for…$24.61, a savings of absolutely nothing. But it will at least feel like you're getting a bargain, and if you spend 39 cents for something else, the order will qualify for free shipping.)

Also, I haven't mentioned it here but we have one of those affiliate deals with Movies Unlimited, which has a huge selection of videotapes and DVDs, sometimes at better prices than you'll find at Amazon. If you click on the name here, it will take you to their site and then we'll get a tiny commission on whatever you order there.

By the way: Someone asked me about the privacy of these affiliate referral deals, and the answer is that I get a list of what folks order there but not the names of the buyers. For instance, my current report with Amazon tells me that in the last thirty days, users of this site have ordered ten copies of The Complete Far Side, nine copies of National Lampoon's 1964 High School Yearbook Parody, seven copies each of Stan Lee and the Rise and Fall of the American Comic Book and my pal Alan Brennert's novel Moloka'i, and a whole mess of Groo books and individual items, but I have no idea who bought what. I don't even know which of you bought this. And I don't want to know.

The Legacy of Rerun

People in show business love to tell certain kinds of stories that are true (or "sorta true") in order to explain how the field works. Fred "Rerun" Berry, who just died at age 52, starred in the TV show, What's Happening?, and in two separate series of show business stories. Some of the stories were about how his career started, the rest were about how it ended, and both kinds have served as valuable lessons to actors craving stardom in Hollywood. He was an oft-cited example of how every so often, you can get a starring role even though you're all wrong for the part.

When What's Happening? was first casting, the breakdowns described the character of Rerun as a skinny and slow white guy. The producers couldn't find that person but they saw Berry, who was an energetic, overweight black guy known primarily for his dancing, and they decided he had star potential. So they asked the musical question, "Well, why couldn't Rerun be a heavy-set black kid?" and then wrote that description and some breakdancing scenes into the script. This kind of course-correction only occurs about once out of every five thousand times an actor is considered for a part but it does happen, and agents and actors love when it happens because they want to believe that no job is ungettable; that if you're short, elderly and female, someone might still hire you to play Tarzan. Once, I observed in a class where a casting director was giving tips on how to audition. He told a roomful of wanna-be DeNiros, "Never think you're wrong for a role," and he related the Fred Berry story to suggest that if you don't fit the part, they'll change the part to fit you. Like I said, it does happen…just not very often.

The other kind of object lessons that have prominently featured Mr. Berry have to do with thinking you're a big star with infinite prospects when all you are is a flash-in-the-pan novelty. That's not as foolish as it may seem since there are flash-in-the-pan novelties that manage to stay around and make good money for many years. But again, we're talking about exceptions here…and this time, Fred Berry wasn't an exception. Whatever loot he made on the original What's Happening? went to bad investments and badder cocaine dealers. The way the story has been told — and I'm not saying I know this to be a fair assessment — he figured he was a superstar and that when his first series ended, there'd be another and another, plus movies and other gushers of cash. This did not happen.

There was very little demand for his services after the show went off in 1979. In fact, he didn't have another steady job in television until What's Happening? was revived in 1985. Though that version lasted a few years, Berry did not last with it. He felt he was underpaid and took to the pages of the tabloids to complain — and this was actually how he put it — that it was grossly unfair that he was almost 35 years old and not yet a millionaire. I'm not sure if he quit because they wouldn't make him one or if he was fired because he kept complaining but either way, there's a lesson there about actors who have an inflated idea of their own indispensability. Since then, when a kid on a series decides he's the new Travolta, someone will often take him aside and tell him the story of Fred "Rerun" Berry…and maybe he'll even listen.

There's probably more to these anecdotes than I've heard, but this is the way they're usually recounted. It's a shame Berry couldn't have received a residual payment every time one of them has been told. If so, he would have had that million dollars…and more.

Recommended Reading

William Saletan on misconceptions about so-called "partial birth abortions." And this article by a doctor who actually performs abortions makes some interesting points, as well.

Right to Die?

I believe that a person has a right to end his or her own life. I do not think it should be done frivolously or without safeguards or on a whim. But I do believe that if a human being's deteriorating medical condition reaches a certain stage of their own selection, they should be able to end the pain, the suffering, the drain on their loved ones, etc. You should be able to designate that if you reach that certain stage and cannot take your own life, it will be done for you. I think the infamous "Dr. Death," Jack Kevorkian, is a hero who should not be sitting in a prison cell. His style was a bit eccentric but his viewpoint is more compassionate and committed to human dignity than the ravings of those who insist that all lives must be preserved at all cost.

This is not a viewpoint I came to out of sheer theory. It evolved out of watching a beloved neighbor deteriorate in old age. Long past the time he might ever again utter a coherent word or be able to do anything for himself, he remained technically "alive" in a manner that was sheer torture to his wife of more than fifty years. Taking care of him became a 24/7 job that destroyed her health and bank account. I am sure that if he ever did have a moment of lucidity, he would have been horrified at the harm that his condition was inflicting on a spouse he loved and he'd have jumped out the window or something.

One often hears people, especially of the "religious right," insist that life is sacred; that no one but God has a right to end it and that humans must preserve it, no matter what. In theory, that sounds noble to me but I cannot reconcile the principle with what I witnessed in the lives of those neighbors. Prolonging that heartbeat meant nothing but pain and personal destruction.

I used to think that the worst possible thing in the world would be to wind up like that man…to live in pain and to destroy the lives of those you loved. I was wrong. After reading all about the Terri Schiavo case, I think the worst thing would be to wind up like her or my old neighbor and to become a political football. A lot of people who don't know the poor woman are suddenly weighing in on her situation and trying to resolve it in favor of whatever view they hold about euthanasia.

This website was set up by some members of her family, and it seems to make a strong case that her life should not be ended. As I said, a step like that should not be taken unless the person has indicated they wish it and a rational due process has verified that fact. If I formulate an opinion based on what's being reported in the press, it would seem that this was not the case, and that the officials who stopped her termination took the right step. Then again, I believe so little of what I see reported in the press, I don't feel qualified to assert that. I doubt that anyone is, apart from certain family members, doctors and parties who are intimately involved with the woman's situation. Everyone who is commenting from afar is just pushing their personal views on mercy-killing, for or against, with no real consideration of Terri Schiavo's needs.

So: I believe what I said in the first paragraph above and I have no opinion on whether or not it is proper in her case. But the main thing is that I think I'm going to insert a clause into my will. It will say that if I ever am so ill and infirm that my friends, loved ones and doctors are debating the ending of my life, they should make that determination, knowing that I would never want to be kept alive if there was no real chance I would ever again think and communicate and function and eat pizza. And if it reaches the stage that people on the Internet are joining in on the debate, they should pull the plug on me…immediately. Perhaps they could even hook my life support up to Google News and when the topic arrives there, it would send out a shutdown signal.

Falwell Outdoes Himself

Here it is, fresh from today's installment of Crossfire

BEGALA: General Boykin said — and I'm quoting him here about our president — "Why is this man in the White House? The majority of Americans did not vote for him." He's right about that. "Why is he there? And I tell you this morning, he's in the White House because God put him there for a time such as this." Now, in case General Boykin is watching, and for our folks at home, let me show a couple of images here. First, this is God. God is depicted, actually, by Michelangelo in his masterpiece in ceiling of the Sistine Chapel. On the right side of your screen is William Rehnquist. He's the chief justice of the Supreme Court. He's the one who put George Bush in the White House, isn't he, Reverend Falwell? Not God.

FALWELL: Well, if — if you don't take the Bible seriously, what you and Hussein just said would be true. But the vast majority of believers worldwide, Christian, followers of Christ, believe that God rules in the affairs of men. And history would support that.

BEGALA: So God put President Clinton in office?

FALWELL: You worked for a long time for Bill Clinton. You worked for a long time for Bill Clinton.

BEGALA: So God put him there?

FALWELL: I think that we needed Bill Clinton, because we turned our backs on the lord and we needed a bad president to get our attention again to pray for a good president. That's what I believe.

If you want to read the whole transcript, you can find it here. But just that much I think constitutes the stupidest thing Jerry Falwell has ever said on TV. It's certainly in the Top Ten.

A New Personal Best

I just watched today's edition of Crossfire and heard Jerry Falwell say what may be the single stupidest thing he has ever said…and that's quite an achievement. As soon as CNN posts the transcript on its website, I'll quote it here.

Penguin Coming Back

Kevin Boury writes to ask…

There's buzz on the TVBarn boards today about Bloom County returning in some form as a Sunday only strip. But I won't believe it until I see it in your blog! Hope you have time to investigate…

It's true, it's true. Here's an announcement over at the website of Berkeley Breathed. And while we're at it, here's an interview with the guy.

(Web)Spinning a Tale

Here's a short piece on Spider-Man with a brief interview with John Romita Sr. Unfortunately, right off the bat, it repeats the following "fact"…

The editors of Marvel Comics thought so little of writer Stan Lee and artist Steve Ditko's creation in 1962, that they put the character's debut in the 15th issue "Amazing Fantasy," a comic set to be canceled.

First off, the "editors" of Marvel Comics at the time were one guy — Stan Lee, who most definitely believed Spider-Man could be a hit. The detractor was publisher Martin Goodman, who simply didn't think anyone would buy a comic book about spiders.

Actually, the way the legend is usually told is that Lee and Ditko knew Amazing Fantasy #15 would be the final issue so they figured they had nothing to lose by doing such a dangerously different character in it as a one-shot. But that account apparently isn't true, either. When they did the story in #15, they thought it was the first of many so they went ahead and did another Spider-Man story for Amazing Fantasy #16 and at least started on one for #17.

It was around then that Goodman received some uncommonly low sales figures on issues of Amazing Fantasy prior to the introduction of Spider-Man, back when it was called Amazing Adult Fantasy. He decided the book was such a loser that distributors wouldn't even bother to get later issues onto all the newsstands. Moreover, contracts then limited the number of comics he could publish so he had to cancel one to start another. He was not yet convinced that his new super-hero books were his best commercial prospect and still believed in his western titles. A year or two earlier, he'd cancelled Two-Gun Kid, then decided it was a mistake to have done so. Since then, he'd been looking for a slot on the schedule so he could resurrect it, especially since he had the artwork for an entire issue on the shelf, paid-for but unpublished. Add to that the fact that Goodman did not think the idea of a spider-themed hero was commercial and you have the makings of a boneheaded (but not fatal) error. He cancelled Spider-Man's comic after one issue to make room for the revival of Two-Gun Kid.

Fortunately for comic book history, he soon saw his mistake. Sales went up on that last issue of Amazing Fantasy, fan mail (then, a rarity) arrived, the other super-hero books were doing better and better, and Stan Lee was telling him the new hero deserved another shot. Goodman finally bowed to the inevitable and cancelled a romance comic to clear a spot for a full book of The Amazing Spider-Man. The leftover material, prepared for Amazing Fantasy #15 and #16 was incorporated into the first two issues of the new book.

That's actually how it happened. Don't believe the other version. (It also apparently isn't true that Jack Kirby was replaced as artist on Spider-Man by Ditko because Stan thought Kirby's version was too muscular. But I'll get into that some other time…)

Of Lies and Liars…

In their lawsuit against him, Fox News said Al Franken was "not a well-respected voice in American politics." You sure couldn't prove that by anyone who was in the hall where I was Tuesday evening. Well, there was one guy who seemed to feel that way but we'll get to him. The other eight hundred people present greatly enjoyed hearing Mr. Franken interviewed by an amazingly-svelte Rob Reiner. They cheered as Al talked about his battles with Bill O'Reilly, his criticisms of Ann Coulter and his mixed sympathies for Rush Limbaugh. He also managed to be pretty funny, too. I especially laughed at his description of a political commercial he'd like to see the Democrats air. It would show footage of George W. Bush landing on the aircraft carrier and strutting about. Then in would come a voiceover by Wesley Clark, John Kerry or someone else with actual combat experience who would say, "You know, playing dress-up can be fun…"

About that one guy who didn't like Franken. Maybe it's always been like this but lately, every time I'm at a public event and they have a microphone set up for questions from the audience, the following occurs. The mike seems to attract people who really don't have a question… they just want the spotlight for a little while. Often, they seem to appoint themselves spokespersons for the entire audience ("On behalf of all of us out here, I just want to say how grateful we are that you came here tonight…") or they've figured out some way to tell everyone about themselves in the guise of a question. You have to be especially wary of that one guy who spends the whole speech or panel hovering near the audience mike, waiting for the moment when they throw it open to questions and he gets his big break. He's usually the first one and he's got a speech all prepped for the occasion.

Tonight's first questioner was a gentleman of arguable ethnicity who started reading from a prepared text that quoted several places in Franken's new book where the publication of falsehoods is decried. After other audience members started yelling, "Get to your question," the guy jumped to the last page of his speech and accused Franken of a blatant error. It didn't sound especially significant to me…more a matter of semantics than factual discrepancy. People started booing the guy, more for his stridency than his point (it seemed to me) and the next questioner in line ripped the speech out of his hands. For about three seconds there, it looked like there might be fisticuffs but Franken gave the guy a nice answer, offered to speak with him after the speech, and neatly defused the moment. Later, when Al sat down to sign books for about half the attendees, the rude guy stormed to the front and demanded his personal chat then and there. They made him go to the end of the line, which he did, and from there he held court and lectured largely-uninterested parties on his rather trivial point.

No other questioner was that contentious but some of the others had long speeches that seemed primarily about getting attention and only incidentally about soliciting Franken's thoughts. I get tapped to play Moderator at a lot of events and I have to remind myself to watch out for such folks and to not let them get away with hogging the mike and saying nothing. Or delivering an infomercial about themselves.

I got but have not yet read a signed copy of Franken's best-seller, Lies and the Lying Liars Who Tell Them. When he was on Saturday Night Live, Franken got a rep for being arrogant and rude but I was impressed with his "autograph line" style. He was friendly to everyone, making more conversation than he had to, and going out of his way to shake everyone's hand and make them feel comfortable. Maybe being on the New York Times best-seller list makes a man humble…though come to think of it, that hasn't helped Bill O'Reilly.